Progressive Metal

  • Vintersorg – Jordpuls (2011)

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    After a 4 year absence, today we have another very solid release by Vintersorg titled ”Jordpuls”. In this release we get 9 tracks of typical Vintersorg full with epic vocal arrangements and great musicianship, and the overall Vintersorg sound imprinted in every second of this release.

    While fans of Vintersorg and Borknagar will rejoice with this release, we think is just more of the same with a few changes here and there. After the ‘experimentation’ phase that Vintersorg took in the last few albums, it is nice to her him coming back to the Progressive infused Viking Metal.

  • Serenity – Death & Legacy (2011)

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    In the band’s most ambitious release to date, Serenity sets out to create a release around historical figures such as Christopher Columbus, Giacom Casanova, Sir Francis Drake, Queen Elizabeth I, in a very electrifying and symphonic fashion. “Death & Legacy” is hands down the band’s best release and it’s also one of the most dynamic and rich sounding albums we have received this 2011.

    The overall Symphonic feeling of “Death & Legacy” is one of the main ingredients to set this release apart from your average album. However, the ingredient that really sets them apart from the rest is the amazing duets with Charlotte Wessels (Delain), Ailyn (Sirenia), and Amanda Sommerville.

  • Odd Dimension – Symmetrical (2011)

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    Jumping out of the blue, today we have a very promising Progressive Metal band with the name of Odd Dimension. Hailing from Italy, this ‘new band’ is ready to make a strong introduction with their debut album “Symmetrical”. Featuring 47 minutes of music, this release is one of the strongest Power Metal releases of 2011 we have received so far.

    Featuring lush keyboard arrangements, powerful singing, solid guitar work and tight drumming, this band has all the elements needed to be successful in such a competitive genre. One of the best elements of “Symmetrical” has to be the solid songwriting abilities that the band has, since ‘everybody’ can be great at their instruments, is how they put the songs together that separates a great band from the rest.

  • The Shadow Theory – Behind the Black Veil (2010)

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    As a prefect example of super-groups that don’t really work, today we have The Shadow Theory and their first full-length release “Behind the Black Veil”. Form by Psychotic Waltz vocalist Devon Graves and featuring Kristoffer Gildenlöw (ex-Pain of Salvation) on bass, Johanne James (Threshold) on drums, The Shadow Theory boosts enough musician fire power to be amazing…well they are half way there.

    Starting the album with “I Open Up My Eyes”, you immediately notice a Jethro Tull rip-off flute using mixed in with the vocals, the bass guitar line is particularly great but it can’t save a mediocre song from crashing and burning with very uninspired repetitive sections. Another thing that kills songs is the stupid lyrics of “Ghostride”, in this track just after 2 minutes you will start wondering what the hell you are doing listening to such dumb lyrics.

  • Evergrey – Glorious Collision (2011)

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    With a revamped lineup, Tom S. Englund and company return with what is probably the band’s best release in a few years. With “Glorious Collision” the band reaches new heights thanks to the technical brilliance and catchiness of all the songs presented in this release. As we all know over the years, Tom is great at crafting very somber lyrics and bringing them to life with his gifted vocal style.

    “Glorious Collisions” feels like a much needed reboot in Evergrey to more forward with more progressive ideas and rediscover their dark and emotional sound. Since the opening track “Leave it behind”, a very mystical aura enshrouds this release and it’s never released until the end of the album, a truly magnificent accomplishment.

  • Ironwood - Storm Over Sea (2010)

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    With a very confusing approach to music, today we have Ironwood, a band that seems to suffer from multiple personality disorder and plays a very wide variety of music genres in a very disconnected way. However, at some moments the band reminds us of Borknagar and such bands that mix and match genres in very crafty ways.

    Hailing from Australia, “Storm Over Sea” is Ironwood’s second full-length release and shows the band trying to find their own sound, or just playing a bunch of random things together and hoping for the best. Starting off with “When it’s all Over” a very Folk/Progressive piece, the band will surely grab your attention, but will confuse you immediately after with “Hail Sign” a very ‘random’ song in our opinion.

  • Circle II Circle – Consequence of Power (2010)

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    After their ‘decent’ 2003 debut album “Watching in Silence”, Circle II Circle is been in free-fall releasing several uninspired albums and “Consequence of Power” is not the exception to that trend. With very dull songs and a very bland production, “Consequence of Power” is another album that will greatly be un-noticed by the community and fans of Zak Stevens.

    As you can imagine, Zak Stevens’s vocals are the best of this otherwise very boring release. Zak delivers a very emotional and solid vocal performance to very dull sounding and repetitive songs, so it’s like sprinkling a turd with 24k gold flakes, making the end-product still not appealing.

  • The Ocean – Anthropocentric (2010)

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    A few months after the release of “Heliocentric”, we get “Anthropocentric”, the more aggressive and crushing continuation (and conclusion) to the band’s critique on Christianity started with “Heliocentric”. While The Ocean still incorporates some of their traditional classical instruments in “Anthropocentric”, this release is by far much more aggressive and straight forward than their previous one.

    With another 50 minutes of monumental Progressive Sludge/Metal, the band greatly enhances the listening experience of “Heliocentric”, we found ourselves playing both records back to back in order to get the full effect and conceptual message of this very well crafted releases. The band immediately starts with a very crushing track in “Anthropocentric”, often weaving back and forth between pounding riffs with harsh vocals and brilliant clean vocal harmonies and more melodic guitar lines.

  • Creation’s End – A New Beginning (2010)

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    Coming from the minds of two North American musicians today we have “A New Beginning”, the debut full-length release of Creation’s End. Featuring musicians such as Mike Dimeo (Ex-Masterplan, Ex-Riot) and guitar wizard Marco Sfogli (James LaBrie band), this debut album will blow you away with its amazingly crafted Progressive Metal songs.

    Creation’s End features a wide variety of influences, making them not just another Progressive Metal band, but a force to be reckoned since they touch so many genres in the 8 impressive tracks of “A New Beginning”. The band has something in store for everybody, being soaring vocals, guitar acrobatics, and a nice dark atmosphere surrounding the album.

  • Star One – Victims of the Modern Age (2010)

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    As one of the most anticipated releases of 2010, today we have Star One’s second full-length album “Victims of the Modern Age”. After seven years of waiting, Arjen Lucassen brings us a brilliant Progressive Metal/Rock space journey with “Victims of the Modern Age”.

    As you can always expect with any project where Arjen Lucassen is involved, the listener is treated to a wide variety of haunting songs featuring some of the best vocal arrangements and brilliant instrumentation on any album released in 2010. While the similarity to the last few Ayreon albums is very high, Arjen manages to craft songs that  capture the listeners attention and transports them to a different world.

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