Metalcore

  • Fluwid – From Surface to Suffocation (2010)

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    If you have been an avid reader of Infernal Masquerade for a while now, you should know that we despise most of the shitty Metalcore releases that all the kids over at Hot Topic go crazy about. However, we have always been objective and giving props when props are due to Metalcore/Deathcore/Whatever-core releases that are actually good. Today we have Fluwid and their Metalcore/Melodic Death Metal second album “From Surface to Suffocation”.

    First off, it might be the promo we got but the album sound leaves a lot to be desired since it sounds very hollow and diminishes the overall quality of this release. The music is very straight forward and is highly repetitive, repeating riffs over and over until you can easily play them just by listening to this album once. The breakdowns and clean vocals made us want to puncture our ear drums, but they are very standard for releases of this kind and sound good when compared to other Metalcore bands.

  • Society's Plague - The Human, The Canvas (2010)

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    With a very ‘commercial friendly’ sound, today we get Society’s Plague. Hailing from the USA, this band plays a mean mixture of Melodic/Progressive Death Metal with Metalcore influence. Setting aside our ‘differences of opinion’ with Metalcore bands, Society’s Plague is actually one hell of a band that will blow you away since the first song on their debut full-length release “The Human, The Canvas”.

    This American band has some Swedish Melodic DM influences in their sound and we love it. When most kids these days are focusing on creating songs with breakdowns every 30 seconds, Society’s Plague focuses more on crafting dual guitar melodies like almost no other new-coming band. The bands guitarists combine both skill and great songwriting skills on this album, making the band have a very dynamic and diverse sound.

  • Soilwork – The Panic Broadcast (2010)

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    Ever since “Natural Born Chaos”, the real Soilwork died for us. However, the band has been constantly improving in terms of their ‘new’ Metalcore/Modern Metal/Rock sound. And with the return of Peter Wichers to the band in 2008, they are closer to being very good again. With “The Panic Broadcast” the band combines all the previously mentioned genres in a very interesting way not sounding extremely Metalcore-ish, not sounding too much like a rock band either.

    We are sure that Soilwork will gain a considerable amount of followers in the USA and markets where Metalcore is highly accepted with “The Panic Broadcast”. The band’s latest release is very well designed to fit into so many categories, that most people will end up liking this release (except for old Soilwork fans). Using a wide variety of vocals, Björn Strid does the Modern Metal screams very well and the clean Metalcore-ish sections even better.

  • As I Lay Dying – The Powerless Rise (2010)

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    We try to stay away from as much Metalcore crap that we can, but sometimes we get some releases that are worth listening to and giving them a solid review. “The Powerless Rise” is one of those, it features an As I Lay Dying that has been refining their sound with every release and now, they are good enough for us to enjoy (somewhat).

    The band is as brutal as ever and features the traditional breakdowns that most people love to death, however, we enjoy this album because of the brilliant melodic parts that some songs have in this release. The band might have 80% of the elements that makes us despise Metalcore, but objectively and musically, they can also compose brilliant songs.

  • Since Yesterday – Artificial Truth (2010)

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    It has been a very international month here at Infernal Masquerade reviewing (and receiving) albums from all over the world. Since Yesterday hails from Ankara, Turkey and they are planning a massive global take over with their superb debut album “Artifical Truth”.

    As an avid reader of Infernal Masquerade you should know that we do not like the majority of the mainstream Metalcore band and albums. However, we are truly objective when we get any releases for reviewing purposes and sometimes we get true gems that will surely take by surprise the genre and will shake out the established bands of their grandeur pipe dreams of super stardom.

  • Aquila – Imperium (2009)

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    Opening with an intro track by the same name of the album “Imperium”, Aquila starts showcasing their musical abilities since track one and never let go. This Canadian outfit plays Metalcore and is pretty good at it.

    While Metalcore is not one of my favorite genres, I have no problems in recognizing bands that have talent and do a good job at playing the music. The vocals is the part that for me kills this genre, but Aquila does a good job at sounding more like Trash/Death Metal the majority of the time while maintaining their Metalcore roots.

  • Viatrophy – Viatrophy (2009)

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    When I heard that this band had Metalcore influences, I was very cautious since it’s one the genres that I can’t stand, since all releases sound very much alike and the vocal work just makes me want to shoot my self.

    So after gathering enough courage start playing this self titled album I hit play and after a flashy into I’m blown away with their brutal Death Metal opening from their second track “Mistress Of Misery”. While the band plays mainly Death Metal you can hear some of the dreaded Metalcore influences here and there but it’s still pretty brutal and technical.

  • Hatesphere – To The Nines (2009)

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    Hatesphere comes from Denmark with an interesting release. They mix Trash Metal with some very pronounced Metalcore influences. While this is a considerable step up from their previous release, it has something missing. The music is ok but very repetitive and the vocals have been considerably improved.

    This release is very good for a few songs, but after that it gets pretty dull and all interest is lost. I will admit that the music is very well made and the powerful guitars go along the elaborate drumming. The problem that I have with this release is that is good enough for 3 songs and the rest all sound the same. If you like your music to all sound the same then you will love this album.

  • The Eyes Of A Traitor – A Clear Perception (2009)

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    The Eyes Of A Traitor is one of the few bands that is truly trying to find their own unique sound and not trying to copy anybody. Every song here features different styles and elements that make me wonder what they are trying to achieve. “A Clear Perception” is a very interesting album feature ten very different tracks, that would attract many different types of listeners.

    While their main ‘sytle’ I would say it’s metalcore, but they have different elements in many songs that make me re-consider this. Some songs are leaning more to death metal, and they some other res just weird. Some songs feature weird samples/keyboards either at the beginning or the end, and then they are forgotten, to suddenly reappear again.

  • The Sorrow – Origin Of The Storm (2009)

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    I have to say that I was quite impressed with The Sorrow’s performance in Tuska 2008, so I was curious about listening to this album. And I was completely disappointed, while you can clearly see their old Gothenburg influenced Melodic Death metal style, they completely kill it with the terrible Metalcore/emo style vocals. The album kicks of powerfully and I was thinking, this will be a great release, but noooooo the vocals switched to the annoying clean vocals, and the typical emo’ish choirs.

    I was about the stop listening to this album, but I remembered that I have to communicate my finding with other metal heads, so they decide for themselves if they want to take the plunge this way. I must say that the music is excellent since they still play a killer melodic death, but they ruin every single good riff with terrible vocal changes.

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