The restless Tuomas Saukkonen was not content on just dropping an amazing Dawn of Solace release in 2020, he and Wolfheart are also releasing the latest full-length, “Wolves of Karelia”, this April 10th. Building up on their success, the band continues to fine-tune their superbly crafted Melodic Death Metal and unleash 41 minutes of their signature neck-snapping music.
Kicking off with the melodic guitar onslaught of “Hail of Steel”, you instantly get that Finnish and Wolfheart vibe, with lush riffs and a slow buildup. The band’s heavier side is brutality present in the intense “Horizon on Fire”, a track that perfectly balances the duality of the band’s musical approach as the clean vocals and melodic passages lead way to crushing drums and heavier riffs. The use of atmospheric arrangements greatly enhances songs like “Reaper”, where it gives it a more dramatic edge to certain passages.
As the perfect companion for those gloomy days ahead, today we have Nergal’s Me and that Man band delivering “New Man, New Songs, Same Shit, Vol.1” a masterful apocalyptic/dark folk/rock release. Featuring eleven tracks filled with guest appearances this release unleashes an emotionally charged atmosphere filled will bluesy and folky vibes. If you are into Hexvessel, Grave Pleasures and King Dude, this release will hit close to home.
The release opens with the imposing “Run With The Devil”, which Jørgen Munkeby on vocals and sax, giving the song a very lively mood thanks to its catchiness and simplicity. Darkness descends upon listeners with the bluesy “Coming Home” and the eerie folky “Burning Churches” with Mat McNerney handling vocals alongside creepy chorus arrangements and lush acoustic guitars.
Hailing from Spain, Diabulus In Musica is a band that has passed under the radar to many fans of Symphonic Metal. However, their music has always been top-notch and up to par with genre greats such as Epic, Delain, etc. With “Euphonic Entropy” the band casts a wider net with a few more influences incorporated to their already bombastic style.
After the traditional intro, “Race to Equilibrium” delivers over-the-top dramatic orchestrations, rich choir arrangements and powerful growls. This track makes a great statement as to the band’s chops to deliver complex songs that are both intense and complex in nature. Opening with crushing guitar riffs, “Nuevo Rumbo” and “Otio” have a very Epica-esque feeling that is nicely shifted once Zuberoa and Gorka sing in a different language, immediately challenging the listener’s idea that most songs in the genre are usually sung in English.
Consistently pushing their sound and delivering excellent releases, today we have Delain’s fifth full-length release “Apocalypse & Chill”. With a very modern concept and image, the band unleashes 13 hyper catchy songs that are full of lush orchestrations and the signature angelic vocals of Charlotte Wessels. If you are a fan of the band, this release will certainly rank among their best, after a small adaptation period.
Opening with style, “One Second” sets a very bombastic and explosive mood. The band’s well oiled machinery seemingly effortlessly crafts one intense and lush opener. As the band experiments with some electronic elements on tracks like “We Had Everything”, “To Live is to Die”, and “Chemical Redemption”, we get a slight modern Within Temptation and Amaranthe edge, but of course with Delain’s brilliant balance of melody and crunchy guitars. While the band hasn’t gone full-on mainstream Pop-ish Metal, this release does hedge them a bit more into that space.
Unleashing one of the most cinematic and lively releases of 2020, today we have Serenity and “The Last Knight”. Featuring over 47 minutes of high-octane over-the-top Symphonic Power Metal, this album is ready to rock all fans of the band and gain them some more. Slowly over the years the band has been refining their sound and as a well-oiled machine, this release showcases their best attributes delivered through eleven intense songs.
Setting a very regal mode with the album title track as the opener, we get the band’s lush arrangements leading into the explosive “Invictus”. Georg Neuhauser again delivers commanding lead vocals surrounded by dramatic choirs and killer guitar leads. This type of explosiveness as gained wide recognition to the band, and tracks like “Set the World on Fire” and “Keeper of the Knights” majestically demonstrate the band’s bombasticness.
Unleashing their latest bombastic Symphonic/Power Metal opus, today we have Amberian Dawn with “Looking for You”. Featuring a very retro and yet futuristic vibe, the band delivers over 40 minutes of lush music filled with captivating vocals and superbly catchy arrangements. If you are a fan of bands like Avantasia, Sonata Arctica and similar, you will not be disappointed by this release.
The album opens with the sonically brilliant “United”. Delivering retro synths that give you an 80’s vibe, this track is quite catchy as this majestically pairs with Capri’s signature vocals. With a heavy emphasis on dramatic futuristic (for the 80’s) synths, tracks like “Eternal Fire Burning”, “Looking for You”, and the explosive “Two Blades”, create a very upbeat and playful atmosphere. The dynamic sound of the band nicely keeps the listener engaged thanks to its craftiness.
Ukranian sensations Jinjer are ready to drop a massive release with their crushing “Macro”. After a small taste with their “Micro” EP, this release delivers 40 minutes of high-octane groovy music that is unlike any other band these days. Characterized by their mixture of proggy aggressive passages and both hellish and sultry vocals, the band brings their live energy into the studio on this masterful release.
Wasting no time in blowing away the listener, the album starts with the pulsating guitars of “On the Top”. Tatiana Shmailyuk harsh growls set a very crushing atmosphere, only to be brilliantly contrasted later by her clean sections. This duality of vocal styles between heavy and more mellow instrumental sections is key to the band’s unique style and catchiness, as one can hear on both “Pit of Consciousness” and “Retrospection”.
Delivering a hefty dose of melody, melancholy and atmosphere, today we have German duo Imperium Dekadenz and their latest release “When We Are Forgotten”. Invoking the early days of Vried and Thyrfing, we are treated to one hell of a Black Metal release that will have you headbanging from start to finish.
The release opens with the grandiose album title track, gaining momentum as the layered guitars craft a punishing and yet very melodic atmosphere. Horaz vocals have a slight Immortal-esque edge, allowing them to perfectly complement the intensity of the music, as “Bis Ich Bin” demonstrates. The band’s ability to switch gears and unleash their melodic brilliance in dramatic interludes or more somber tracks like “My Solace I (Choirs Of Solitude)” makes them one of the more exciting bands in the scene these days.
Opening with “Renegades - A Lost Generation”, we get a Wintersun-esque oriental-influenced opening that transforms into a full on headbanging jam. The band’s style is as catchy as always, but quite different. The dramatic keyboards and catchy riffs are quite engaging and powerful. Mixing in some clean vocals and epic chorus sections, “Tornado” continues with a high-octane vibe and very polished melodic arrangements. With “Himmel Und Feuer” the band keeps up the lively atmosphere with yet another hyper catchy tune that will be stuck in your head for days to come. Just think of a mixture of Laibach, Wintersun and hints of VNV Nation mixed together.
The album starts very strong with the lush “Release My Symphony”, the longest and most dramatic song in this release. We particularly love the mood changes throughout the song and the very engaging chorus section. Having a certain early Nightwish vibe, the album is designed to highlight the masterful orchestrations and vocals. As tracks like “Heroes of the Dawn” and “A Journey to Remember” make their way, the band nicely plays with the level of intensity of the music, allowing listeners to settle into the journey brought forth in this release.
Epic Doom luminaries Candlemass finally return with “The Door to Doom”, their first full-length release in nearly seven years. With the return of Johan Längquist on vocals, the band delivers one of the most quintessential releases in this genre, filled with heavy riffs, and a old-school Doom antics. Delivering over 47 minutes of music in eight tracks, this album will certainly resonate with new and old fans of the band.
Leading with the crushing riffs of “Splendor Demon Majesty”, the band sets a timeless vibe thanks to their methodical approach to the genre. Johan’s vocals perfectly complement the crafty guitar work and the overall heavy and slow mood of the track. One of our favorite things in this release has to be the brilliant guitar leads, showcases on tracks like “Under the Ocean” and with the guest appearance of Tony Iommi on the superb “Astorolus - The Great Octopus”.