Dark Metal

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    Tribulation - Where the Gloom Becomes Sound (2021)

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    Delivering one of the early surprises of 2021, today we have Tribulation and their latest release “Where the Gloom Becomes Sound”. While we have never been huge fans of the band, the maturity and darkness of this release is highly addictive. The band’s Gothic/Dark Metal sound of later years has evolved very nicely, unleashing over 48 minutes of intricately crafted music that is both catchy and engaging.

    Opening with the sinister “In Remembrance”, the mood instantly turns bleak thanks to Johannes Andersson’s characteristic snarl that perfectly adorns layered guitars and moody tempo changes. The band’s sound is not immediately straightforward as you get a mixture of Doomy Heavy Metal with Gothic undertones, but the band makes it quite accessible and distinct from what others are doing, a testament to this are songs like “Hour of the Wolf” and its crafty intoxicating guitars, the warm and fuzziness of “Leviathans” with some Psychedelic Metal/Rock elements, to the playful darkness of pieces like “Dirge of a Dying Soul”.

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    Tomorrow’s Rain - Hollow (2020) Review

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    All the way from Israel, today we have a very unique and star-studded Death/Doom Metal release titled “Hollow”. With nearly 52 minutes of music, Tomorrow’s Rain's ambitious release pays off as they complement their very traditional sound with the talents of their guest musicians, creating one of the most powerful and refined releases of the genre. If you like melancholic Death/Doom Metal, it surely can’t get any better than this in 2020.

    The release kicks off with the mood setting and mysterious “Trees”, a song that slowly builds up to the typical commanding Doom riffs and excellent growls. Featuring Aaron Stainthrope of My Dying Bride, “Fear” sets a darker tone with lush atmospherics, dramatic clean vocal arrangements, and crafty drumming. The only track that does not feature guests is “A Year I Would Like To Forget”, which allows you to actually get a feel for the band’s excellent melancholic sound and solid instrumentation.

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    Eisregen - Leblos (2020)

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    As one of our favorite bands, and very hated by our friends, Eisregen is one of those bands that plays on their bizarre lyrics and funky music to deliver high-octane intensity filled songs with interesting arrangements and a good dose of melody. The band’s sound is quite an amalgamation of Gothic/Death/Black/Dark Metal, which is the core strength of “Leblos”, a very diverse and powerful double album. If you like weird music, this is certainly going to be of your liking.

    Starting with the playful “Ruhet sanft”, the band leads with a Lacrimosa-meets-Bethlehem sound and a very engaging and unique opener. As “Pechschwarz” and “Erstschlag” roll by, we get the harsh intensity of the band with incisive guitars, devilish vocals and overall catchiness that the band has been cranking out for the past 10 years. Losing Dr. Franzenstein from their line-up a few years back has not slowed down the band’s funky synths and keyboards as tracks like “1000 Jahre Nacht”, “Wangenrot”, and the amazing title track heavily deliver on the atmospheric side.

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    DOOL - Summerland (2020)

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    Enigmatic dutch outfit DOOL is ready to unleash their latest full length release with “Summerland”. Led by charismatic front-woman Ryanne van Dorst, this outfit delivers the perfect mixture of Dark Rock, Gothic Pop and Psychedelic Metal spread out in nine elaborate tracks. Featuring members of bands like Gold, The Devil’s Blood among others, the band’s sound is quite intoxicating, so be prepared for a dark and sinister ride.

    The album opens with the masterful “Sulphur & Starlight”, a very somber and yet catchy track that slowly builds up on enigmatic guitars and crafty drumming. The soothing raspy vocals of Ryanne perfectly blend with the playful bass guitar line as the mood changes throughout the song. The hard rocking attitude of the band is truly evident in the epic “Wolf Moon” and the dreamy “God Particle”. The band’s musical influences are vast and varied, as you can even hear some Cult of Luna-esque elements in the later of the previously mentioned tracks.

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    Untervoid – Untervoid (2018)

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    Unleashing a powerful barrage of killer riffs and chaotic vocals, today we have Untervoid and their self-titled mini-debut release. Hailing from Poland and featuring members of outfits like Armagedon and Kriegsmaschine, this short but sweet release is as relentless and powerful as they get. Four track are all you are going to need to be on the lookout for more material from this outfit.

    Kicking off with demoralizing intensity, “Messer” opens up the release with incisive riffs and hauntingly demonic vocals. The mixture of growls, screams, and hollering creates a truly eerie experience. Perfectly blending Black and Death Metal elements with sinister songwriting, tracks like “Twilight” sneak up on the listener with determination and violence. While Destroyer’s guitar work is killer, his vocal versatility is what makes this release even more impressive. Fans of Ulver, Borknagar and Bethlehem will certainly find them appealing.

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    Abysmal Grief – Blasphema Secta (2018)

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    Unleashing a truly decadent and terrifying release, today we have Italy’s Abysmal Grief and their very unique amalgamation of Dark/Doom Metal with eerie atmospherics and Avant-garde elements. Clocking in at around 45 minutes of pure decadence, “Blasphema Secta” is a very unique release has a certain retro and raw vibe that will haunt your dreams.

    Setting up the mood with the creepy atmospheric intro, the band eases into the madness of “Behold the Corpse Revived”. This track has a certain The Vision Bleak meets Dark Lunacy vibe with hits lush instrumentation and very determined and chilling pace. Things get a bit wacky with the harrowing “Maleficence” and its eerie catchiness. This track sets a very playful mood with some Gothic/Punk-ish elements thrown into the mix.

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    Moonspell – 1755 (2017)

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    Only getter better and better with time, today we have the legendary Moonspell and their latest musical opus “1755”. Featuring over 50 minutes of highly emotional and intense music, the band continues to refine their sound while unleashing some epic songs with their signature style. If you have followed the band over the years, the constant quality of their releases is unrivaled, this is yet another excellent album that will stand the test of time.

    Opening with the reinterpretation of “Em Nombre do Medo” from the Alpha Noir album, the band sets a very dark and sinister mood with the enhanced classical/choral arrangements added to this already intense song. The Middle-Eastern elements of the album title track make it quite engaging a unique, creating a very mysterious atmosphere that is perfectly complemented by Fernando Ribeiro’s signature vocals.

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    Cellar Darling – This is the Sound (2017)

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    Formed by ex-Eluveitie members: Anna Murphy, Merlin Sutter and Ivo Henzi, Cellar Darling perfectly combines Folk elements with Metal and Rock to create a very lively and unique sound that will captivate audiences. Led by the charismatic vocals of Anna Murphy, this release delivers 14 tracks of superbly catchy and engaging music that will stick in your head long after you stop listening to it.

    Opening with the killer “Avalanche”, this track features one of the catchiest chorus sections of 2017. The band keeps minor Eluveitie influences with their folk elements, but they focus on making killer vocal melodies and playful instrumentations that perfectly define their own identity, as we can hear on tracks like “Black Moon”, the brilliant “Challenge”, and the hard rocking “Hullabaloo”.

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    Sollertia – Light (2017)

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    Featuring the highly distinctive vocals of James Fogarty of Ewigkeit and In the Woods… fame, today we have Sollertia and their debut release “Light”. Playing a very unique mixture of Progressive Doom/Gothic Metal with Dark Metal elements, this release is pretty hard to pin down, but very effective in creating unique songs that are quite engaging. For fans of uniquely dark music, this album provides over 55 minutes of mysterious music that is very enjoyable and it is full of surprises.

    After the warm-up intro, this trio sets a somber mood with the melancholic Gothic vibe of “Abstract Object Theory”. The music is quite mellow and very well paced, allowing James Fogarty’s talented vocals to shine. Providing contrasting harsh vocals on a few tracks, Vanja Obscure does a pretty solid job in shaking things up with her shrieks, changing the pace of songs like “Pascal’s Wager”, “The Devil’s Seethe” and “Positive Disintegration”.

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    Throes of Dawn – Our Voices Shall Remain (2016)

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    Hailing from Finland, today we have the legendary Throes of Dawn finally delivering a new release after six years of waiting. As one of the first Finish Progressive/Melodic Black Metal bands in the 90’s, their sound has truly evolved into a magical combination of Atmospheric/Progressive/Gothic/Dark Metal elements. Featuring over 65 minutes of music, the seven tracks presented in “Our Voices Shall Remain” will transport the listener to very emotional melodic realms.

    Slowly building up with the hypnotic atmosphere of “Mesmerized”, the band creates a very subtle dreamy vibe thanks to the distant guitars and bass guitar line. The band’s earlier Black Metal days are still infused in the music, as songs like “We Used to Speak in Colours” start off quite heavily and slowly mellow into the album’s groove. Only using clean vocals, Henri Koivula, manages to sound a bit like Jukka Vuorinen from Decoryah, adding an extra layer of emotions to the music, tracks like “Lifelines” are a perfect example of this.

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