As one of the most extreme releases of 2014, today we have Carnifex and their crushing “Die Without Hope” release. Three years have passed since the band’s last effort and today we have them with their most mature and polished released to date. Evolving away from your cookie cutter Deathcore, Carnifex manages to deliver 10 brutal tracks filled with epic orchestrations, massive drumming, and crushing vocals.
Wasting no time, “Salvation is Dead” produces some demoralizing Death Metal riffs that will crush anybody’s doubts of this band. The growls/shrieks of Scott Lewis are as brutal as they come and they greatly enhance the overall violence portrayed in the band’s sound. The band’s sound is 100 times darker on songs like “Dark Days”, where they exploit perfectly constructed orchestrations and keyboards to contrast their relentless riffing. There is also a certain melodic edge to the music that we found quite refreshing.
After a long album cycle with the last Epica release, Mark Jansen returns with his Symphonic Death Metal outfit MaYaN and their sophomore release “Antagonise”. In a release that is larger than life, we find ourselves somewhat lost with how many different elements and styles are put together in this album. While not being bad, but confusing and sometimes a bit dull, this is a most have release for any fans of Jansen’s previous work after a few listens to settle things in.
The album kicks off with the Death Metal riffing intensity of “Bloodline Forfeit”, with the heavy elements getting offset by Henning Basse’s commanding vocals. The album keeps rolling filled with lush orchestrations in dramatic tracks like “Burn Your Witches”, “Redemption – The Democracy Illusions”, and “Paladins of Deceit”, all of these tracks follow the same formula with some Epica elements bleeding into some of the aspects of the music.
After a very promising and fresh sounding EP titled “Paradise (What About Us?)”, Within Temptation finally unleashes their latest full-length “Hydra”. In this release the band continues their push for mainstream recognition and glory with some extremely unexpected collaborations and a handful of songs that still remind us of the older roots of the band’s beginnings.
The album opens with the final version of “Let Us Burn”, a track that is still as good and efficient as on their previous EP but with nice finishing touches. The band manages to sound like their old self with heavy guitars and lush orchestrations. The first guest appearance is marked by the vocals of Howard Jones on “Dangerous”. This track is quite heavy and enjoyable since both vocalists do a great job and the music is quite well developed.
Filmed at Wacken Open Air Festival in front of 85,000 fans, Nightwish brings us hands down the most complete and well-crafted live release of 2013. Directed by Ville Lipiäinen, this is one hell of a release that brings to life the band’s amazing live chemistry and unrivaled showmanship. Filled with all of the band’s hit songs, this release will impress any fan of the band and will surely convince anybody that is skeptical about Floor Jansen’s place in the band.
Opening with two of our favorite songs of the band “Dark Chest of Wonders” and “I Wish I Had an Angel”, Floor will immediately blow all the non-believers away with her commanding presence and ownership of these classic Nightwish songs. With the backdrop of 85,000 people at Wacken, this release really brings the viewer into the meat of things and gives the vibrant experience of being at the festival minus the mud, standing for hours, and sweaty Metalheads bumping into you.
Released as a deluxe hardcover book with 2 DVDs or 2 Blu-rays and 3 CDs, “Retrospect” marks the band’s 10 year anniversary with an amazing performance with more than 70 musicians on stage with the Reményi Ede Chamber Orchestra and the Choir of Miskolc National Theatre. This release features a massive 180+ minutes of material, perfect for any diehard fan of the band.
Since the first disc, the band takes the stage with a commanding presence led by Simone Simmons and Mark Jansen. The choir arrangements are amazing and all the band’s hits are delivered with perfect execution. With an impressive stage and a fired up crowd since the first minute, this live release perfectly captures the experience of watching Epica live and the incredible intensity of all band members.
Marking the band’s tenth year anniversary, today we have Leave’s Eyes latest release “Symphonies of the Night”. As anybody can expect, this 54 minute release is filled with lush atmospheric arrangements, angelic vocals, and a healthy dose of heavy guitars. The band reached far back into their origins and delivers a very effective mixture of elements from all their albums in a very cohesive and epic way. With a central theme about heroines through history, the band is at the top of their game and shows no signs of stalling or being content with their previous achievements.
The album opens with the haunting “Hell to the Heaves”, a track fueled by Liv’s extraordinary vocals and their contrast with Alexander Krull’s grunts. The music is quite reminiscent of their previous album “Meredead”, but with an edgier and even more aggressive take. The first instant hit comes under the name of “Fading Earth”, a track with very powerful guitar leads and a super catchy chorus section. For those of you that prefer the folkier side of the band circa “Vinland Saga”, “Galswintha” and “Nightshade” will satisfy your cravings.
Being huge fans of the band’s earlier material from their “Enter” and “The Dance” days, we constantly grew apart from their Pop-ish music over the last few years. While they have some great songs here and there, most of their ‘mainstream’ recent music has not impressed us much. Well, with the EP “Paradise (What About Us?)” we are quite surprised that the band returns to some of their earlier foundations (“Mother Earth”) and delivers quite an excellent short release.
The immediate standout is the EP’s title-track, featuring an amazing duet with none other than Tarja Turunen. In this high-intensity tune the band busts out the heavy distorted guitars and excellent atmospheric arrangements. Both Sharon and Tarja do an excellent job in this track making it quite dramatic and intense. The music is nowhere near as Pop-ish as bands like Amaranthe, making us quite enjoy this song. With the remaining tracks being demo versions, we still stand to see how much they change for the actual album, but for now we will focus on how good they are.
After a long year of fronting Nighwish, today we have Floor Jansen’s band ReVamp and their sophomore release “Wild Card”. Being the charismatic and unique vocalist she is, Floor manages to make this album very special and quite engaging from beginning to end. Coming back after being sick for a while, inspiration was drawn from this period of her life, thus making this release very emotional and personal.
Opening with the first part of the trilogy “The Anatomy of a Nervous Breakdown” – “On the Sideline”, ReVamp starts in very high spirits with powerful guitars and the incomparable vocal leads of Floor. There are some growls thrown here and there, giving the song that extra aggressive kick. The trilogy continues with the more modern sounding “Lymbic System”, a track that has some of that Groove Metal vibe mixed with the lush keyboards and well-crafted drums.
Three years after “What Lies Beneath”, iconic singer Tarja finally returns with another bombastic release titled “Colours in the Dark”. Ever since her departure from Nightwish, Tarja has constantly been delivering amazing releases filled with her characteristic vocal style and expertly crafted with world class musicians to produce some of the most exciting and lush Symphonic Rock/Metal releases of the last few years.
Opening with the engaging “Victim of Ritual”, we get an excellent balance between catchiness, operatic singing, and explosive musical arrangements. Surrounding herself with musicians of the caliber of Mike Terrana and Max Lilja (ex-Apocalytica), Tarja manages to create very elaborate songs that fit her vocal skills perfectly and allows them to shine to the max. This release is filled with very energetic tracks such as the melancholic “Lucid Dreamer” and the engaging “Never Enough”. Other songs take darker and more classical approach like the excellent “Mystique Voyage”.
Bigger, better, quicker, and more grandiose seems to be the objective of Fleshgod Apocalypse and their monumental release “Labyrinth”. Having blown people away with the combination of dramatic orchestrations and extreme technical abilities in “Agony”, the band is ready to deliver an even more impressive and monumental release with this album.
The album kicks off with dramatic operatic vocal arrangements and over the top orchestrations on “Kingborn”. This single opening makes the last Dimmu Borgir album sound like a bunch of kids playing with Protools. In this track the band also delivers their signature Technical Death Metal with hyper fast riffs and killer drumming. “Minotaur (The Wrath of Poseidon)” eases into the picture with a more standard approach featuring killer growls mixed into the rich sound of the band. Don’t be fooled since there are also plenty of memorable melodic passages mixed in between all the brutal sections and lush arrangements.