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  • Bethlehem – Stönkfitzchen (2010)

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    After getting trashed for their ‘re-interpretation’ of their “S.U.i.Z.i.D” album, today we have “Stönkfitzchen” the return of Bartsch and company to the more deranged and totally sublime side of Dark Metal and the Bethlehem sound we all love. Niklas Kvarforth is now somewhat adjusted to the band and their lyrics in mostly German, allowing Bethlehem to sound very deranged and as weird as always.

    The first moment we received this promo CD we immediately started listening to it since we are huge fans of Bethlehem and Kvarforth’s work with Shining, and let me tell you, we were not disappointed at all with this cosmic combination of probably two of the most twisted people in Metal: Bartsch and Kvarforth.

  • While Heaven Wept – Triumph:Tragedy:Transcendence – Live at the Hammer of Doom Festival (2010)

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    As one of the most under rated bands of the USA, today we have While Heaven Wept and their very impressive live CD/DVD “Triumph:Tragedy:Transcendence – Live at the Hammer of Doom Festival”. With a career of over 20 years and only three full-length releases, we are usually excited when we can get anything new from this amazing band.

    In this release (the audio portion), the band presents seven of their most epic songs and provide amazing renditions of each one of them, especially the older songs that in this release feature Rain Irving on vocals. With half of the “Vast Oceans Lachrymose” album here and some of the band’s ‘greatest hits’, this package features an amazing value for all the countless fans of the band.

  • Tangents – One Little Light Year (2010)

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    Featuring Derek Kerswill (ex-Unearth, session for Shadows Falls) on drums, today we have Tangents debut album “One Little Light Year”, a very different release to what we are used to getting for promotional materials. Tangents is a duo that plays a very eclectic mix of Alternative Rock, with some Progressive / Post-rock influences and other more ‘mainstream’ elements that makes them very catchy and probably appealing for people that like bands like Coldplay, Muse, etc.

    Before you start to think that you need to click on something else to read, just hold on a minute and keep reading since “One Little Light Year” is actually not that bad. If you like bands like Votum, Canadian Fen or even Anathema and similar Progressive Rock/Metal bands, you might find Tangents appealing since they have some catchy songs with interesting guitar passages and atmospheric sections that will grab your attention.

  • Dakrya - Crime Scene (2010)

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    With a very similar style to Unexpect, Dreams of Sanity, and Diablo Swing Orchestra, today we have Dakrya, a band from Greece that is ready to turn heads with their sophomore release “Crime Scene”.  After their very decent debut album “Monumento”, the band seems to have refined their style and exploit their strengths on “Crime Scene”.

    While many bands are running around trying to copy DSO these days, Dakrya never gives you that feeling since the band’s music is a bit less jazzy and a bit darker than anything DSO has released, but on songs like “The Urban Tribe” the similarities cannot be contained. You still get the theatrical feeling on this release and while the band’s music is less elaborated than DSO or Unexpect, we still get nine very solid tracks of madness.

  • Creation’s End – A New Beginning (2010)

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    Coming from the minds of two North American musicians today we have “A New Beginning”, the debut full-length release of Creation’s End. Featuring musicians such as Mike Dimeo (Ex-Masterplan, Ex-Riot) and guitar wizard Marco Sfogli (James LaBrie band), this debut album will blow you away with its amazingly crafted Progressive Metal songs.

    Creation’s End features a wide variety of influences, making them not just another Progressive Metal band, but a force to be reckoned since they touch so many genres in the 8 impressive tracks of “A New Beginning”. The band has something in store for everybody, being soaring vocals, guitar acrobatics, and a nice dark atmosphere surrounding the album.

  • The Man-Eating Tree – Vine (2010)

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    We at Infernal Masquerade are usually very busy reviewing all the stuff we get from labels, bands, etc., that we rarely have free time to go out and discover something new. Few weeks ago we found ourselves at a friend’s house being serenaded by this great band that we had no idea who it was, turning out to be The Man-Eating Tree, and we had been listening to “Vine” for almost 3 hours non stop. Long story short, we immediately got a copy of this album and became almost obsessed by it.

    Featuring Vesa Ranta (ex-Sentenced) on drums, Janne Markus (Poisonblack) on guitars and Tuomas Tuominen (ex-Fall of the Leafe), The Man-Eating Tree boasts a very impressive line-up. The music in “Vine” can equate to the quality of musicians performing on it. The band plays a very Atmospheric brand of Gothic Metal that will surely grab you attention very quickly since it’s extremely good and appealing.

  • Neuronia - Follow the White Mouse (2010)

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    Presented in a lush digipack, today we have all the way from Poland Neuronia and their second full-length album “Follow the White Mouse”. With a very hard to describe style, the band manages to merge elements of Thrash, Heavy and Melodic Death Metal in a multi-textured release that is very enjoyable from start to end.

    With a very unique style, Neuronia’s music is very enjoyable since it features influences from tons of different genres and bands, keeping things fresh and unpredictable. The only thing we quickly noticed is that we are not big fans of the vocals since they tend to get on our nerves a bit, and even after a few listens. However, they are not bad at all is just a particular singing style that irritates us (the ‘main’ one from the several different ones presented in this album) from the past, but the band’s music is good enough for us to ignore this little detail.

  • Frailty – Silence is everything… (2010)

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    Lastly from the Frailty promo pack we got in the mail a few days ago we have “Silence is everything…” another EP released by this monumental Death/Doom band from Latvia. In the same vain as on their “EP” release from 2009, we get a glimpse of the band’s excellent songwriting skills and abilities to keep this genre alive and well.

    Starting of with “Wendigo” we get a solid dose of fast paced Death/Doom Metal with passages that reminded us of Anathema in their earlier days (“Pentecost” and “Crestfallen” albums). But with a heavier edge than on the band’s first full-length release and with some harsh almost Black Metal-like screams here and there.

  • Frailty - Lost Lifeless Lights (2008)

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    After listening to their 2007 promo, Frailty caught our ears with their crushing Death/Doom Metal in a way that no band since the early 2000’s and late 90’s had done it. Hailing from Latvia, this band keeps the Death/Doom Metal flame alive and delivers 9 crushing tracks in their first full-length “Lost Lifeless Lights”.

    Quickly after their Intro song, the band treats us to some crushing guitar riffs in the traditional vein of bands like Saturnus, Mourning Beloveth, Shape of Despair, etc. With the traditional tuning of Doom Metal music, the band’s riffing is very crushing in the sense that is simple, desolate and authoritative. The growls quickly make their presence and the traditional atmospheric passages soon follow. “I Know Your Pain” is the prefect song to create a depressing and monumental atmosphere to surround this release.

  • Coma – Excess (2010)

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    Hailing from Poland, today we have Coma, a band that has ‘dominated’ the scene in their home country and now it’s trying to make their way through the very crowded and highly competitive world-wide market. The band plays a perfect blend of rock with progressive elements and some hints of Metal. “Excess” is a re-recorded version (in English) of their best album, and you can clearly hear that with the quality of the songs presented in this release.

    In an emotional rollercoaster, “Excess” takes the listener through many different moods and a wide variety of different elements fused together to create a near perfect release that will surely put the band in the world wide map. Being formed in 1998, the band has had enough time to craft their sound and be comfortable with it, the musicianship of this release shows that Coma is here to stay and that people should take note of them.

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