Morten Veland and company have been quite busy since their last release and now presents us with another master class of Symphonic/Gothic Metal with “Arcane Astral Aeons”. Featuring nearly one hour of music, this release continues the band’s exploration of highly atmospheric and energetic music through 12 excellent songs.
The band kicks off with the lush “In Styx Embrace” in typical Sirenia style with a heavy hitting super catchy tune filled with dramatic choir arrangements and piercing distorted guitars. Continuing with the hectic pace and dramatic orchestral arrangements, “Into the Night” is perfectly led by Emmanuelle Zoldan’s charismatic vocals. The way that the band’s music envelops the listener in over the top atmospheric elements is brilliant and one of the reasons we love the band’s music.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Only getter better and better with time, today we have the legendary Moonspell and their latest musical opus “1755”. Featuring over 50 minutes of highly emotional and intense music, the band continues to refine their sound while unleashing some epic songs with their signature style. If you have followed the band over the years, the constant quality of their releases is unrivaled, this is yet another excellent album that will stand the test of time.
Opening with the reinterpretation of “Em Nombre do Medo” from the Alpha Noir album, the band sets a very dark and sinister mood with the enhanced classical/choral arrangements added to this already intense song. The Middle-Eastern elements of the album title track make it quite engaging a unique, creating a very mysterious atmosphere that is perfectly complemented by Fernando Ribeiro’s signature vocals.
After blowing everybody’s expectations with their amazing 2015 release “Hammer of the Witches”, Dani Filth and company are back with an even more refined and incisive release with “Cryptoriana – The Seductiveness of Decay”. Having returned to their best sound since “Nymphetamine”, they band continues rolling with another 10 brilliant tracks that while reminding us of their earlier days, keep pushing forward with their bombastic and aggressive sound.
Kicking off with the mood setting intro “Exquisite Torments Await”, CoF instantly transports you into the band’s twisted world thanks to sinister riffs and dramatic arrangements. This is only the beginning as things get even more intense with the blistering drumming of “Heartbreak and Séance” and its Omen-esque chorus sections. With even more dramatic arrangements and superbly catchy passages, “Achingly Beautiful” is definitely one of our favorite tracks in this release.
As one of the most unique ‘super groups’ to hit the scene, today we have Exit Eden and their debut release “Rhapsodies in Black”. Featuring famed and established Metal vocalists Amanda Somerville, Clémentine Delauney, and up and coming talent Marina La Torraca and Anna Brunner, this outfit is definitely not lacking in vocal talent. This release delivers over 11 tracks with are all cover songs from artists ranging from Depeche Mode to Rihanna. While this might sound a bit odd, this release definitely will appear to fans of Gothic/Symphonic Metal as it has some killer musical arrangements on top of lush vocal harmonies.
Opening with “Question of Time”, the band sets a very lively mood while covering Depeche Mode’s hit. While some of the covers are more interesting than others, tracks like “Impossible” and “Frozen” truly showcase the band’s unique vocal talents while perfectly balancing the unique signing styles of the band’s members. Other songs like their cover of Brian Adams “Heaven”, rely on individual vocal talents and very well-crafted arrangements that totally re-interpret a very well-known song into heavier territories.
Arriving unexpectedly to our inbox this month we have a new release from France’s Dark Sanctuary. Having been on hiatus since 2009 or so, this band was recognized in the Darkwave/Gothic/Atmospheric scene back in the day. In 2017, they surprise us with six ‘Metal’ renditions of older material, crafting a very melancholic and powerful Gothic/Doom vibe. For those of use that yearn for the late 2000’s Gothic/Doom Metal releases, this album will certainly fill that void.
Opening with the lively “Laissez-moi mourir”, we get a very Lacrima Profundere vibe with catchy guitars, subtle keyboards and a very upbeat tempo surrounded by a generally Gothic/Dark vibe. As expected, Dame Pandora’s vocals instantly shine in this very engaging track that reminds us a bit of Edge of Sanity meets Therion. The dark atmosphere created by the heavy riffs and atmospheric keyboards of “Cristal”, make for quite a memorable experience, setting a very enjoyable mood.
Fully exploiting the band’s newfound strengths around singer Dianne van Giersbergen, Xandria delivers one of the best Symphonic/Gothic Metal albums of the last few months with “Theater of Dimensions”. Crafting over 74 minutes of lush and bombastic songs, the band reaches the levels of excellence of bands like Epica, Within Temptation and Nightwish with this killer release filled with epic melodies and mesmerizing arrangements.
Opening with the very dramatic and engaging “Where the Heart is Home”, we instantly get a superbly epic vibe thanks to the vocal arrangements and over the top orchestrations. The band quickly showcases their very diverse musical style while going through excellent songs like “Death to the Holy”, “Forsaken Love” and “Call of Destiny”, all of them showing influences from everything ranging from Power Metal to Folk Metal, but with the distinctive Xandria edge.
After a brilliant 2016 filled with Symphonic/Gothic Metal releases from bands like Epica and Delain, it is quite delightful to hear that 2017 will follow along the same lines, starting with Akoma’s debut full-length “Revangels”. Featuring nine tracks filled with bombastic arrangements, this release perfectly combines soaring vocals and catchy guitars to achieve very dramatic and engaging songs.
The release opens with the very dramatic “Enticing Desire”, a song that reminded us of some of the most recent Within Temptation’s releases. Akoma’s vocalist, Tanya Bell, perfectly balances combining operatic style vocals with more ‘natural’ singing, which in turn allows songs like the opener and “Change of Propensity” to be quite dynamic and engaging. The album’s second track features backing vocals by Liv Kristine, adding an extra dimension to the band’s sound.
As one of the most expected Symphonic/Gothic Metal releases of 2016, today we have Diabulus in Musica and their excellent fourth full-length release “Dirge for the Archons”. Slowly evolving into a beautiful butterfly, this Spanish band’s music has gotten more and more bombastic and explosive over time. Bringing comparisons with Epica, Xandria and After Forever, this release delivers over 60 minutes of captivating music that any fan of the genre will love.
After the traditional warm-up intro, “Earthly Illusions” delivers waves of guitar riffs and orchestral arrangements that are perfectly offset by Zuberoa Aznárez’s signature firm but sweet vocals. As “Marble Embrace” and “Invisible” arrive, we can’t help but notice a very evident similarity to Epica’s music, more than before for the band. This isn’t necessarily bad as there are enough differences in the choir arrangements and song structures to keep them far from being a copycat. And while similar, Gorka and company manage to craft highly memorable songs.
Hailing from Normandy, today we have newcomer Symphonic/Gothic Metal outfit Lost Opera and their sophomore release “Hidden Sides”. In a world filled with Female-led Symphonic Metal bands, it is quite surprising and even rare to hear a band rely mostly on male vocals in the genre. Delivering over 55 minutes of music, this release is quite engaging and fun, perfectly appealing to all fans of the genre that are looking for something a little different.
After the traditional intro, the album blows wide open with the pummeling riffs of “Today I Cry”. This track starts off quite heavy and is perfectly contrasted by engaging keyboards and a mixture of growls and clean vocals. The band’s vocalist Loïc Conti, does a pretty solid job in mixing growls with clean vocals, allowing the songs to be diverse and engaging as we can hear on “Follow the Signs” and “Rage”.