The highly underrated Graveworm is finally back after eight years since their last release and with “Killing Innocence” they are making up for lost time. With a very unique mixture of Melodic Death/Black/Gothic Metal, this band has released some pretty epic albums over the years and they now unravel ten tracks and around 50 minutes of highly engaging music. Hailing from Italy, this band has a very unique sound and a knack for highly melodic songs, as this release is a testament to.
Opening with “Escorting the Soul”, we get a sinister and engaging atmospheric introduction that slowly transforms into pummeling drumming and crafty riffing. Having a certain Hypocrisy-esque vibe from their “The Fourth Dimension” period, “We are the Resistance” is an excellent track with excellent guitars and tempo, creating a very mysterious and yet highly melodic piece. The band’s sound has a retro-sounding component to it, drawing older listeners like ourselves into their style.
Gothic Black Metal
Our favorite Gothic/Symphonic Black Metal miscreants are back, with a new double live release that also features a couple new studio tracks. Nicely separated into older and newer songs per disc, this release is a testament that the band still has plenty of fuel left in their tank while delivering some kick-ass live shows. If you are a diehard fan of the band, this release nicely captures a glimpse of how their, quite elaborate, tracks sound in a live setting.
Opening with the new track “She is a Fire”, is a dreamy piece that continues the bands intensity and lush atmospherics of their previous release “Existence Is Futile”. Since this track is new, this and the other studio songs should feature Zoë Marie Federoff, the band’s newest member on keyboards and backing vocals. The rest of the first disc has plenty of killer live renditions of fan favorites like “Heaven Torn Asunder”, “Nymphentamine”, “Bathory Aria”, and “Desire in Violent Overture.
Just in time for our Halloween parties, Cradle of Filth unleashes their latest devilishly good opus with “Existence is Futile”. Aging well with time, the band in the last 10+ years has honed into their strengths and continues to deliver consistently engaging and well crafted releases. For over 70 minutes the band unleashes their signature sound filled with lush atmospherics, engaging storytelling, fierce guitar work, and the introduction of Anabelle Iratni on keyboards and female vocals, making this one of their more diverse and engaging releases to date.
After the traditional instrumental intro, “Existential Terror” sets a very dark and sinister tone with over-the-top choirs and orchestrations alongside Dani’s signature shrieks and some incisive guitar work. While the band’s sound is always familiar, and pieces like “Crawling King Chaos”, “Black Smoke Curling From the Lips of War” are staple CoF songs, we particularly love haunting tracks like “Necromantic Fantasies” with a certain “Nymphetamine” (song) vibe, but with Anabelle’s enchantress vocals spin and a more sultry tone.
Nicely refining their skills over time, today we have Arsenic Addiction and their latest release “Echoes of Mourning: Communion with the Damned”. Hailing from Salt Lake City one of the Mormon capitals of the world, it is quite refreshing to find a band with such an aggressive yet melodic sound and imposing stage presence. Claiming to be Gothic Victorian Metal, the band nicely combines Gothic Metal elements with heavier Black/Death Metal influences all delivered by their female growler: Lady Arsenic.
Opening the release with the imposing “Aphotic Rite”, the band showcases even more Gothic touches than on their previous release. As an intro, this track really gets the listener interested in what is to follow. “Crown of Glass” goes into full swing with the band’s trademark signature and a constant struggle between hellish growls and soaring clean vocals. The band’s sound has that early 2000’s vibe of Gothic Black/Death Metal that is still widely used (and loved) these days.