Hatesphere comes from Denmark with an interesting release. They mix Trash Metal with some very pronounced Metalcore influences. While this is a considerable step up from their previous release, it has something missing. The music is ok but very repetitive and the vocals have been considerably improved.
This release is very good for a few songs, but after that it gets pretty dull and all interest is lost. I will admit that the music is very well made and the powerful guitars go along the elaborate drumming. The problem that I have with this release is that is good enough for 3 songs and the rest all sound the same. If you like your music to all sound the same then you will love this album.
When I popped this album I was surprised since it took me back in time. This band’s sound reminded me of old Kreator (without the annoying vocals), and some hints of the old bay area trash metal bands. This album features 40 some minutes of intense old school metal that will keep older metal heads at peace.
The band sound is not unique, but it nicely blends influences of many bands, and they can easily be noticed during the duration of this album. The guitar riffs are very intense and go along the furious drumming perfectly. The vocals are also very good and not annoying like in some trash metal bands these days.
HDK is the brain child of Sander Gommans from After Forever fame, so naturally I was very excited about this release. Now that After Forever split-up I’m looking for some band to take their place. Well let me tell you HDK is not that band, while I was impressed by reading all the people that participated in this project: Amanda Sommerville, Andres Matos and Arjen Anthony Lucassen to name a few, this album just does not deliver in my opinion.
This album seems like a composition of random thoughts materialized in music, some parts are really good and some other ones are very bad. The album contains a mixture of genres that becomes annoying after a few songs. I don’t know how people can like this release as a whole, since while there are good parts and some of the guest performances are very good, as a whole it’s just bad.
The Tardy brothers if you where living under a rock for the last 20 years, or are too young to know, are 2 of the founding members of Obituary (vocals and drums). I was very interested in listening to this album since they announced it. And let me tell you this album arrived 10-15 years late.
While you can clearly notice the typical vocal style of Obituary, the Tardy Brothers music is more of a trash metal and death metal. I would have imagined that the brothers would have broaden their musical horizons in the last few years, but apparently they have been listening to their old tapes and LP’s for too long.
IXXI sound is very traditional of the current progression of many black metal bands, since they combine elements of black metal with trash metal with perfection. Most of the song have catchy melodies while being aggressive, it kind of reminds me of Satyricon when they released Volcano, however I prefer this album.
The harsh vocals are almost identical to Satyr’s vocals and provide a perfect match for the sound of the band. The guitar riffs are strong and repetitive but never dull, the drums are perfectly executed and typical of a black metal release.
It’s been a while since I’ve heard from this black metal band from Texas, and they are returning with full strength to recover their place among the best of their genre. Their style is a peculiar mix of black and trash metal that reminds me of the old school trash releases from years ago, with interesting overtones of black metal elements.
This album takes you by assault since it starts with fast-paced melodies that hold you and don’t let go.