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  • Woburn House – Sleep Summer Storm (2011)

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    After getting a quadrillion Sludge releases that all sound the same, it is quite refreshing to listen to Woburn House’s “Sleep Summer Storm”. In their third full-length release, the band delivers eight tracks of very interesting sounding music that mixes Progressive and Atmospheric elements with a hefty Doom-ier Sludge, something that we can’t really say we have heard before.

    Opening with “Willow”, the band delivers heavy riffs and a nice paced tempo that allows the mood of the song (and album) to nicely set it. The drowsy vocals are excellent for this type of music and greatly add to the overall atmosphere of the release. In faster pace and with a more bizarre atmosphere, “Shifter” shows that the band can shake things up a bit and still achieve the same interesting sound. The guitar work is very well crafted and the tempo set by the drumming is just perfect for this kind of music. For more Progressive/Post-Metal-ish guitars, “Rain Keeps Falling Down” has a hefty dose of them.

  • Nordheim – Lost In The North (2011)

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    With the current world filled with countless releases that sound very much alike, Nordheim makes their contribution in that category with their Folk/Viking Metal release “Lost in the North”. Don’t get us wrong, the band does a good job in making high-intensity, well-crafted music, but they lack the creativity to actually have a sound of their own.

    Featuring a mash-up of Thyrfying, Turisas, Moonsorrow, Tyr, etc, the band has a very intense sound that pounds through 10 tracks with excellently executed instrumentation, but this is as far as it goes. The choir-like structures are very typical, the keyboards are very typical, the screams are also very typical, even the basic melodies of the songs are just the same we have heard back. Yes, we agree that the band is very aggressive and has a high-intensity approach to the genre, but this has also been already done.

  • Botanist – I: The Suicide Tree / II: A Rose From The Dead (2011)

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    Making its way from the USA, today we have one album that has been generating a lot of fuzz and even my non-Metal hipster friends (I apologize for them) have been talking about the last few months, Botanist’s double debut release: I: The Suicide Tree / II: A Rose From The Dead. In this ‘release’ we have a dude tired of playing traditional music going full-retard and delivering something very unique and disturbing: Black Metal with a hammered dulcimer and an extreme plant-loving concept.

    While we can’t deny The Botanist’s originality to some extent, we can also notice that the music is complete shit. Random attacks of aggression feature through the 17 + 23 = 40 total ‘tracks’ presented in this release. All songs are highly incoherent and are written around the crap hammered dulcimer elements with some random drums thrown in and so-so vocals. We love experimental stuff, but when these experimental sections sound like a retarded kid whacking at an instrument, we lose all respect for the album.

  • Legacy of Brutality – Path of Forgotten Souls (2011)

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    Delivering 39 minutes of neck snapping Death Metal, today we have Legacy of Brutality and their debut full-length “Path of Forgotten Souls” out on Chief Records. Through the nine tracks presented in the release, we have chugging guitars, bestial drumming and nice hooks, making it one of the most straight forward and well crafted DM releases of 2011.

    While everybody and their mother is out there playing your run of the mill cookie monster DM, Legacy of Brutality focuses on creating catchy tracks with meaty hooks and demonic vocals. The band excels in adding small touches of flair into their sound by relying on very technical guitar and bass guitar work and drumming, but never falling into the Obscura category for Technical DM.

  • Atrum Inritus – Progantus In Vorago (2011)

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    Today we have a mysterious Black Metal outfit from Minnesota in the USA. Having formed in 2010, they already have a very mature and crushing sound, unlike many of the scene newcomers making us believe that some of the members have played in different bands before and they are hiding under new pseudonyms. Anyways, “Progantus In Vorago” is an excellent debut album if you like cold and raw Black Metal.

    After the cliché instrumental intro, the band opens with the cavernous and ritualistic “The Chains That Bind”. With a powerful guitar sound and very compact drumming, the band creates the perfect dark atmosphere for the hellish BM snarls provided by Vindicare. Falling deeper into the abyss, “Aegrus Everto” delivers waves of painful vocals with sick guitar riffs, a very well crafted BM song. Up until here, you can hear the quality of Atrum Inritus with their very well crafted songs that perfectly capture a raw Black Metal atmosphere with excellent execution.

  • HEIRS – Hunter (2011)

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    Continuing on the hypnotic vibe of their last full-length “Fowl”, HEIRS returns with a three-song sample of what is to come in their next full-length release. In “Hunter”, the band outputs 25 minutes of their very interesting Avant-garde/Post Doom Metal with two new tracks and a cover of Sisters of Mercy’s “Never Land”. While the band’s never been our cup of tea, they surely create very elaborate atmospheric songs that transport the listener.

    First up we have “Hunter”, a six-minute track that constantly grows in momentum keeping the listener on the edge of their seat for the duration. The bass guitar line is pretty solid and nicely accompanies the hypnotic drums. Things get a bit ‘heavier’ in “Symptom”, a track that shows the Sludgier side of the bands sound with nicely distorted guitars and some atmospheric keyboard. The sound of this release is as always very warm and organic, just about right to properly enjoy such music.

  • Zalem – στίγμα (2011)

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    Packaged in a lush cardboard digipack, today we have Zalem’s debut album “στίγμα”. These French post-rockers have gone all out and released a two-disc epic that will surely draw them a lot of attention from the post-rock scene. While we get tons of Post-Rock releases for review, we are particularly drawn to Zalem’s album because of the progressive elements that have been incorporated to the music, making it more engaging and diverse.

    After the warm-up intro “How To Operate Your Brain”, the band fully explodes into a 12-minute cinematic track that features a hefty amount of mood changes. Aptly titled “Missing”, this track will make you realize that you where indeed missing out on some great music if you haven’t heard Zalem before. The string instruments used in this track are excellent and add that extra dimension to the band’s sound, making them sometimes resemble a more progressive version of Tenhi and similar bands.

  • Mhorgl – Heresiarch (2011)

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    Delivering waves of technical aggression with an old-school Thrash sound, today we have Australia’s Mhorgl and their devastating third full-length “Heresiarch”. With over 45 minutes of meticulously crafted Thrash/Black Metal, this band is set to make some noise in the scene with their relentless tracks filled with technical nuances that only a handful of bands can pull off. Just imagine Obscura playing Thrash infused songs and you will get a glimpse of what this band is unleashing.

    Starting with the hellish “Inheriting the Mantle of Power”, the band sets the standard very high with crazy guitar riffing, crushing solos and inhuman drumming. The vocals are also very demonic and they have that snarl that perfectly fits the whirlwind sound of the band. Pounding through tracks like “Ophidian Legacy” (featuring killer guitar wizardry and a punchy Southern vibe), “Black World Militia” and “Ravenous Wargod”, the band delivers high-octane music that will max out your heart rate.

  • Schattenlicht – Erinnerung (2011)

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    Hailing from Austria, today we have the furious debut of Schattenlicht. Featuring seven tracks of brutal Black Metal with a melodic edge, this debut CD is one of the strongest ones we have received this year and will surely impress even the most pick Black Metal fans. Pairing traditional Black Metal riffing with some more melodic and interestingly crafted sections, this band sounds aggressive and yet intelligent enough but never falling into the cliché’s of the current trend of ‘hipster Black Metal’ bands.

    After a nice momentum building and mysterious intro track “Am Abgrund”, the band blows things wide opening with the hyper-destructive “Ein Blick in die Tiefe”. Immediately reminding us of Horna and similar band, this two person outfit does a great job in crafting powerful and yet simple riffs that make their sound so vicious and crushing. The vocals are straight out of hell and the drums are very well crafted allowing the song to not get drowned by them.

  • Antipope – House of Harlot (2011)

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    Hailing from Finland, today we have Antipope and their very diverse and well crafted third full-length release “House of Harlot”. Mixing almost every genre available to them, the band delivers a very interesting and diverse release that aims to appeal fans of Gothic, Dark, Doom, Heavy and some Symphonic/Melodic Black Metal fans.

    With the opening track “House of Harlot”, we are treated to powerful melodic guitars and atmospheric keyboard, very similar to bands like Ancient Drive and other early 2000’s Gothic/Melodic Metal bands. This quickly changes into some more old-school Gothic music and then it all blends together very nicely. This is just a little taste on how Antipope combines many elements into their own brand of Metal.

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