Nuclear Blast

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    Before the Dawn – Deathstar Rising (2011)

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    Multi-instrumentalist Tuomas Saukkonen returns with another excellent Before the Dawn release. Fusing Melodic Death Metal and Gothic Metal, Before the Dawn has been gaining popularity over the years and with “Deathstar Rising”, they set the bar even higher.

    Besides Tuomas brilliant songwriting skills, the bass guitar and clean vocal talents of Lars Eikind greatly complement the band’s sound. Not being to ‘weak’ for regular Metal people, and without being extremely harsh, “Deathstar Rising” is a release that fits right in the middle between aggressive and melodic Metal released.

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    Graveyard – Hisingen Blues (2011)

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    As probably one of the most different bands in the Nuclear Blast roster, today we have Graveyard and their instant Rock classic “Hisingen Blues”. Hailing from Sweden, the band has already made a few successful runs in the USA with the likes of Clutch, Witch and CKY, and they are gathering great momentum behind their intoxicatingly addictive music.

    Featuring 9 tracks of pure Hard/Psychedelic Rock tracks, “Hissingen Blues” does a great job in transporting the vibe and musicianship of 70’s rock into a more modern context. In each of the songs, the band infuses their personalities and creates magical tracks that are ready to be enjoyed by all fans of good Rock music.

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    Belphegor – Blood Magick Necromance (2011)

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    On Belphegor’s 9th full-length studio release we found a very interesting dilemma, this album sounds crushing and in the same vein as the last few albums of the band, but yet we seem to be falling asleep while listening to it. While the band sounds as good as ever, we think that there is a big chunk of soul missing in this release.

    “Blood Magick Necromance” features another 40 minutes of Blephegor’s brutality and technical proficiency in the shape of devilish compositions that will rattle Christian souls, but it also lacks the raw energy and power they used to have in their earlier days. We have to agree that the album is not bad, but it’s by far one of the best of the band, since it seems like 70% filler and 30% ‘good shit’ only.

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    Korpiklaani – Ukon Wacka (2011)

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    Finish Folk Metal boozeheads Korpiklaani return with another highly energetic release that will satisfy your Folk Metal needs for months to come. In the spirit of the band’s previous releases “Ukon Wacka” feels like a party from start to end, and with a track named “Tequila”, we all know how this party is going to end.

    As any fan of the band (or the genre for that matter) can imagine, the band’s unique brand of ‘folkiness’ and energy makes their music a delightful experience, even if you don’t like Folk Metal. With “Ukon Wacka”, the band continues building on their previous releases by making their sound more concise and effective.

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    Forbidden – Omega Wave (2010)

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    In their first album in 13 years, Forbidden has managed to surpass all expectations and deliver a Thrash-tastic album that can easily be considered one of their best in their career, next to “Twisted into Form”. With the new addition of Steve Smyth on guitars and Mark Hernandez on drums, the band shows no signs of aging and with “Omega Wave” they deliver 12 excellent tracks of fresh-sounding Thrash Metal.

    Immediately with the momentum builder opening track “Alpha Century”, you can see that Forbidden is not back to re-hash old days of glory, but rather push forward with their Thrash Metal sound. The band’s current sound is the perfectly blend of old-school style Thrash with dynamic riffing, a highly technical edge over other bands, brilliant vocal work, and that hint of experimentation that brings this release nicely in to 2010.

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    Equilibrium – Rekreatur (2010)

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    After being undecided about this release for a few weeks now, we have to say that after very careful consideration we can’t really decide if this is great or just something is too watered down in lush keyboard arrangements to hide the underlying mediocrity of the extremely repetitive song structures.

    A part of us says that we should love “Rekreatur” since it has a very bombastic sound, crushing vocals and an overall very epic feeling to it. Another part of us says that the underlying guitar work is plain dull and it feels exactly the same after cycling through a few songs, that the whole music sound very overpowered by the growls and the massive keyboard arrangements. But in general, we have to agree that in terms of this being an album that will get you in a better mood, an epic battle mood that is, the band does an excellent job. The sound is massive and it’s something that we can see ourselves headbanging to in a live setting.

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    Melechesh – The Epigenesis (2010)

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    Continuing in the same vein as “Sphynx” and “Emissaries”, Melechesh unleashes upon us a high caliber Middle Eastern influenced Black/Death Metal assault with “The Epigenesis”. For those of us that like a little more substance in your music, Melechesh manages to fuse Middle Eastern folk elements with heart-pounding Metal elements creating an elaborated, yet accessible album that blends through genres like sugar in water.

    Expanding their sound with more traditional elements, the band greatly refines their sound when compared to their older releases. The crushing riffing, blasting drumming, and pounding bass guitar lines are as good as always, but not you can hear different patterns in the riffing, giving you a more elaborate sound that fans of the bands will greatly appreciate. The overall result is a very ritualistic experience that masterfully adorns the mystical and mythological backdrop of the album’s lyrics.

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    Death Angel – Relentless Retribution (2010)

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    The year 2010 has been a year in terms of Thrash Metal releases; we had Exodus, Forbidden and Death Angel drop some very impressive records this year. “Relentless Retribution” showcases Death Angle mixing some of their older elements with more groove-oriented hints, creating a very powerful sounding album, probably their heaviest material to date.

    Led by Rob Cavestany and Ted Aguilar’s guitar work, the band never runs out of catchy riffs, powerful rhythmical section, and intense solos, all the elements of a traditional Thrash Metal release. Most songs have a very traditional approach to them having the Death Angel signature in every riff and melodic passage, without losing the occasional tempo increase, perfect for headbanging all night long.

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    Therion – Sitra Ahra (2010)

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    The legendary Therion is back with yet another very solid release that will please all fans of Symphonic Metal. As you can expect, Christofer Johnsson  does a great job in creating very epic songs that feature amazing choir sections, brilliant vocal solos, and the overall Therion sound. The only downside of this album is that you get more of the same and nothing else, so if you are a huge fan of the band this will surely please you to no end.

    Featuring 11 tracks, “Sitra Ahra” takes you into a very majestic journey into the bands unique world. You will get that the riffing and guitar solos is very simple to what we are used to get from Therion since the “Vovin” album. Keeping things simple and catchy, songs like “Kings of Edom” will greatly made you remember the “Vovin” era of the band. The choir sections of this song are great, and fit the overall pace of the song.

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    Dimmu Borgir – Abrahadabra (2010)

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    Just when many people thought that Dimmu Borgir will never be as good as in their “Enthrone Darkness Triumphant “ and “Puritanical Euphoric Misanthropia”, we get “Abrahadabra”, another masterpiece from this Norwegian band. While the band’s musical quality had considerably decreased with “In Sorte Diaboli” and “Death Cult Armageddon”, they come back in full swing with an impressive symphonic masterpiece that puts almost everything that Mustis “wrote for the band” to shame.

    While many people will be crying and bitching about the Cradle of Filth comparisons, or that this album is too symphonic, blah, blah, blah, WE have to say that this is highly impressive stuff. The orchestration behind this release is, for lack of a better expression, ridiculously impressive. Everything sounds just right and helps build up a brilliant atmosphere that feels like a John Williams soundtrack on top of the traditional Dimmu Borgir sound. We have to recognize that Mustis did a good job before (especially in “Puritanical…”) but this is just ten steps ahead. With Gaute Storaas doing the orchestration of this album, he greatly helps in creating a truly diabolically haunting atmosphere (better than on “Death Cult Armageddon”).

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