Unleashing one of the most lively and engaging Folk Metal releases of 2019, today we have the legendary Eluveitie with “Ategnatos”. With the ‘new’ band members settled, this release delivers a more cohesive and in a certain way exploratory sound that further improves the band’s catchiness with more upbeat and exciting elements. Featuring over 60 minutes of music, this is a release that all fans of the band will love and enjoy.
Leading with the album title track, the band quickly starts telling their story and sets a very ‘medieval’ mood with their lush instrumentation, rich vocal arrangements and powerful distorted guitars. The band’s uncanny abilities to perfectly mix their Melodic Metal side with intricate arrangements of folk instruments is top not as we can hear in the multi-faceted “Deathwalker”. For those looking for the folkier side of things, this release does not disappoint with excellent tracks like “Black Water Dawn”, “The Silvern Glow” and “Trinoxtion”.
Moving away from the lively Progressive/Technical Death Metal from their last release, Fallujah returns with the atmospheric “Undying Light”. Having lost long-time vocalist Alex Hofmann and guitarist Brian James since the last release, has made Fallujah turn into uncharted territories with their sound. Featuring 10 tracks and over 44 minutes of music, this release feels a bit too atmospheric and experimental to be digested easily. The sound is crushing and commanding at times, but at other times it just feels lost and unguided.
Opening with “Glass House”, we get that sweet Melodeath riffing from French bands like Hacride, but with extra kick and aggression thanks to new vocalist: Antonio Palermo. Some Deathcore elements are back and they sound ok when mixed in with semi-proggy passages, as in “Last Light”. For those looking for sheer brutality and catchiness, “Ultraviolet” achieves this with superb drum patterns and solid riffs. On the other hand, we have tracks like “Dopamine”, which feel a bit too convoluted with too many things going on at once and not really engaging the listener. The dreamy guitar leads are great, but the vocals kind of ruin the mood on this track.
After their brilliant and lively debut “This is the Sound” back in 2017, Cellar Darling quickly established themselves as one of the most promising up-and-coming Folk Metal/Rock bands in the scene. With “The Spell”, the band builds up on their earlier sound and turns into more Progressive territories with 13 superbly crafted tracks. Featuring a wide variety of folk elements , the super talents of Anna Murphy on vocals, and proven song-writing capabilities, the band delivers one of the best releases of their genre in 2019.
Opening with “Pain”, we notice and instant shift into darker and more progressive territories. The band continues to deliver their signature lush vocal arrangements, but in a more conservative and yet engaging manner. As “Death” and “Love” roll in, the band’s sound feels like a combination of Kari Rueslåtten’s folkier works with Anneke van Giersbergen’s charisma and sense of melody. This is quite a killer combination we have to say, however, of course Cellar Darling imprints their own ideas and style in the mix.
Swiftly recovering from a spell of forgettable releases, CoB continues their return to form with the scorching “Hexed”. Unleashing over 45 minutes of melodic brilliance, the band delivers 11 fast-paced songs that feature their signature style and instrumental wizardry. Incorporating new guitarist Daniel Freyberg, to the fold the band focuses on crafting memorable tunes filled with killer solos and melodic passages.
Wasting no time, the high-octane opener “This Road” unleashes a barrage of pummeling riffs and a very playful tempo. The subtle atmospheric keyboards make sure this is a signature CoB anthem, but the pace is what incites moshing and excitement. The dueling keyboards/guitars are in top form as “Under Grass and Clover” rolls in, we are suckers for musical acrobatics and Janne Warman and Alexi Laiho don’t fail to the deliver in this release, as we can also hear in “Glass Houses”.
Originally a side project of Ed Guy’s mastermind Tobias Sammet, Avantasia has grown to be a full-fledged act which features tons of guest appearances and very engaging and cinematic musical experiences. In the vein of artists like Ayreon and the Trans Siberian Orchestra, this band delivers some of the most lush and intricate releases filled with interesting topics and colorful characters. With “Moonglow”, the band unleashes on hell of a release with over 70 minutes of music.
The experience begins with the lush and dramatic “Ghosts in the Moon”, a track that nicely sets a very grandiose mood. Filled with catchy vocal melodies and superb instrumentation, this track leads way to a very lively and emotional rollercoaster ride. The second track quickly rolls down the red carpet with killer vocal contributions from Ronnie Atkins, Jørn Lande, Hansi Kürsch and Mille Petrozza, making it one the the most bombastic and engaging songs of the release.
As the first review of 2019, we are quite glad that it is Soilwork’s latest opus “Verkligheten”. Featuring a more melodic and catchy edge, this release continues the band’s musical progression into more engaging and innovative territories. Picking up where they left us with “The Ride Majestic”, the band delivers heaps of superbly catchy chorus sections, expertly crafted vocal melodies and lush instrumental arrangements that will have you hitting the repeat button more than a few hundred times on this release.
Immediately after setting the mood with the mysterious album title track, the band hits the gas with a furious combination of blistering drumming and a harsh vocals. This opener is definitely quite heavy and very fitting as the song transforms back and forth between harsh and brutal to more melodic thanks to Björn Strid soaring clean vocals. After catching the listener by surprise with the intensity of the previous song, the band keeps things hectic with the hard rocking riffing of “Bleeder Despoiler”. This track provides an interesting combination of some Heavy Metal-esque influences mixed together with the band’s brand of Melodic Extreme Metal they have refined over the years.
Recorded at the top of the band’s career (so far), this 25 year anniversary release gives us an insight into Amon Amarth and two of their most leveling performances to date. Having had the honor of being at these Summer Breeze shows, check out our live gallery here , we can certainly verify that they were as epic as they sound here. Live releases have been getting better and better in the last few years and this one takes the cake in terms of audio quality and how it transports the listener into the middle of the action.
Divided into two shows, Amon Amarth’s takeover of Summer Breeze started with a surprise show at the T-stage the day the festival kicked off. As the band rocked through some of their best material people started going nuts and there were a considerable amount of people crowd surfing, prompting for the stage security to come out in force to receive them safely. Featuring a set of older and songs that the band does not play very often live, their T-Stage show was truly a memorable one filled with pyro and the infamous viking ship making an appearance.
Riding one last time, Norway’s infamous hard rockers Chrome Division unleash their last opus “One Last Ride” this November. Featuring 12 superbly catchy tunes about boozing and women, this release is full of attitude and the band’s signature playful music. Catering for fans of The New Black, The Carburetors, and similar outfits, Shagrath and company have consistently delivered highly memorable music since their inception 15 years ago and with Eddie Guz back on vocals they decide to sign off into oblivion.
Straight out of a Robert Rodriguez movie, the epic opener “Return From The Wastelands” sets a very epic vibe for such an intoxicating release. Pummeling through “So Fragile”, we are quickly reminded of Eddie Guz signature vocals and while bittersweet that Shady Blue is not participating, Eddie’s vocals were made for this kind of music. The album’s first standout hit is the majestic “Walk Away in Shame”, with is playful chorus section and insanely funny lyrics.
There are only a handful of people in the Metal scene that rock as hard as Floor Jansen with her vocal talents and intense stage presence. In her new band, Northward, she unleashes 11 tracks that reflect this hard rocking attitude with tons of brilliant vocal arrangements and catchy guitar melodies. Moving away from the direction of ReVamp and Nightwish, this track delivers some straight up Rock tunes that showcase her versatility and energy, alongside guitarist Jørn Viggo Lofstad of Pagan’s Mind fame.
The album sets a very lively mood from the start with superbly catchy and filled with attitude tunes like “While Love Died” and “Get What You Give”. The soaring vocal melodies of “Storm in a Glass” make it one of the most engaging and dynamic songs in this release, while taking the listener on a musical journey. For those that like power ballads, “Paragon” and “Bridle Passion” give the listener a more raw and direct appreciation of Floor’s charismatic vocals.
Unleashing one hell of a catchy and organic Folk Metal release, today we have legendary Korpiklanni delivering “Kulkija”. As their longest release to date, over 70 minutes of music, this release feels more intimate while having the band’s signature playful and engaging songs. This album instantly moves into the top Folk Metal releases of 2018, so be sure to not miss out.
Slowly building up momentum with “Neito”, the band wastes no time to unleash their characteristic lush sound with rich traditional instrumentation and heavy guitars to build a very catchy contrast. Tuomas Rounakari’s violin and Sami Perttula’s accordion brilliantly give the music that subtle playfulness that we love from the band while delivering dramatic and catchy songs like “Korpikuusen kyynel” and “Allon alla”. The band’s sound in this release feels a bit more barebones and manages to deliver more emotions and craft darker songs like “Harmaja” and one of our favorites: “Korikonnut”.