Gothic Metal

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    Lullacry – Where Angels Fear (2012)

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    Finally after a seven year wait, Lullacry is set to release their 5th full-length release titled “Where Angels Fear”. In this latest release, the band sounds very mature and avoids the cliché Gothic Metal or Pop-Metal release and favors a heavier and darker Melodic Heavy Metal release with just a few Gothic Metal hints. Featuring 11 hard-hitting tracks, “Where Angels Fear” is by far the best release of the band since “Crucify My Heart”.

    Being huge fans of the band’s previous releases, we are just realizing that we are old since the last album we liked from the band was almost 10 years ago. Aside from this, the band has also managed to stay pretty much intact and features the same lineup since 2002 when Tanja Lainio joined the band. This has clearly allowed them to fully develop a sound of their own and be able to produce such a mature release with “Where Angels Fear”.

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    Your Tomorrow Alone – Ordinary Lives (2012)

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    Rounding out our most recent promo package from My Kingdom Records, today we have Your Tomorrow Alone debut full-length release “Ordinary Lives”. Mixing Gothic Metal with Doom influences, this is one of those releases that is full of emotional songs that are also very catchy and approachable by the listeners. For over 50 minutes this Italian band will surely entertain you with their well written tracks and melancholic music.

    Opening with “Renaissance”, the first riffs reminded us of EvenSong’s “Path of the Angels” release since they have a similar sound to them. Combining clear vocals with growls, the band nicely creates a very solid atmosphere and keeps things standard, without needing to go to the overly abused usage of female vocals. The atmosphere keeps getting more dramatic and emotional with the powerful “Praise for nothing”. In this track, the band uses some classical elements to add more depth to their sound and this works perfectly.

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    Gothminister – Anima Inferna (2011)

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    Rounding off our promo package from End of Light records, today we have Gothminister and their fourth full-length release “Anima Inferna”. Presenting 11 tracks of a very engaging and catchy mixture of Gothic and Industrial Metal paired with plenty of electronic elements. Drawing similarities to Combichrist and Rammstein, this band shows a great deal of maturity in their latest release.

    Opening with the very catchy “Stonhenge”, the band quickly shows their skills in crafting simple-yet-effective guitar riffs and a very atmospheric song structure. The combination of the clean vocals with the female choir is just outstanding and gives a very eerie and ethereal feeling, especially when the song is coming to a close. “Liar” delivers super catchy electronic beats and very intoxicating vocal melodies, we are not huge fans of this type of music but Gothminister makes it very hard for us not to like this song.

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    Evenoire – Vitriol (2012)

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    Making its way from Italy, today we have Evenoire’s debut full-length release titled “Vitriol”. Featuring a Gothic Metal sound with some Folk elements, Evenoire manages to sound a little bit different than ‘traditional bands’ giving them a small edge over the competition. With 9 tracks of music, “Vitriol” is a very solid debut effort that while having some minor issues, shows that the band is ready to be heard.

    With a very ethereal opening track titled “Vitriol”, the band sets a very lush fantasy-like atmosphere that generates high expectations for this release. This is nicely continued with the very classically inspired “Days of the Blackbird”. The band’s singer Elisa "Lisy" Stefanoni has a very sweet voice that has that natural retro sound at times, when bands had regular singers on not extremely trained ones, but she can also do all the classical stuff very graciously.

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    Epica – Requiem for the Indifferent (2012)

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    As one of the band’s most elaborate and grandiose albums, today we have Epica’s highly awaited “Requiem for the Indifferent”.  Packing in around 71 minutes of music in 13 tracks, this release is by far the band’s most musically ambitious release to date. While marinating their traditional Gothic/Symphonic Metal approach, Epica manages to incorporate Progressive elements into their already excellent sound, and end up with a release that is as complex as it is long.

    In a similar fashion to MaYaN’s “Quarterpast”, this release requires more than a few spins before it really starts to sink in and you will start to enjoy it. While we think it is great that a band is making an effort in growing as musicians and making their sound a bit more complex, this might also alienate some fans that just like plain bombastic songs they can cheer/headbang to. “Requiem for the Indifferent” is not all very complex, but it feels like much more of an effort has to be put to it to be really enjoyed.

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    Diabulus In Musica – The Wanderer (2012)

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    As one of the very few internationally recognized Gothic Metal bands from Spain, today we have Diabulus In Musica and their Napalm Records debut release “The Wanderer”. Greatly improving on their debut full-length “’Secrets”, the band consolidates their sound and delivers 12 tracks of brilliantly crafted Gothic/Symphonic Metal that will bring comparisons to Epica, Nightwish, etc.

    Revolving around the heavenly vocals of Zuberoa Aznárez (we challenge you to say the name 5 times straight), “The Wanderer” feels a lot more mature than their previous effort in the sense that all tracks are more concise and everything shines at its own pace. After the bombastic intro, “Ex Nihilo” shines with heavy guitars, intricate drumming and very enchanting choir sections. This song indeed sounds a lot like Epica but when Zuberoa’s vocals kick in, it takes a whole new dimension. Very sweet and commanding, her voice is one of the signatures of the band and sounds like none other.

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    Xandria – Neverworld’s End (2012)

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    Many people (including us) thought that Xandria was finished when their iconic vocalist Lisa Schaphaus-Middelhauve left the band back in 2009, but with their latest album “Neverworld’s End” the band sounds better than ever and are turning heads and convincing non-believer. Taking on a more bombastic sound, the band fully uses Manuela Kraller soprano vocals to song like a real Gothic/Symphonic Metal band should and blow listeners away with a very rich and diverse sound.

    One thing that came immediately to us after the first few spins of this release is that “Neverworld’s End” actually sounds a lot like early Nightwish when Tarja was in charge of the vocals. Before all haters go and complain about this we must say that while playing similar music, Xandria feels very refreshing since most of the good Gothic/Symphonic bands are not trying to sound pop-ish and commercial friendly. This leaves the field completely open to bands that stick to was good a few years ago and still manage to sound Metal enough.

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    Lacrimosa – Lichtgestalt (2005)

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    Rounding up the Lacrimosa re-releases brought to North America by End of Light records, today we have “Lichtgestalt”. As a perfect trip down in memory lane, this release is one of our favorite ones of the band and it was a pleasure to see it released in North America with a bonus CD. Featuring a bit of a mixture of older Lacrimosa with the “Echoes” album, this release is very powerful and well-crafted with fragile Orchestral elements and powerful guitars.

    Tilo Wolff and Anne Nurmi do an excellent job in bringing back (after “Echoes”) the distorted guitar to its rightful place and pair it with beautiful instrumentation and highly emotional atmospheres. Since 11-minute opener the band creates a very emotional and dark atmosphere, but it also employs some aggression in terms of harsh vocals, commanding guitars, and a pummeling bass guitar line. The typical Lacrimosa-like songs “Kelch der Liebe” and “Lichtgestalt” are reminders of their “Stille” era and had us remembering those good old-days.

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    Lacrimosa – Schattenspiel (2010)

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    With such and impressive discography under their belts, Lacrimosa sets out to make some money and release a ‘compilation’ album in 2010 to summarize their career so far and show how much the band has evolved over time. With “Schattenspiel”, instead of taking the typical approach and cram in all their greatest songs, they put together 19 songs most of them have been unreleased in the past.

    We are not huge fans of ‘best of’ or compilations releases that aim to make money and nothing else, but Lacrimosa tries a unique thing with their take on a compilation release. Documenting their evolution from the 90’s on the first CD, to the 2000’s on the second CD, this release is purely targeted to their core die-hard fans that will kill for anything new or rare of the band. And this release satisfies their craving with two new songs titled “Sellador” and “Ohne Dich Ist Alles Nichts”.

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    Lacrimosa – Sehnsucht (Special Edition) (2009)

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    Today we have the special ‘special edition’ of Lacrimosa’s “Sehnsucht” album released in North America by End of Light Records. This special ‘special edition’ features the regular special edition of this release with the slightly different songs and a full extra CD with some remixes and older songs. This edition features the ‘color’ version of the artwork and the full booklet filled with pictures and the lyrics of the songs.

    “Sehnsucht” has always been one of our least favorite albums of the band due to the somewhat considerable difference to their previous more conceptual releases. However, in terms of experimentation and musical maturity, this release is indeed the best the band has ever recorded so far. This release features a more ‘free-flowing’ approach and the music is very well composed, but lacks the whole ‘experience’ of a conceptual release with many different moods that progress over time.

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