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    Entwine – Chaotic Nation (2015)

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    Pleasantly surprising us when we received this album on our inbox, today we have Entwine and their first release in 6 years titled “Chaotic Nation”. As the whole Gothic Rock craze made popular by him has died down over the years, most of the solid bands in the genre moved to greener pastures. With the return of To/Die/For earlier this year and this new album, there seems there might be some sort of revival going for this scene.

    Opening with the very Finish Metal sounding “End of Silence”, the bands makes a splash with a very dynamic and engaging song, setting a very good standard for this release. Mika Tauriainen’s vocals are as good as ever and nicely carry the band’s character as they grace songs like “Saint of Sorrow” and “Fortune Falls”. Unlike the latest To/Die/For album that was pretty bad, Entwine has adapted with the times and sounds fresh while still maintaining their signature style.

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    Santa Cruz – Santa Cruz (2015)

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    Comprised of 80% talent and 20% attitude, Finland’s Santa Cruz keep the Glam Metal flame alive with their superbly catchy music and intense stage presence. With the greats of the genre getting older and older and (finally) retiring from the scene, it is ups to bands like Steel Panther and Santa Cruz to keep this part of musical history alive and the Finns are doing a great job in keeping up with their part. In their self-titled sophomore release, the band takes their sound one step further with richer music that further develops their sound.

    Opening with the hyper catchy “Bonafide Heroes”, we get a certain Bon Jovi vibe from the singer/guitarist Archie. Of course there are killer guitar solos and excellent show-off parts in this song, but the kicker is that nothing sound extremely retro or copied, but rather the band has made it their own and further expanded it with current musical trends and styles. As the insane guitar leads keep appearing on tracks like “Velvet Rope” and “My Remedy”, the band quickly establishes a high-octane mood with their superb music. Johnny and Archie do a killer job in delivering amazing guitar sections in this release.

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    Metsatöll – Karjajuht (2014)

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    With the whole Folk Metal craze finally dying down, it is time to see who the real players in the genre are; and Metsatöll is one of the surviving ones. With “Karjajuht” they continue their legacy of crushing releases with just enough Folk elements surrounded by pouncing guitars and heavy melodies. Showing their strengths are no gimmicks, this release delivers 12 head banging anthems that will not be forgotten.

    Opening with great energy, “Külmking” nicely blends an acoustic opening with pummeling guitars and a heavy dose of melody. The band’s sound is intact and they even sound a bit more aggressive than on their previous release. The metal foundations are strong Scandinavian Death Metal pillars that nicely blend in with the ingenious instrumentation of Lauri and Atso’s percussions. Songs like “Lööme mesti” and “See On See Maa” are perfect examples of this.

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    Chthonic - Bú-Tik (2013)

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    After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.

    The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.

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    Kalmah – Seventh Symphony (2013)

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    If you ever wondered what Children of Bodom would sound if they had continued perfecting their sound instead of going on a tangent and producing several crappy records before 2013, you would be listening to Kalmah’s latest release “Seventh Symphony”. This Finnish outfit delivers eight tracks of awesome Melodic Death Metal filled with guitar and keyboard acrobatics and a killer sense of melody.

    Blasting away with the album’s title track, we get a throwback powerful Melodic Death Metal sound with some CoB and Wintersun magic thrown into the mix. The band’s sound is quite powerful and diverse, yet it feels quite familiar thanks to the killer guitar work and magical keyboards. Recently appointed keyboardist Veli-Matti Kananen adds more dynamic keys to the band’s already intricate sound. While we were bigger fans of the band’s darker beginnings, we are all up for their current dynamic sound.

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    Ensiferum – Unsung Heroes (2012)

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    The Finish masters of Folk Metal return with another hard-hitting dosage of brilliant music that while to as good as “From Afar” it is still pretty damn entertaining. Pummeling through ten tracks, “Unsung Heroes” has very similar vibe to the band’s earlier releases: “Ensiferum” and “Iron”, but with a much more capable vocalist in Petri Lindroos. The thing we love about Ensiferum is that the band does not dwell on trying to fit millions of instruments into 4 minute tracks, but they rather focus on crafting epic melodies with the basic guitar, bass guitar, and drums combination.

    Creating the perfect epic ambiance, “Symbols” opens the release in a manner that we imagine some epic medieval stuff happening like on Game of Thrones. ”In My Sword I Trust” is your quintessential ‘battle song’ with epic arrangements, powerful guitars, and very commanding vocals. Keeping up with excellent melodic guitars and very present Folk-elements, “Unsung Heroes” keeps the mood and morale quite high. This is why we prefer Ensiferum to bands like Eluivetie and Turisas, the band knows exactly how to keep the momentum going, deliver epic songs, and fuse Folk elements without overpowering the guitars and the general direction of the music.

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    Swallow The Sun – Emerald Forest and the Blackbird (2012)

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    Like a fine aging wine, today we have the North American promotional cycle for Swallow The Sun’s latest opus “Emerald Forest and the Blackbird”. And while we already had this release in awesome green vinyl for quite a while (available here) , we are finally writing a review for this masterpiece. With four full-length releases already under their belts, the band does an excellent job in pushing their sound into a more melancholic and even more depressing vibe that is rarely equaled by any other band these days.

    Founder Juha Raivio has managed to keep the band’s sound evolving little by little, and by keeping most of the band together since 2001 (the drummer left in 2009), they have grown very well as a unit and this album demonstrates it clearly. Opening with the very mellow “Emerald Forest and the Blackbird”, the band immediately sets a very somber and dense mood that is the exact trademark of Swallow the Sun. The riffs are very powerful and the tempo changes are perfectly introduced to keep the listener engaged in this nearly ten-minute long opener.

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    Chthonic – Takasago Army (2011)

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    The Taiwanese Melodic/Symphonic Black Metaliers of Chthonic have been around for over 15 years and with every new album they have been improving their music by huge leaps. “Takasago Army” marks the band’s latest release and it’s probably their strongest one to date. Having released their last two albums on Spinefarm records, the band has been taking advantage of better production values to deliver their crushing music to the masses.

    While there are heaps of Symphonic Black Metal bands, there are only very few that can rock out the Erhu (traditional two-stringed instrument, similar to a violin) and deliver punishing tunes with it. The similarities to bands like Cradle of Filth (vocals and symphonic elements) are evident, but this extra traditional element adds that extra originality that bands need these days to be distinguished from the rest.

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    Amaranthe – Amaranthe (2011)

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    After being constantly bugged by people to checkout this new amazing Gothic Metal band from Sweden called Amaranthe, we finally caved in and got a copy of their 2009 demo. To our surprise this was not totally bad, except from the fact that it was very pop-ish, and nothing really to ‘write home about’.

    Fast forward to 2011 and the band finally releases their debut album “Amaranthe”. The first impression we had about this release is that a strong production can clearly improve things and that after a few years of working out the songs; the band has polished them to be highly effective pseudo-Gothic Metal anthems.  Before you go and close your browser and delete us from your favorites since you imagine we completely sold-out, bear with us and keep reading.

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    Killing Joke – Absolute Dissent (2010)

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    As one of the most anticipated releases of 2010, today we have Killing Joke’s “Absolute Dissent”. This release marks the return of the original line-up of the band after almost 30 years, making this release even more special since we have Jaz, Geordie, Youth and Paul Ferguson back together pushing boundaries once more with KJ.

    “Absolute Dissent” features 12 tracks that vary from vintage 80’s KJ, to the more ‘artsy’ Metal touches KJ had in their latest album. We also get a share of Auto-Tune and other ‘modern’ day elements mixed in between the band’s rich and diverse sound. We can also say that this album is actually one the most cohesive and less pretentious releases of the band.

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