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  • Fluwid – From Surface to Suffocation (2010)

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    If you have been an avid reader of Infernal Masquerade for a while now, you should know that we despise most of the shitty Metalcore releases that all the kids over at Hot Topic go crazy about. However, we have always been objective and giving props when props are due to Metalcore/Deathcore/Whatever-core releases that are actually good. Today we have Fluwid and their Metalcore/Melodic Death Metal second album “From Surface to Suffocation”.

    First off, it might be the promo we got but the album sound leaves a lot to be desired since it sounds very hollow and diminishes the overall quality of this release. The music is very straight forward and is highly repetitive, repeating riffs over and over until you can easily play them just by listening to this album once. The breakdowns and clean vocals made us want to puncture our ear drums, but they are very standard for releases of this kind and sound good when compared to other Metalcore bands.

  • Waking the Cadaver – Beyond Cops. Beyond God. (2010)

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    If it wasn’t enough that all the kiddies are playing Deathcore these days, we now have BRUTAL, yes BRUTAL Deathcore. We can definitely can notice an extra ‘aggression’ level in Waking the Cadaver’s Deathcore sound making it much more brutal, but it still borders with the Death/Grind bands of a few years ago.

    The band call their style “Slamming Gore Groove” and we think this is downright hilarious, there aren’t enough Groove elements to categorize this release like this, but we can see that there is some Grooviness to their music. We can’t really find the ‘innovative’ aspect of this band anywhere since they just sound like a really pissed off version of Black Dahlia Murder without their occasional good riff.

  • Rage – Strings To A Web (2010)

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    This legendary German Heavy/Power Metal trio is back with yet another solid album. This band is currently celebrating their 25th year anniversary and what better way to do it with a super Heavy Metal release. Featuring Peter "Peavy" Wagner as the only founding member, the band has featured guitar virtuoso Victor Smolski since 1999 and recently (20070 added drummer Andre Hilgers. All of these musicians have heaps of experience in making solid music over the years.

    The main appeal of a band such as Rage is the ability to write epic choruses and you can’t get any better than them for this task. Keeping a very traditional Heavy Metal sound this band can change the course of a song from just ‘good’ to plain epic with their perfectly crafted choruses. While some of them might sound a bit too soft, there is nothing soft about the overall power this band displays in “Strings To A Web”.

  • Suicidal Angels – Sanctify the Darkness (2010)

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    With the current Thrash revival we have been noticing that many circa 2000 bands have re-surfaced and now they are finally getting deals with higher-profile labels in their attempt to ride the Thrash metal magic pony during the last few years. Suicidal Angels is one of those bands that has been benefited by this revival, but that it also has enough substance in their music to be worth listening to and actually buying their albums.

    The band plays old-school Thrash in a commanding manner and if it weren’t for the huge noticeable accent on the vocals we would never have guess they are from Greece. The influences behind this band are countless: old Slayer, Kreator, Possessed, old Sodom, etc. As you can expect you will not find anything original here, but who cares, if it’s well played Thrash metal, we are completely down for it.

  • Sorgeldom – Inner Receivings (2010)

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    Today we have an interesting Black Metal band from Sweden with the name of Sorgeldom. We call this band’s music interesting because their sound has some of the Scandinavian Black Metal feel to it mixed with some experimental rock/shoegaze elements. The band never goes as far as sounding like a Post-Black Metal band, but they do have a cleaner/slower edge in their sound that few others have.

    Sorgeldom in not by any means a revolutionary band, but they do a pretty solid job in incorporating different elements into a strong Black Metal foundation. The band has somewhat shifted from their original sound and now they are trying to find a middle ground between the harshness of traditional Black Metal and their experimental elements.

  • Society's Plague - The Human, The Canvas (2010)

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    With a very ‘commercial friendly’ sound, today we get Society’s Plague. Hailing from the USA, this band plays a mean mixture of Melodic/Progressive Death Metal with Metalcore influence. Setting aside our ‘differences of opinion’ with Metalcore bands, Society’s Plague is actually one hell of a band that will blow you away since the first song on their debut full-length release “The Human, The Canvas”.

    This American band has some Swedish Melodic DM influences in their sound and we love it. When most kids these days are focusing on creating songs with breakdowns every 30 seconds, Society’s Plague focuses more on crafting dual guitar melodies like almost no other new-coming band. The bands guitarists combine both skill and great songwriting skills on this album, making the band have a very dynamic and diverse sound.

  • Warvictims - Domedagen (2010)

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    If you like D-beat/Punk you should already know who the Swedish Warvictims are. If you don’t, then definitely check this album out. We are not huge fans of the genre or this band, but we can notice how intense and raw Domedagen is.

    In a quick lowdown of “Domedagen” we have to say that the punk riffing and drumming is very persistent during the album and create the right atmosphere for a band of this genre. The production quality on this release is pretty shitty, but we assume this would add more ‘rawness’ and ‘authenticity’ to the album.

  • D.I.S – Critical Failure (2010)

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    All-star band D.I.S grace us today with the Trash/Crust influenced D-beat that will surely blow you away. Featuring members of Phobia, Exhumed, Mange, Impaled and Eat The Living, this band is ready to kick ass and take names. “Critical Failure” is their long-awaited debut album and they have pretty much delivered in every single aspect with this album.

    If you are expecting anything original or innovative, you have picked the wrong genre and thus the wrong band/album. D.I.S is something that most nostalgic people about the old days of Hardcore punk will treasure and completely identify with. The band’s Swedish sound is very thick and will blow you away.

  • Colonel Blast – For the Greater Good (2010)

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    Once we listen to an album for one or two times we usually have an idea of what to say about it, when it came to “For the Greater Good” we are still short on words to describe it, but we will try to do our best. This band combines almost every possible genre of Metal together and creates a very unique and crushing sound.

    The band quickly starts of their album showing their riffage power and drumming skills. However, the screamed vocals on this song (and others) are quite annoying since they sound like a cat is getting hit by a bus or something. Some people might dig this, but we don’t, however the growls used through the album are decent enough to make up for them, and the music is what interested us the most.

  • Locusta – Locusta (2010)

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    Hailing from the USA today we have Locusta, a band that plays an interesting combination of Death/Black and Progressive Metal. While the band does have a very original sound, they have some flaws here and there that make their self-titled debut album a very good attempt but not quite there kind of record.

    The first thing we will note is that the band’s technical abilities greatly surpass their budget for this record, even if you had whatever amount the band paid to record this album changed into pennies and lugged it around on a big bag. The album’s product makes us want to cry since it sounds very bad. The drumming is extremely wobbly and sounds like when our tape player was destroying our precious cassettes back in the day. The guitars sound very weird, something we attribute to the production but it might be the ‘especial distortion’ used by the band.

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