Returning with their fifth full-length release, today we have Delain and their impressive and bombastic Symphonic/Gothic Metal sound. With “Moonbathers”, the band takes things one step further delivering lush orchestrations, crushing guitar riffs, and mesmerizing vocal arrangements, allowing their sound to be as explosive and expansive as ever. If you are a fan of the band or the genre, this album has all the right ingredients to become a classic.
Opening with the lively “Hands of Gold”, the band sets a very high bar with such a bombastic song which features a duet with Alissa White-Gluz. The superbly catchy “Suckerpunch” is a very solid third act in this increasingly more intense and bombastic release. Released earlier this year with the “Lunar Prelude”, this song showcases the band’s evolution into a more dynamic and explosive unit, which can be easily compared to bands like Nightwish and Epica.
Featuring a very diverse and international cast of characters, today we have Gone in April and their sophomore release “Threads of Existence”. Led by the beautiful vocals of Julie Belanger Roy, this band combines everything from Gothic to Death to Symphonic to Folk Metal, creating a very rich and unique listening experience for the 43 minutes of music crafted in this release.
Opening with the theatrical intro “Dawn of Time”, it is not until “The Curtain will Rise” that the band showcases their rich sound. In this track we have some very catchy melodies paired perfectly with super tight drumming, courtesy of Yanic Bercier, and Haggard-esque male growls. Perfectly blending intensity with melody the band delivers superb tracks like the “Our Future Line”, which also showcase the Bass guitar wizardry of the highly experienced Steve DiGiorgio.
Sometimes the best way to move forward is to hit the rest button, and this is exactly what Thomas Caser did with his band. Bringing back some of the band’s old members and a couple of new vocalists, Visions of Atlantis returns with a fresh lineup and a new lease on life. The EP “New Waters” features five classic songs from the band’s discography, re-recorded with the new members in order to test the waters.
Opening with the amazing epic “Lovebearing Storm” from the band’s debut 2002 release “Eternal Endless Infinity”, we instantly get a glimpse of the killer chemistry between new vocalists Siegfried Samer and Clémentine Delauney. The song also sounds revitalized more dramatic keyboards and a clear mix.
Continuing their impressive run of Symphonic/Melodic Metal releases, today we have Inner Wound Recordings latest gem: Ravenia. Hailing from Finland, this nine-piece band delivers eight brilliant tracks of truly orchestral/symphonic Metal that will captivate listeners and surely appeal to any fan of the genre. While having tons of ‘traditional’ influences, this band manages to craft their own unique bombastic sound, making them quite a find.
Opening with the very mellow and dramatic start of “For Those We Forsakened”, the band’s sound feels very organic and natural. With tons of computer software these days that can sound just like the real thing, we prefer Ravenia’s decision to sticking with featuring live string instruments like two violins, a viola, a cello, and a contrabass. The extra band members allow songs like “Into Oblivion” and “We All Died for Honor” to sound very cinematic and fresh, and leaving the door open for actual live performances where all the instruments are done live.
Freshly arrived from France, today we have the lively Irradiance and their latest release “Dissidence”. Playing an interesting combination of Progressive/Symphonic Metal with some jazzy and Rock influences, this outfit delivers ten brilliant songs that will keep you at the edge of your seat. For fans of Epica, Stream of Passion, and similar outfits, this release is very bombastic and engaging.
Opening with the lush “Children’s Game”, the band’s singer Audrey Dandeville, instantly comes center stage with her excellent operatic vocals. This opening song is quite catchy and structured in a way that grabs the attention of the listener. There are some unique elements that remind us of Diablo Swing Orchestra thrown into the mix that might catch some people off-guard, but we think they are super cool. Continuing strong, “The Soldier and the Child” allows Alexandra Vallet, the band’s violinist to change the course of an already excellent track.
As Delain continues their world domination with their relentless touring schedule, today we are lucky to have their latest EP titled “Lunar Prelude”. Providing some insights into the band’s future full-length release, this EP gives us two new tracks, one new version of an older song, four live takes and an orchestral piece. As bombastic as any of their previous releases, this album will captivate all fans and entertained until their next release.
Opening with the bombastic “Suckerpunch”, this is the quintessential Delain track with lush keyboards, brilliant solid arrangements and very catchy melodic sections. Charlotte’s vocals have come a long way since the band’s debut “Lucidity” and sound very firm and yet as sweet as ever. After such an explosive opener, “Turn the Lights Out” opens more in a mellow mood that is nicely elevated thanks to super catchy arrangements and strong guitar work. The band recently added Merel Bechtold into their ranks as second guitarist as well as new drummer Ruben Israël further strengthening their musical core.
After the epic “War of Ages” we waited a bit over 2 years for this Austrian outfit to deliver a new release. With “Codex Atlanticus” the band continues the Symphonic Metal musical journey with a few line-up changes and their same bombastic approach to music. Delivering ten tracks of solid Symphonic/Power Metal, the band envelops us in an aural and historical journey, within the context of Leonardo da Vinci, for over 50 minutes of music.
With the explosive opener intro track, we are eased into the superbly catchy melodic nature of “Follow Me”. This track sounds very similar to Sonata Arctica with some extra orchestrations on top. The multiple vocal onslaughts return with the hectic “Sprouts of Terror”, for this album Clémentine Delauney seems to be missing and you can hear the difference in the tracks that use female vocals.
Hailing from Italy, today we have one-man dream machine Neutra and its latest hypnotic opus “Music for an Exhibition”. Delivering five tracks of superb ethereal music, this is one of the most engaging and transforming Ambient releases we have heard in a while. Evoking the delicate precision and ambiance created by Robert Rich, this Italian band manages to captivate for the complete duration of this release.
The album kicks off with the angelic “After The Flood” and its very dramatic piano sections. Having very subtle mood changes, this opener tracks sets a very enigmatic and dreamy stage. Continuing with the playful “Paranthenogenesis”, the mood shifts to a more space-like cinematic vibe. Our personal favorite is the somber “Point of View” and its dramatic progression.
Hailing from the USA, today we have the very unique and promising debut release from Tine. Titled “The Forest Dreams of Black”, this debut album delivers over nine tracks of a very solid blend of Symphonic Black/Death Metal. As a two-person outfit, this band mixes elements from old-school greats like Bal-Sagoth, Limbonic Art and Canada’s Necronomicon. As a very atypical North American release, this album is definitely worth your time.
Opening with the pyscho sexy riffs of “Enter the Black Forest”, the band sets a very intoxicating mood. With Count Murmur handling all the guitars, bass guitar, vocals, and programmed drums, the band still manages to sound like a real band and not some dude in his parents basement. In “Horrors at Antioch”, the solid integration of the musical base-layer and Vanth’s keyboards creates a very eerie atmosphere and reminds us of Limbonic Art and some of the early days of Charmand Grimloch’s Tartaros.
Delivering twelve tracks of brilliant Symphonic Rock/Metal, today we have super group Phantasma and their debut release “The Deviant Hearts”. Featuring Delain’s Charlotte Wessels, Everon’s Oliver Philipps and Georg Neuhauser of Serenity fame, this band is one of the most ambitious outfits in this musical space. The band does not disappoint with brilliant songs and even more impressive guest appearances to round up an excellently crafted release, if you are a fan of symphonic/melodic music, you will not want to miss this one.
Opening with the very solemn “Incomplete”, we are instantly pleased with the excellent duet of Charlotte and Georg. After starting on a dark note, the album quickly picks up with the mellow opening of “The Deviant Hearts”. Featuring Tom Englund in this bombastic song, all fans of either Delain or Evergrey will instantly geek out due to the way both singer’s vocals blend in this track. After a very Delain-ish “Runaway Gray”, the ballad “Try” greatly showcases Chloe Lowery and Dennis Schunke’s vocal talents in a very dramatic and epic way, easily one of the best tracks in this release.