After their breakthrough release “Death & Legacy”, Serenity seems to be easing into their own bombastic sound with “War Of Ages”. Incorporating a full-time female vocalist (Clémentine Delauney), the band delivers ten tracks filled with lush orchestrations and very dynamic arrangements. Any fan of Symphonic Metal with some Progressive and Power Metal elements will be eating this one for breakfast… and the rest of the day for countless weeks.
Starting strong with the super catchy “Wings of Madness”, a track that has a killer chorus section and excellent vocal duets, the band shows that their last release was not a fluke. The combination of Georg Neuhauser and Clémentine’s vocals has great chemistry and they sound great in this track (and release in general). In the very Epica-like “The Art of War” and “Shining Oasis”, the band shows their skills on faster paced and more dynamic songs while keeping their own signature sound.
Presenting three very bombastic Symphonic Metal tracks, today we have Tales of the Old and their EP “The Passageway from Hell to Earth”. With a style combining elements of bands like Therion and older Nightwish, this band excels in creating very dark atmospheres around lush vocals and powerful guitars. For around 12 minutes this band gives you the perfect introduction to their dark and somber world.
Opening with a very somber piano intro, “Dark Witch” immediately explodes into a full-fledged Symphonic Metal anthem with excellent keyboards and punishing guitars. The clean-male vocals reminded us a bit of Snowy Shawn from Therion, but what pushes this song over the edge for us is the super creepy children’s choir arrangements. The female vocals of Androniki Skoula are very powerful and nicely complement the atmosphere of this track.
Just as we got our entire facts ready for this review, we found out that the band has parted ways with a member and that this release will probably never see the light of day… commercially that is. That aside, today we have Silent Wings and an extremely awesome Symphonic Metal EP release titled “Revolution Unfolding”. Lead by the beautiful vocals of Rhea Gawlicka, this band shows unlimited potential with eight excellent compositions that are very bombastic and melodic in nature.
Similar to Within Temptation, After Forever, etc., this band is not claiming to be revolutionary or anything, they just play one mean Symphonic Metal that can compete with any of the previously mentioned bands. After a very epic intro, “Nobody’s Savior” reminds us a bit of Serenity (sans the male vocals) and its very epic and melancholic atmosphere. Marta’s vocals are just outstanding since they are firm and very beautiful, making her one of the best female vocalists for this kind of music. Further evidence of this is can be found in the very dramatic “Into the Void”, one of our favorite tracks in this release, the same can be said about the powerful ballad “Out of Hell”.
Delivering a 63-minute Symphonic Power Metal epic, today we have France’s Kerion and their super bombastic release “Cloudriders – Part 1”. Borrowing from epic bands like Raphsody of Fire, this release is as lush and well-crafted as they come showing heaps of creativity and technical skills.
Opening with the epic “Riders Theme”, the band immediately makes their orchestrations be felt as well as their killer guitar work. The whole fantasy vibe is perfectly delivered in “The Map”, another excellent track with very dynamic vocal arrangements. In songs like “Bounty Hunter” and “Never More” the band really shows their Power Metal foundations with excellent musicianship and very solid male and female vocal sections.
Bouncing back from losing their signature vocalist Roy Khan, today we have Kamelot and their tenth full-length release “Silverthorn”. In this album, the band shakes off the loss with twelve epic tracks of very Symphonic Progressive Power Metal fronted by their new vocalist Tommy Karevik and a wide varied of guest vocalists (female) as well as some killer choir arrangements. The band’s sound seems bit more dark and gothic in this release, but the change of vocalist has really been minimized by Karevik’s excellent singing abilities and the band’s music writing skills.
With keyboards and orchestrations in charge of Oliver Palotai, the band opens with a the very symphonic “Manus Dei”. In this intro track, the band indeed sounds more like Epica or Therion than Kamelot. Thomas Youngblood’s riffing is finally felt on the opening of “Sacrimony (Angel of Afterlife)”, a track that actually sounds a bit like Within Temptation in their “Mother Earth” era. This changes once Karevik’s vocals come into play, but interestingly enough the band goes into some choir sections very quick, leaving his vocal appearances in this track to be less than the choir parts.
Celebrating their 25th year anniversary, today we have Therion and their latest opus “Les Fleurs du Mal”. In this very unique release, we have Therion doing what Atrocity did with their “Werk 80” release, but with French songs from the 60’s and 70’s, going for an even more retro approach. In the last release we thought that Therion was winding down since the album was “more of the same” and not much to write home about, but they have managed to revive themselves with this very interesting and engaging track that will have you falling in love with the band once again.
Cranking out fifteen tracks in 45 minutes, the band delivers quite a different spectrum when it comes to styles used in the covers of songs. Songs like the opener “Poupée de cire, poupée de son” have the signature Therion sound, but other like “Une fleur dans le cœur” show a completely different side of the band. We are most impressed with how Christofer Johnsson and company managed to transform these original French songs a bit into the Therion sound, and some of them even have a certain Victorian flair to them (like “Soer Angelique”). This makes this release quite a delight to discover how each of the songs presented in this release (if you know them from before) will sound with the sonic overhaul.
In the age where marketing is everything for young and upcoming bands, it is quite a joy to be reached by one of those ‘upcoming projects’ and have the chance of reviewing ‘their’ first single titled “The Dream”. Upon Wings is a female-fronted, one person band (for what we can find), that mixes very beautiful operatic style vocals (courtesy of mezzo-soprano Anne Erickson) with a hypnotic atmospheric vibe.
The band’s debut single “The Dream” is a 3 minute long track that also has a very interesting video to accompany it. We can’t really hear any guitars, drums or any Metal or Rock elements, but we do get some haunting vocal arrangements and a very ethereal atmosphere. The vocal layering is quite interesting and we can’t wait to hear what else this band can come up with in the future. This first single track shows promise and only time will tell if Upon Wings can deliver in terms of a full-length release, until then go and checkout their video here
Our initial impression of the latest ‘Rhapsody’ (Luca Turilli’s incarnation of it) is HOLY SHIT. The man has shown over the years that he is a brilliant musician and with the ridiculously over the top “Ascending to Infinity” he answers to all the skeptics a big: I am Rhapsody. Featuring nine brilliant tracks of Symphonic Metal, this is one of those albums that you need to hear at least 100 times to fully discover all the little details and brilliance behind it.
After the epic mood –setter “Quantum X”, things blow up with the playful “Ascending to Infinity”. In this track, the guitars are flowing, the orchestral arrangements are very classical sounding, but Alessandro Conti’s vocals steal the show. Coming from the relatively unknown band “Trick or Treat”, this new singer delivers every single line to perfection. The over the top feeling is not saturated as with other overly ambitious bands, and the tempo changes are very well crafted.
Making quite an impact since the first song, today we have Poland’s Devilish Impressions latest release titled “Simulacra”. Being properly released through Lifeforce records this July, this is one of those albums that combines so many different elements in a very cohesive and successful way, making it super diverse and extremely exciting.
“Icaros” opens with release with a mixture of Vintersorg meets Dimmu Borgir atmosphere, thanks to the hefty use of synths and the awesome clean vocals. Setting the bar this high, the band also delivers pretty solid melodic Black/Death-ish music that is very direct and well crafted. The atmospheric side of things keeps making this album very appealing in “Legion of Chaos”, but it is the massive drumming and heavy riffing that ultimately makes this song super catchy and effective.
Today we have Italy’s Winter Haze delivering an exciting Symphonic Metal EP release titled “Silent Deception”. Featuring four tracks, this EP showcases a very mature and interesting band that can write and execute superbly melodic songs. The band’s biggest asset besides their musical skills is the sweet and unique voice of Giorgia Marra and its powerful range, making them immediately a force to be reckoned in this very crowded genre.
Opening with a jazzy sax intro to the track “Cross the Sea”, this release sets the mood very effectively. The guitar work is pretty standard and very catchy, allowing Giorgia’s vocals to shine very nicely. Mixing clean male vocals and grunts with the classically trained female vocals is far from revolutionary, but when done right (like here) it is very effective and powerful. This track also has some nice vocal layering that gives it a very professional and dramatic edge.