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  • Lord Agheros - Koinè (2022)

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    Perfectly tailored to fans of music that pushes boundaries and that incorporates many disparate elements, today we have Lord Agheros and their latest opus “Koinè”. Mixing Ambient, Atmospheric and Avantgarde elements with a Black Metal core, this one man outfit continues to deliver unique and engaging releases that are varied and evocative from start to finish.

    Opening with “The Prophecy”, we are treated to an Elend-esque momentum builder filled with dreamy atmospherics and crafty guitars. The musical exploration continues with the Industrial-elements of “The Walls of Nowhere”, paired with lush vocal arrangements and the doomier onslaughts of “Hold the Line”. As you can read, as the album hits the middle track, “Sow”, there are plenty of engaging elements from different genres, nicely arranged to create an immersive experience.

  • Valais - Valais (2022)

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    Oozing malevolence and piercing riffs, today we have Ireland’s Valais and their self-titled debut release out in CD and tape format through Signal Rex. While Black Metal bands are a dime a dozen these days, there are only a handful, like this one, that bring the genre to life with gusto and a piercing precision.

    A cavernous mood is nicely set with the opener “I”, a track that suddenly changes gears and delivers blistering drumming alongside crushing riffs. The hellish shrieks perfectly fit the band’s sinister nature as pieces like “III” demonstrate with a slower and creepier pace. Similar to outfits like The Ruins of Beverast and Urfaust, we particularly enjoy this style where pace, aggression, and varied vocal styles create unsettling atmospheres.

  • Corpsegrinder - Corpsegrinder (2022)

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    As one of the most identifiable people in Metal, George "Corpsegrinder" Fisher has made a career thanks to his punishing growls, furious headbanging skills, and bigger than life personality. Unleashing his debut solo album, Corpsegrinder delivers ten tracks and over 30 minutes of signature Death Metal with some splashes of Thrash Metal.

    Featuring Charlie Bellmore and Nick Bellmore handling the instruments, the album starts with the pummeling “Acid Vat” track, which also receives some additional magic from Erik Rutan. Marching victoriously through songs like “Bottom Dweller”, “On Wings of Carnage”, “All Souls Get Torn” and “Death Is The Only Key”, Corpsegrinder showcases his usual versatility and energy alongside a barrage of chugging riffs and crafty tempo changes.

  • Serpent Noir / Sargeist - Transcendental Black Magic (2022)

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    Unleashing over 45 minutes of soul-crushing Black Metal today we have Serpent Noir and Sargeist with a split release titled “Transcendental Black Magic”. With none of the bands needing any introductions, this release is a very swift and brutal way to start the year, thanks to both bands unraveling some truly punishing tracks.

    The split starts with Greece’s Serpent Noir and their sinister and more rudimentary approach to the genre, with “Throne Of Satanas”, the band sets a creepy mood with their eerie vocal arrangements alongside epic guitar leads and crafty drumming. As “Endless Night of Lilith” and “Epiklisis Tou Eosforou” roll around, we can see the band’s ability to craft well paced tunes filled with devilish melody.

  • Darkness Everywhere - The Seventh Circle (2022)

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    Bringing back that seminal 90’s Swedish Melodic Death Metal sound that most of its originators have lost over the years, today we have Darkness Everywhere and their release “The Seventh Circle”. If you heard the songs without any album information, you will swear you are listening to some obscure track from early In Flames. Seven tracks are enough to put this excellent outfit on our radar for the future.

    After a short intro, “Darkness Everywhere” opens this release with energetic riffs filled with melody and nostalgia. We are huge fans of this kind of sound and the band perfectly captures the early At the Gates/Dark Tranquillity vibe in songs like “The Grand Impact”, “Lost Dimensions” and “Reign of Chaos”. These songs will have you headbanging from start to finish with the crafty tempo changes, as on the stand out “Reign of Chaos”.

  • Zeal and Ardor - Zeal and Ardor (2022)

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    When it comes to bending Metal into all kinds of weird directions, there is no other band like Zeal and Ardor. By fusing Blues, Gospel, and Soul music elements with harsher Black Metal and even some Progressive/Djent influences this outfit has delivered quite unique releases over the years. With their eponymous release the band further matures into their signature style by crafting 14 diverse and engaging tracks.

    After setting a very engaging vibe in the self-titled opener track, “Run” delivers the first dynamic piece with crafty guitars and a plethora of vocal styles. Perfectly growing in momentum and delivering some heavy passages along the way, “Death to the Holy” has some of the band’s earliest elements of Bluesy Black Metal, while “Emersion” has a more Dream Pop edge that transforms into a dreamy Deafheaven-esque aggression.

  • Mystic Circle - Mystic Circle (2022)

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    Just like no time has passed since their last release…sixteen years ago, Germany’s Mystic Circle returns with their explosive brand of Melodic Black/Death Metal. With their eponymous release, the band continues their journey unleashing nearly 50 minutes of high-octane music. For the uninitiated, this band was torching stages with their unique sound back in the late 90’s and early 2000’s before splitting up for quite a while.

    There is a certain charm to the sound behind those legendary late 90’s early 2000’s Melodic Black/Death Metal releases from bands like Catamenia, Agathodaimon, Siebenbürgen, Old Man's Child, etc, and this release perfectly captures it as “Belial Is My Name” delivers its first notes. The melodic nature of pieces like “Seven Headed Dragon” and “Letters from the Devil”, give that devilish sinister vibe the band has imprinted in their early releases.

  • Silhouette - Les Retranchements (2022)

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    Pumping freshness into the Atmospheric/Depressive Black Metal genre, today we have newcomers Silhouette and their disarming debut release “Les Retranchements”. With a well defined core of BM onslaughts and harsh vocals, the band adds a layer of angelic female vocals to create a very powerful and effective mix. Think of the short-lived Asphodèle but with a more depressive/atmospheric edge.

    Opening with “Ascension”, a very dreamy mood is set thanks to subtle guitars and Lilas Dupont’s siren-like vocals. The band’s elements mesh quite well, as tracks like “La Première Neige” deliver the ferocity some expect with relentless aggressive onslaughts, perfectly flanked by slower and dreamier passages, creating a very bleak soundscape. Keeping things simple and direct, pieces like “Au Seuil de l'Oubli” and “L'Etreinte de la Chute” are quite melancholic and magical.

  • The Mist from the Mountains - The Mist from the Mountains (2022)

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    Creating a very unique and timeless-sounding release, today we have Finland’s The Mist from the Mountains and their eponymous debut full-length album. Mixing elements from old-school Borknagar and Arcturus with the ferocity and melody of the modern Black Metal of bands like Uada and Mgła, this release delivers nearly 40 minutes of pure musical bliss.

    After a folky build up, “Empyrean Fields” grows into an all-out head banging section with catchy riffs and intense drumming. Here is where that Mgła/Uada melodic (and yet blistering) style blends into the band’s late 90’s/early 2000’s Nordic BM influences as pieces like “A Paean to Fire” and “Thus Spake the Tongueless Serpent” deliver that dynamism that soaring clean vocals and crafty instrumental and atmospheric arrangements bring to the table.

  • Amorphis - Halo (2022)

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    Just when you think that Amorphis music can not get any better, the band comes out with their killer latest release “Halo”. Dropping over 55 minutes of stellar music, the band continues to deliver polished, highly melodic, and extremely intoxicating Melodic Metal songs. Full of the epic vibe that the band’s releases carry, this album takes things further with even more bombastic arrangements and soaring vocal melodies.

    Quickly warming up, “Northwards” delivers epic arrangements on top of the band’s traditional bombastic sound. Thanks to killer guitars provided by Esa Holopainen (leads) and Tomi Koivusaari (melodic), the band’s signature sound stays intact, with a few additions of more folky elements courtesy of Santeri Kallio’s synths on pieces like “On the Dark Waters”, “A New Land”, “War”, and “When the Gods Came”.

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