Led by the extremely busy Lars Are Nedland, White Void is an old-school Psychedelic/Occult Rock outfit that should not be missed. Unleashing their debut “Anti”, the band delivers over 46 minutes of majestically crafted and completely intoxicating music from start to end. If you are a fan of bands like Jess and the Ancient Ones, Purson, Sabbath Assembly, plus can’t get enough of Lars vocals in the latest Borknagar release, this release perfectly combines both.
Oozing grooviness, “Do. Not. Sleep.” opens with release with commanding style and a very warm and fuzzy retro vibe. The ripping guitar leads and crafty drumming nicely bleeds into the darker “There is No Freedom but the End”, as Lars' voice takes an enigmatic tone and the fuzzy synths create a very embracing atmosphere. The mood nicely varies between tracks as “Where You Go, You'll Bring Nothing” takes a more introspective pace and “The Shovel and the Cross” keeps things enigmatic with a hectic pace alongside the catchy guitars and synths.
Unleashing one of the most explosive and bombastic releases of 2021, today we have Epica and their latest opus “Omega”. Featuring over 70 minutes of music, this release capitulates on the band’s experience, execution, and expansive sound to deliver their strongest album to date. With all of their signature elements taken into a new level, this release is exactly what all fans are expecting.
After setting a magical and mystical tone with the opening intro, the band’s explosive sound in “Abyss of Time - Countdown to Singularity” perfectly delivers their well-balanced bombastic sound with rich classical arrangements and crushing distorted guitars. One of the band’s virtues is how they can create very playful tracks while pitting the sweetness of Simone’s vocals against Marc’s growls and aggressive riffs, as crafted in “The Skeleton Key”.
As one of the liveliest releases of 2021, we have found ourselves enjoying a bit too much of Korpiklaani’s latest full-length release “Jylhä”. Featuring over 60 minutes of the band’s signature Folk Metal, this release balances the over-the-top party songs with more mellow and melodic pieces that are great to zone of the current state of affairs of the world and enjoy a nice cold beer along the songs.
Opening with the catchy “Verikoira”, the band rapidly sets a very lively and engaging tone. The hard rocking nature of this track’s guitars alongside the crafty drumming and rich instrumentation creates a very positive and party-like atmosphere. This mood continues as the band pummels through tracks like “Niemi” , “Leväluhta” and “Mylly”, all of which feature vocalist Jonne doing his thing while layers of folk instruments nicely adorn the proceedings.
Starting 2021 strong, today we have the legendary Accept and their latest opus “Too Mean to Die”. Delivering over 50 minutes of high-octane Heavy Metal, this outfit keeps the momentum going on their ‘revival’ with hard hitting and superbly catchy songs. If you are a fan of Heavy Metal, this release won’t disappoint.
The band’s new signature vocalist, Mark Tornillo, quickly leads tracks like “Zombie Apocalypse”, “Too Mean to Die”, and “Overnight Sensation” with his soaring vocals and playful style. Perfectly paired with Wolf Hoffmann’s incisive guitars, this release sets a very furious and catchy pace right off the gate. The band thrives by unleashing superbly engaging tracks that are both melodic and epic, such as the killer “No Ones Master” and its blistering twin guitar onslaughts.
Riding high from their 2019 release, “Verkligheten”, Soilwork delivers a killer EP with nearly 37 minutes of music. Continuing their evolution into Melodic/Grove Metal territories, the band unleashes five killer songs filled with signature Soilwork moments that fans of the band will certainly love. If you have been keen on the band’s last two releases, this EP will satisfy your cravings for more.
Opening with the 17-minute title track, the band sets a very lively and upbeat mood in the first few minutes, with the song gradually exploring some groovy/proggy passages perfectly led by Björn’s clean/harsh growls and some funky keyboard arrangements by Sven Karlsson. The instrumentation is as rich as always with crafty drums and engaging guitar riffs. This track bleeds a bit into “Feverish”, a faster paced song with pummeling drums and a hectic vibe.
As a nice complement to “Ghost of Orion”, today we have My Dying Bride’s latest EP titled “Macabre Cabaret”. Featuring over 20 minutes of new music, this EP is the perfect continuation to an already superbly impressive release earlier this year. Filled with melancholy and pain, the three new songs presented here as a must-have for fans of the band and the genre.
The release opens with the creepy atmospherics and thunderous bass guitar lines of the EP’s title track. This song slowly evolves into a crushing experience with the band’s signature riffs and eerie ambiance. Lasting 10 minutes, this piece features some very eerie interludes that lead into chilling passages of Aaron’s harrowing clean vocals. Continuing the bleak mood, “A Purse of Gold and Stars” nicely continues the band’s dark and somber musical experience with a very subtle and yet elegant piece.
As a fine wine, Carcass has nicely matured over time while keeping true to their signature sound, the band continues to aggressively tour and give killer performances. As a preview for their upcoming full-length release, the band delivers “Despicable”, just in time for Halloween. Featuring four tracks and nearly 20 minutes of music that will not be part of their next release, this album delivers the signature melodic/catchy Death Metal/Death’n’Roll sound we all love.
The release kicks off with the signature Carcass guitars of “The Living Dead At The Manchester Morgue”. In this track we get a nicely paced piece filled with chugging riffs and crafty tempo changes. Jeff Walker’s usual snarl is as powerful as always, and on “The Long And Winding Bier Road” it shows that clean vocals can also create very catchy and engaging chorus sections, alongside pretty epic guitar leads.
Unleashing a very engaging barrage of old-school Death Metal sickness, today we have all-star band Insidious Disease and their sophomore release “After Death”. Featuring Tony Laureano, Shane Embury, Silenoz, Marc Grewe, and Terje Andersen, this band takes you down memory lane with crunchy DM antics filled with crafty guitar work and excellent drumming, I mean, what can you expect with such a stacked line-up.
The band quickly chugs away with the catchy “Soul Excavation”, instantly reminding the listener of the old days of bands like Morgoth and Asphyx, but with a slightly sharper production. The riffing onslaught, courtesy of Silenoz and Cyrus, perfectly creates that mean and punishing attitude of earlier Death Metal as heard on the pummeling “Betrayer” and “Divine Fire”. For those looking into dramatic leads, “Unguided Immortality” gives a bit of Swedish DM flair, similar to bands like Grave and Centinex, with a slightly more melodic and headbanging edge.
The catchiest band in Metal returns in the middle of the pandemic with one of those bombastic releases that will have you entertained from start to finish. With “Manifest”, Amaranthe continues their path of delivering superbly entertaining and epic sounding songs filled with lush vocal arrangements and a good amount of heaviness. With a “if it ain't broke, don't fix it” attitude, the band continues their lively musical path.
Kicking off with the explosive “Fearless”, we instantly get Amaranthe at the top of their game with an over-the-top lush track filled with soaring chorus sections, the juxtaposition of harsh vocals and the lovely siren chants of Elize Ryd, and futuristic synths. This momentum is carried forward with the heavier “Make it Better”, and the playful “Scream My Name”, an expertly crafted piece that unleashes probably some of the catchiest passages in the history of the band.
As one of the most awaited releases of 2020, today we have Norwegian Vikings Enslaved and their latest musical opus: “Utgard”. Continuing their musical evolution into more textured and proggy territories, this release delivers over 45 minutes of captivating music that perfectly blends their signature heavier onslaughts with their more delicate and intricate experimental constructs. If you have enjoyed everything the band has put out since “Axioma Ethica Odini”, this release continues this awesome transformation.
With a very mystical opening, “Fires In The Dark” delivers the band’s signature interplay of guitars alongside a combination of multiple vocal styles, creating a very lush and expansive melodic sound. Grutle’s signature snarl, nicely blends with the clean counter parts of Håkon Vinje and Iver Sandøy, particularly on tracks like “Jettegryta” where the heavier passages lead way to crafty and elegant melodic and proggy interludes. Other songs deliver the band’s traditional catchiness like the melancholic “Sequence”, which combines some funktastic bass lines alongside generous atmospheric elements.