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  • Sezarbil – Dark God (2009)

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    Hailing from the Czech Republic today we have Sezarbil, a Black Metal band that while not very original it’s actually very entertaining. Sezarbil, like countless other Black Metal band has a tick and brutal sound that is very brutal and destructive in nature but it’s nothing we haven’t heard before.

    However, if you are a connoisseur of Black Metal we all know that bands in this genre sound a like, but the good ones are equally effective in creating the destructive atmosphere that we all love about this genre. Sezarbil falls in the category of the good bands since with “Dark God”, they have crafted 9 tracks of pure Black Metal hatred against humanity and religion.

  • Teratism – Via Negativa (2010)

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    Two years after “Pure Unadulterated Hate”, USBM band Teratism is finally back with another hard-hitting grim as fuck Black Metal release that will rattle your insides. With a full-on devil worshipping and the occult concept, Teratism is one of the top flight USBM bands this days and with “Via Negativa” the have pushed their diabolic sound to new heights.

    Summer time is the time for warm weather and sunny skies, but Teratism creates a very thick and chilling atmosphere with a relentless Black Metal attack very similar to its Nordic counterparts that will bring forth darkness and bleakness to any sunny day. “Via Negativa” has a very raw sound to it, but it never feels like it was recorded in a shed or a toilet; the production highlights the raw and destructive sound of the band while maintaining enough quality to rival any big budget BM production.

  • East Of The Wall – Ressentiment (2010)

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    Like a good wine, East Of The Wall has only been getting better with time. With “Ressentiment” the band not only improves over their perplexingly brilliant “Farmer's Almanac”, but they take things to a whole new dimension. The main addition to “Ressentiment” is the use of vocals to adorn the bands highly textured musical compositions. The vocals are partly because of the merger of Biclops and them.

    East Of The Wall’s brand of music is of particular interest to music connoisseurs that can greatly appreciate all the technical powers behind this band. Every single song is masterfully crafted to perplex the listener and make him have to listen to the songs a few times before fully digesting them. Then you move on to the next song and the process begins again.

  • The Body - All the Waters of the Earth Turn to Blood (2010)

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    Today we have one of the weirdest albums we have received in the last few years with The Body’s “All the Waters….”. This band combines Drone / Sludge Metal with a bunch of random shit creating a very enthralling atmosphere unlike anything you have heard before.

    Since their opening track “A Body”, you know you will be in for quite the experience. This song features angelic voices for around 7 minutes and then it transforms into a mix of heavy sludge riffage, angelic voices and deranged screams. The album pretty much continues in the same weird fashion with the drone-like “A Curse” and then it just keeps getting weirder and weirder with “Empty Hearth”.

  • Fluwid – From Surface to Suffocation (2010)

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    If you have been an avid reader of Infernal Masquerade for a while now, you should know that we despise most of the shitty Metalcore releases that all the kids over at Hot Topic go crazy about. However, we have always been objective and giving props when props are due to Metalcore/Deathcore/Whatever-core releases that are actually good. Today we have Fluwid and their Metalcore/Melodic Death Metal second album “From Surface to Suffocation”.

    First off, it might be the promo we got but the album sound leaves a lot to be desired since it sounds very hollow and diminishes the overall quality of this release. The music is very straight forward and is highly repetitive, repeating riffs over and over until you can easily play them just by listening to this album once. The breakdowns and clean vocals made us want to puncture our ear drums, but they are very standard for releases of this kind and sound good when compared to other Metalcore bands.

  • Waking the Cadaver – Beyond Cops. Beyond God. (2010)

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    If it wasn’t enough that all the kiddies are playing Deathcore these days, we now have BRUTAL, yes BRUTAL Deathcore. We can definitely can notice an extra ‘aggression’ level in Waking the Cadaver’s Deathcore sound making it much more brutal, but it still borders with the Death/Grind bands of a few years ago.

    The band call their style “Slamming Gore Groove” and we think this is downright hilarious, there aren’t enough Groove elements to categorize this release like this, but we can see that there is some Grooviness to their music. We can’t really find the ‘innovative’ aspect of this band anywhere since they just sound like a really pissed off version of Black Dahlia Murder without their occasional good riff.

  • Rage – Strings To A Web (2010)

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    This legendary German Heavy/Power Metal trio is back with yet another solid album. This band is currently celebrating their 25th year anniversary and what better way to do it with a super Heavy Metal release. Featuring Peter "Peavy" Wagner as the only founding member, the band has featured guitar virtuoso Victor Smolski since 1999 and recently (20070 added drummer Andre Hilgers. All of these musicians have heaps of experience in making solid music over the years.

    The main appeal of a band such as Rage is the ability to write epic choruses and you can’t get any better than them for this task. Keeping a very traditional Heavy Metal sound this band can change the course of a song from just ‘good’ to plain epic with their perfectly crafted choruses. While some of them might sound a bit too soft, there is nothing soft about the overall power this band displays in “Strings To A Web”.

  • Suicidal Angels – Sanctify the Darkness (2010)

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    With the current Thrash revival we have been noticing that many circa 2000 bands have re-surfaced and now they are finally getting deals with higher-profile labels in their attempt to ride the Thrash metal magic pony during the last few years. Suicidal Angels is one of those bands that has been benefited by this revival, but that it also has enough substance in their music to be worth listening to and actually buying their albums.

    The band plays old-school Thrash in a commanding manner and if it weren’t for the huge noticeable accent on the vocals we would never have guess they are from Greece. The influences behind this band are countless: old Slayer, Kreator, Possessed, old Sodom, etc. As you can expect you will not find anything original here, but who cares, if it’s well played Thrash metal, we are completely down for it.

  • Sorgeldom – Inner Receivings (2010)

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    Today we have an interesting Black Metal band from Sweden with the name of Sorgeldom. We call this band’s music interesting because their sound has some of the Scandinavian Black Metal feel to it mixed with some experimental rock/shoegaze elements. The band never goes as far as sounding like a Post-Black Metal band, but they do have a cleaner/slower edge in their sound that few others have.

    Sorgeldom in not by any means a revolutionary band, but they do a pretty solid job in incorporating different elements into a strong Black Metal foundation. The band has somewhat shifted from their original sound and now they are trying to find a middle ground between the harshness of traditional Black Metal and their experimental elements.

  • Society's Plague - The Human, The Canvas (2010)

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    With a very ‘commercial friendly’ sound, today we get Society’s Plague. Hailing from the USA, this band plays a mean mixture of Melodic/Progressive Death Metal with Metalcore influence. Setting aside our ‘differences of opinion’ with Metalcore bands, Society’s Plague is actually one hell of a band that will blow you away since the first song on their debut full-length release “The Human, The Canvas”.

    This American band has some Swedish Melodic DM influences in their sound and we love it. When most kids these days are focusing on creating songs with breakdowns every 30 seconds, Society’s Plague focuses more on crafting dual guitar melodies like almost no other new-coming band. The bands guitarists combine both skill and great songwriting skills on this album, making the band have a very dynamic and diverse sound.

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