Post-Metal

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    Dies Irae – Secret Veils of Passion (2012)

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    As one of the first band’s that got me into more ‘melodic’ and ‘different’ sounding music back in 1998 with their excellent album “Etherial”, Dies Irae returns after a 10 year hiatus with “Secret Veils of Passion”. In this very interesting release the band goes all over the place with so many musical influences that seem a bit disconnected at times, but that in fact create a very solid release with a wide palette of textures and very high-creativity.

    While many band’s in Mexico are clones from European ones, Dies Irae crafted two of the most interesting releases of Mexican metal in the late 90’s and the disappeared. With a hint of an European sound, “Etherial” was a landmark release with its hefty Jazz/Fusion influences that puzzled many. With “Secret Veils of Passion” they continue through their exploratory musical journey and have produces 10 unique tracks that have some memorable moments.

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    Lantlôs – Agape (2011)

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    After releasing the impressive “.Neon” last year, Lantlôs returns with an even better release with “Agape”. In this album, Herbst basically takes apart Post-Black Metal and infuses brilliant instrumental passages and a nihilistic raw energy that creates an even more crushing and beautiful sound than ever before. While at first glance “Agape” might catch you off guard, this release is truly worth your attention to detail and how all elements weave together in a big bleak dark atmospheric could unlike anything heard before from Lantlôs.

    The opener “Intrauterin” quickly exposes some Drone-like elements with some Doom influences in its first few minutes. Very similar to Funeral Doom, this makes a very harsh and quick statement about the intensity and rawness of some of the songs to follow. The guitars are heavy and crushing, but they very effectively switch when the instrumental passage kicks in. Having some minor Post-Black metal hints to it, it feels like being pulled out of the water after almost drowning. Just before you think that the song will end quietly, there is another onslaught of harsh vocals and pummeling guitars, very nicely arranged.

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    An Autumn for Crippled Children – Everything (2011)

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    One of the most mysterious bands coming from the Dutch scene has to be An Autumn for Crippled Childern. After their monumental 2010 debut album “Lost”, they return with an even more impressive and lush release with “Everything”. If you though that their first album was pushing the limits of creativity and delivering in almost every single aspect, wait until you get your hands on this excellent release.

    Being released on ATMF records, “Everything” opens with powerful Shoegaze influenced guitars in “Forever Never Fails”. Drawing similarities to Alcest, Lantlos and similar Post-Black Metal/Shoegaze bands, the band is greatly refining their sound from their first release. The distorted desperate screams of pain that are featured in this track (and throughout the release) greatly contrast the beauty of the music, but in a very effective and devastating manner.

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    Falloch – Where Distant Spirits Remain (2011)

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    As one of the most beautifully crafted releases of 2011, today we have Falloch’s debut album “Where Distant Spirits Remain”. Featuring 7 tracks of emotional atmospheric post rock/Metal with shoegaze and Black Metal, this release is set to take the scene by surprise due to its intricate design and flawless execution. If you are a fan of bands like Les Discrets, Alcest, Wolve in the Throne Room, Lantlos, etc, you will be blown away by the quality of this album.

    Formed by Andy Marshall and Scott McLean in Glasgow, Scotland, this very young and promising band has managed to capture both emotional landscapes and beautiful imagery through highly atmospheric and nostalgic music. With an emotional layer of vocal styles paired with dreamy guitars and ethereal atmospheric elements, “Where Distant Spirits Remain” is one of those albums that you will not be able to put away after one listen.

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    So Hideous, My Love… - To Clasp a Fallen Wish with Broken Fingers (2011)

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    As one of the most interesting albums we have received this summer, So Hideous, My Love’s debut EP “To Clasp a Fallen Wish with Broken Fingers” delivers one of the best Post-Black Metal releases we have ever heard from the USA. With four crushing sounds, this EP will surely get the band some attention and build momentum for their hopefully soon return with a full-length release.

    The second element that makes this band so interesting is the combination of classical music elements with Post-Black Metal. While this has been done in virtually all other genres of Metal, it sounds very well crafted and perfectly fitting for Post-Black Metal of this caliber. The instrumentation comes as the stronger element of the band’s sound and quickly allows the listener to shift their attention away from the sub par vocals.

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    Srodek – Förfall (2011)

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    Featuring a session member of Svarti Loghin, Srodek brings us with their second full-length “Förfall”, a total of 37 minutes of bleak and depressive Post-Black Metal. While Srodek is not as good as Svarti Loghin and genre heroes Lantlôs, this one man project does a pretty solid job in creating desolate landscapes and populates them with Post-Rock/Black Metal elements.

    With the eloquent name of Nekrofucker, the band mastermind gives us 7 tracks that have a very familiar Svarti Loghin sound. While this is not completely bad, we can’t help but wonder where the creativity presented in “En Hälsning Till Döden” has gone. But it’s not all bad news since some moments of this release set it apart and make up for a good album.

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    East Of The Wall – Ressentiment (2010)

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    Like a good wine, East Of The Wall has only been getting better with time. With “Ressentiment” the band not only improves over their perplexingly brilliant “Farmer's Almanac”, but they take things to a whole new dimension. The main addition to “Ressentiment” is the use of vocals to adorn the bands highly textured musical compositions. The vocals are partly because of the merger of Biclops and them.

    East Of The Wall’s brand of music is of particular interest to music connoisseurs that can greatly appreciate all the technical powers behind this band. Every single song is masterfully crafted to perplex the listener and make him have to listen to the songs a few times before fully digesting them. Then you move on to the next song and the process begins again.

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    Lantlôs - .neon (2010)

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    Hailing from Germany (well, the original ‘half’ of the band is from Germany), we get today Lantlôs with their second “.neon”, the band’s second full-length release. And right of the bat, we will tell you that “.neon” is one of the best depressive Post-Black Metal releases we have ever heard. The bleak atmosphere created by this release is unparalleled.

    Featuring Neige from Alcest on vocals, Lantlôs has crafted around 40 minutes of pure depressive music that will make Amélie Poulain get sad and depressed. The enchanting melodies crafted on “.neon” are greatly adorned by Neige’s sorrowful vocals, sounding sometimes similar to Alcest, but with a higher dose of jazzy elements that create an intoxicating atmosphere.

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    hYPNOTIC hYSTERIA – Feed On Me (2010)

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    With a very interesting mixture of Alternative Metal/Rock with some Post-Metal/Rock influences we have hYPNOTIC hYSTERIA from Italy. The band does a great job at sounding like nobody else does by borrowing many influences from ‘commercially’ stable bands as well as the brilliant underground pool of Post-Metal/Rock bands.

    One thing we immediately agree on is that the band creates very hypnotic atmospheres that are very well crafted. This shows great songwriting skills from the band and makes “Feed On Me” a very interesting release to have. We must say that this band can generate a following from both the ‘commercial’ world and the underground.

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    Eclectika – Dazzling Dawn (2010)

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    Hailing from France, today we get a very unique Post-Black Metal band that is not afraid of pushing the boundaries of music. This French trio plays a very well balanced mixture of raw Black Metal with experimental elements that makes “Dazzling Dawn” a very refreshing album that is both aggressive and very melodic.

    Starting off with a very symphonic intro, you are set to expect something like Dimmu Borgir or similar Symphonic Black Metal bands, but instead you get a very raw BM approach with some female vocals. All this for 2 tracks and then it changes into a very melodic acoustic ballad that could be from any Gothic Metal band out there. This is pretty much how the album flows, featuring a wide variety of styles and elements put together in a very intricate way.

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