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  • Fyrnask – Bluostar (2011)

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    Beautifully packed in a lush digisleeve, today we have Fyrnask’s debut full-length release “Bluostar”. Mixing some pretty bone-chilling ambient/atmospheric elements with harsh and devastating Black Metal, Fyrnask delivers over 55 minutes of brilliant music that while not everybody’s cup of tea, it did affected us in a positive way.

    The mastermind behind the band, Fyrnd, delivers flawless performances in all instruments making them all come together in a brilliant way to capture the raw essence of Black Metal and incorporate the hypnotic feeling of the ambient sections. While most BM tracks are over 7 minutes, the brilliantly placed interludes and intros of song songs nicely shake things up and allow the listener to be always guessing what’s coming next.

  • Saligia – Sic Transit Gloria Mundi (2011)

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    Hailing from Norway, the cradle of Black Metal, today we have Saligia and their old-school nihilistic release “Sic Transit Gloria Mundi”. Featuring 40 minutes of pure and unadulterated Black Metal, the band relies on slick riffing and drumming to capture an occult feeling behind this release. There are no over-the-top shrieks of over-extended use of tremolo-picking section, just plain and simple devastating Black Metal like in the old days.

    The opening blow titled “Casus Gloria” nicely builds up into a very retro Black Metal sound that prevails through this very well crafted release. The band delivers just the right amount of ‘devilish’ riffs to create a very effective atmosphere and does not overdo things too early. The vocals and rhythm sections of “Sar Ha-Olam” keep up with the same tempo than the first track and we think it is just great. The speed of this album is not super chaotic, allowing the music to flow nicely and deliver its occult message without getting on your nerves.

  • Untimely Demise – City of Steel (2011)

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    All the way from the Nordic lands of Canada, today we have Untimely Demise’s debut full-length release “City of Steel. While the band plays the traditional Thrash/Death Metal game, there are a few elements here and there to make this release standout from the countless dull bands we get every week.

    Having some early Children of Bodom (vocals and some guitar work) edge makes “City of Steel” a nice 32 minute release that will not go easily forgotten. In the opening “Virtue In Death” track, we have the traditional Thrash/Death Metal sound back in the day, but the guitar work is what makes this song (and album) more entertaining and different.

  • Aclla – Landscape Revolution (2011)

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    Packed with 14 powerful guitar-driven songs, today we have Aclla’s debut album “Landscape Revolution”. Merging elements from Power Metal with Heavy Metal in an aggressive fashion, we are left with pounding guitars on top of Power/Heavy Metal song structures, a very interesting approach.

    Opening with “The Totem”, we can immediately tell that this distortion is not very typical for a Power/Heavy Metal release and this marks the beginning of a very interesting musical journey. Power through tracks like “The Hidden Dawn”, “Under Twilight Skies”, “Ride” and “Living for a Dream”, there is no doubt on the quality of the musicians behind Aclla, since they manage to make very good songs through “Landscape Revolution”

  • Kaktus Project – Superstition (2011)

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    Delivering an impressive debut solo album, today we have Sylvain Rouvière and his Kaktus Project release “Supersition”. Featuring 13 songs of well crafted Heavy/Power Metal with Hard Rock influences, this release is a very nice showcase of both Sylvain’s vocal and guitar playing abilities.

    Unlike many side project releases, “Superstition” truly showcases the musician’s ability and not his countless buddy’s that make guest appearances on the album. Since the opener track “Farewell” we have soaring vocals and very well crafted guitar work, this track reminds us a bit of older Timmo Tolki-era Stratovarius. Moving on with “Superstition”, we get some hints of Edguy/Avantasia in this very entertaining song.

  • Darkest Grove – Pain and Suffering Shall Be Known (2006)

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    Lastly on our promo package from Forever Plagued Records, we have found a hidden gem that while being released back in 2006, it is still pretty solid and interesting to listen to. Darkest Grove debut full-length record “Pain and Suffering Shall Be Known” has a lot of different layers to it making it a very enjoyable listening experience. Being a one man band, all instruments are nicely executed and give this release a very professional feel to the already very well crafted music.

    Clocking in at 63 minutes, “Pain and Suffering Shall Be Known” opens with a very mysterious organ-like intro track. The second track “(Within My) Drunemeton” delivers a nicely paced structure that features both hypnotic passages and powerful riffing with harsh vocals, all very well balanced. Moving into more traditional Black Metal ground, “Now in a Ruined State Will She Ever Cleanse Herself” delivers a chilling atmosphere created by distorted guitars and nice percussions. While this release is definitely less fast paced than traditional BM, the rawness of the emotions behind the music is excellent.

  • Tenebrous – Opus Magnum (2009)

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    Featuring Armanen of Kult ov Azazel on guitars and vocals, and VJS (Kult ov Azazel, Nightbringer,etc) on bass and drums, today we have Tenebrous and their soul crushing release “Opus Magnum”. Filled with hate and destruction, the 10 tracks presented in this release feature a hectic and diabolical Black Metal sound with a USBM edge to it.

    Not for the weak of mind and soul, “Opus Magnum” delivers its first aural assault with “What Death Has Fallen”. In this very hectic and destructive song, we can immediately hear the band’s pure aggression channeled through shrieks of pain, distorted guitars and bestial drumming. This is in fact the way most of the album goes with a few very interesting changes in the pace of some songs. “Wallachia Weywoden” is a clear example of some nice slow-downs with brutal sections galore.

  • What Mad Universe – A Cosmic Chapter with Gaia (2010)

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    Featuring a very ethereal and fresh sound, today we have What Mad Universe, a two man band from France that plays a particular combination of Atmospheric Rock with Sludge and Post-Rock elements. For over 50 minutes we are treated with very enchanting compositions that will transport the listener to unknown realms of consciousness.

    With a hefty mix of distorted guitars, atmospheric elements, some electronic ones, and the use of a banjo (Deliverance, anybody?), “A Cosmic Chapter with Gaia” nicely stands aside from the rest of atmospheric releases due to the intricacy and effectiveness of its songs. The masterminds behind this project PEP and RK do a great job in executing all these elements to perfection in order to create very engaging and interesting tracks.

  • Incursus – Eternal Funeral Trance (2009)

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    Deliver nine blows of pure rawness, today we have Incursus and their very devastating (and well crafted) debut full-length release “Eternal Funeral Trance”. Featuring VJS of Kult ov Azazel, Nightbringer, etc., Incursus has a great sound for such a ‘young’ band, but with his pedigree it is something to be fully expected. The vocalist Horidus (ex-Demoncy and ex-Legions of Astaroth) it is also a fundamental part for this release to work the way it does due to his hellish shrieks.

    Opening with a very cool intro, the album fully explodes with “A Ravenous Despair”. In this track the band delivers waves of crushing riffs and blasting drums, all of these perfectly complemented by Horidus vocals. With the true Black Metal sound behind them, Incursus delivers a top notch opening track that will be greatly appreciated by all fans of the genre. In the following aural assaults “When Death Enthrones Our Darkness”, “Phantasmagoria” and “Evil Comes Forth”, the band has a similar feeling to other greats of the genre like Deathspell Omega, Katharsis, Sargeist, etc.

  • Lord Foul – Killing Raping Burning / The Devil’s Advocate (2009)

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    Released in 2009, “Killing Raping Burning / The Devil’s Advocate” marks the now defunct Lord Foul’s last release. Featuring the band’s only two demos we can hear some of their strengths and a lot of their weaknesses, which probably led to their demise. Fan of raw and low-fi Black Metal will surely get a kick out of this release, but does not feature enough elements to really grab your attention for the whole 20 minutes it lasts.

    In the first ‘half’ of the album we have the six real songs of the “Killing, Raping Burning” demo. In these songs we have a few spoken/movie section intros that remind us of the good old Mortician stuff. The songs however, are very random in nature. The drums are going fast, the distorted guitars are pretty odd and repetitive and the vocals just seem to not lead anywhere. We can’t really say that we found much here other than a ‘kvlt’ sound with no substance.

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