• Anathema – We’re Here Because We’re Here (2010)


    We have been waiting for seven long years to get a new release from one of our favorite bands: Anathema. “We’re Here Because We’re Here” is the band’s latest album that will surely gain them a ton of mainstream fans, but will loose of the fans that have been expecting something completely different (and more inspired) from them.

    The band’s atmospheric rock has suffered a very drastic transformation since “A Natural Disaster” shifting into a more commercial-friendly sound. Even Vincet’s vocals sound different than in the previously mentioned release. With only three tracks that appealed to us, we must say that this album is a big disappointment (at least for us).

  • Mouth Of The Architect – The Violence Beneath (2010)


    American Sludge Metal monsters are back with “The Violence Beneath”, a four song EP that features two new songs, a live song and a cover of Peter Gabriel’s “In Your Eyes”. While we feel that this EP does a good job to create anticipation for the band’s future full-length release, an anticipation that is currently burning inside us, since we really enjoy Mouth Of The Architect’s (MOTA) releases.

    Two years have passed since their crushing album “Quietly” and we were wondering what was going out with MOTA. With the two new tracks “The Violence Beneath” and “Buried Hopes” we get a nice continuation from where the band left off with “Quietly”.

  • Sabbath Assembly - Restored to One (2010)


    With a highly elaborate theological foundation we have Sabbath Assembly, a gathering of musicians featuring Jex Thoth. Following the ideologies of Process Church of the Final Judgment a cult from the 60’s and 70’s, Sabbath Assambly’s “Restored to One” is a ‘re-charging’ of this cult’s hymns and brought to the general audience in form of psychedelic rock songs.

    We love anything that has to do with theology, and especially stuff about cults so “Restored to One” is a very interest release for us. The whole idea of having three great gods of the universe in Jehovah, Lucifer and Satan, sound like a crack-pot theory that my friend would cook up during an acid trip. However, not all ideas behind the Process Church were as crazy as this one.

  • Enforcer – Diamonds (2010)


    After a very well received “Into the Night”, Enforcer is back with their 80’s inspired Heavy Metal, and with “Diamonds” they manage to pick up where they left off two years ago. The band is clearly very influenced by the 80’s and they sound exactly if they traveled through time in order to show us how it was done back then.

    While some people might call them posers, we have to say that if the music is done correctly and it has the same feeling, then it does not matter that Enforcer is a flashback band, they kick ass and take names. Showcasing a perfect balance of Heavy/Trash Metal from the 80’s “Diamonds” is a pretty solid album that will make you want to dig out your favorite tapes and LP’s from those glory days.

  • Vektor – Black Future (2009)


    With the logo calling for similarities from Voivod we were expecting a soulless clone of this band, but instead we found a very good Progressive Trash Metal American band that is set to make a name of their own. Hailing from Arizona, this quartet does a great job into mixing progressive elements with old-school Trash that will blow you away.

    While there are some Voivod influences, “Black Future” is an album that clearly stands out from all the ‘new’ Trash Metal releases these days. The riffing is the main driving force behind this release, but it’s perfectly crafted around complex song structures that are unlikely in many Trash releases.

  • Pestilence – Resurrection Macabre (2009)


    When Patrick Mameli decided it was time to bring back Pestilence, he enlisted the services of Tony Choy (Bass) and Peter Wildoer (Drums) in order to record “Resurrection Macabre”, the band’s return to their Death Metal days, and first album in 16 years. Many people where left off wondering what happened to Pestilence with their very good (and for some atrocious) release of “Spheres” an album that saw the band change their musical style considerably.

    “Resurrection Macabre” in a few words is: A fucking brutal and technical release. This album is something we were expecting from Pestilence back in 1993, however this release still sounds good for this time thanks to a superb production. Patrick has brought back the full aggressive Pestilence sound that we all loved from their beginnings and the technical aspect of “Spheres” combined together into a brilliant release.

  • Withershin – The Hungering Void EP (2010)


    Today we have a short-but-sweet EP from this Swedish quartet that plays Black Metal. Withershin was formed since 2006, in just a few years has managed to release a demo, a full-length CD and this EP that feels more like a maxi-single since it only lasts 15 minutes.

    The three tracks in this EP showcase a mature band that plays a very solid Black Metal that would rival any of the other mid-level bands in Sweden and the world. Since there are only three songs we will use the dreaded song-by-song review approach.

  • Eclectika – Dazzling Dawn (2010)


    Hailing from France, today we get a very unique Post-Black Metal band that is not afraid of pushing the boundaries of music. This French trio plays a very well balanced mixture of raw Black Metal with experimental elements that makes “Dazzling Dawn” a very refreshing album that is both aggressive and very melodic.

    Starting off with a very symphonic intro, you are set to expect something like Dimmu Borgir or similar Symphonic Black Metal bands, but instead you get a very raw BM approach with some female vocals. All this for 2 tracks and then it changes into a very melodic acoustic ballad that could be from any Gothic Metal band out there. This is pretty much how the album flows, featuring a wide variety of styles and elements put together in a very intricate way.

  • Rosetta – A Determinism of Morality (2010)


    Hailing from Philadelphia today we have Rosetta, a band that combines elements of Hardcore, Shoegaze and Post-Metal with heavy melancholic atmospheres. This American band has been around for a while and has a pretty strong following in the scene, achieved thanks to their superb releases.

    “A Determinism of Morality” is the band’s latest effort. The album is being released by Translation Loss Records, a very unique label that has such acts as: Javelina and Mouth of the Architect. “A Determinism of Morality” starts off very aggressive before blending into an intoxicating mix of atmospheric passages. The band does a great job in gravitating between aggressive sections and instrumental passages that remind us of God is An Astronaut and similar bands.

  • Evig Natt – Darkland (2010)


    After their impressive debut album “I Am Silence” back in 2007 we were left wanting more from Evig Natt, and finally we get “Darkland” this 2010. This Norwegian band debuted combining Black Metal with Gothic/Doom Metal influences in a very unique way, getting them enough attention and acclaim for their first album.

    With “Darkland” the band is back with a sound geared towards our favorite trifecta: Gothic/Doom/Death Metal. We completely love this genre, and we can say we are its harshest critics. With only a handful of bands that we discovered in the last few years that are worthy of carrying the banner of the combination of these three genres, we were pretty cautious when reviewing “Darkland”.


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