Doom Metal

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    Forlesen - Black Terrain (2022)

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    After blowing us away with their 2020 debut “Hierophant Violent”, Forlesen is back for more with a poignant sophomore release titled “Black Terrain”. Clocking in at nearly 60 minutes of crushing and yet experimental music, this album perfectly blends elements of Ambient music and Doom/Black Metal to create a massive slab of enigmatic atmospheric brilliance. Better digested after more than a dozen spins, this release is a killer follow-up to their antics.

    The release opens with the 19-minute behemoth “Strega” and its slow burning approach, flanking distorted guitars with crafty vocal arrangements and additional subtle instrumentation. The solemn combination of male and female vocals alongside a super slow tempo creates a very unique and devastating aura as more colorful guitar leads are introduced. The song reaches an excellent climax and we will definitely not ruin it for listeners here.

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    Mournument - Smouldering Into Dust (2022)

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    Unleashing unrivaled melancholy and atmospheric bleakness, today we have newcomers Mournument and their debut release “Smouldering Into Dust”. Reminding us of bands like Agalloch and Empyrium with a Doomier edge, this release delivers six tracks and 46 minutes of brilliant music. Perfect for a gloomy fall/winter day, this album is one of the best and most complete releases we have heard in 2022.

    Opening with “On Rain and Thunder”, we get lush acoustic guitars and violins setting a bleak and desolate soundscape. As the clean vocals make their way, the Tenhi/Empyrium vibe slowly transitions into heavier territories with Agalloch-esque mournful distorted guitars. “Chasm of Abandoned Souls” continues the onslaught with more traditional Doom elements and an eerie mixture of deep clean vocals and harsh screams.

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    Arche - Transitions (2022)

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    One of our favorite genres at Infernal Masquerade has to be any variant of Death/Doom Metal, particularly during winter, Funeral Doom Metal releases are just the best for a stroll in the cold weather. Today we have Finland’s latest export named Arche and their full-length debut “Transitions”. Featuring three songs and over 36 minutes of music, this release shows a worthy competitor to Finnish greats like Thergothon, Shape of Despair and Skepticism.

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    Remina - Strata (2022)

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    Unleashing one of the dreamiest and most ethereal releases of 2022, today we have Remina and their debut album “Strata”. Formed as a project of vocalist Heike Langhans (ex-Draconian, Light Field Reverie) and Mike Lamb (Sojourner, Light Field Reverie), this release delivers over 40 minutes of highly atmospheric and truly cinematic music. Mixing elements from ISON and Light Field Reverie, this band creates truly emotive music that will take the listener on a magical journey.

    The release starts building momentum with the solemn opener “Aeon Rains”, which slowly progresses with Heike’s enchanting vocals and a slew of distant guitars, crafty electronics and melancholic atmospherics. The Doominess first comes under the name of “Obsidian” and its slow and mournful riffs, perfectly enshrouding the layered vocals. By the time “Dying Sun” comes around, the listener is already fully immersed in a trance, perfectly crafted by the band’s powerful atmosphere and melancholic powers.

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    Décembre Noir - Pale Serenades (2022)

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    Showcasing a very different side of their music, today we have Germany’s Décembre Noir with their latest EP “Pale Serenades”. Featuring a re-interpreted version of an individual track of each of the band’s previous releases: "The Renaissance Of Hope", "Autumn Kings", "Forsaken Earth" and "A Discouraged Believer", the listener is treated to a more naked and direct approach from the band, creating a very unique and powerful experience.

    The release opens with “A Swan Lake Full of Tears”, a very solemn and melancholic track which also features Nick Moss on guest vocals, adding that extra punch to make the song even more special. Next up, we have the fragile “Barricades” with lush and dramatic piano arrangements alongside Aaron Stainthorpe’s mournful guest vocals. This is certainly our favorite track of the release.

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    Elegeion - Plight of the Heretic (2022)

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    Unleashing a monolithic piece of highly engaging and melancholy oozing music, today we have Elegeion, with their first full-length release in 17 years, and “Plights of the Heretic”. Hailing from Australia, Elegeion was one of those bands that we got introduced to via the Modern Invasion Music label, the other band was a personal favorite: Chalice. Continuing exactly where they left off, but with a mostly new line-up, we are treated to 49 minutes of heart-wrenching melancholic music.

    The release starts with the album title track featuring some engaging and mysterious momentum building percussion. Around the second and third minute of this song, the Elegeion signature melodic riffs and guitar leads come in alongside Kindabah’s solemn and excellent vocals. The band’s sound is quite unique to them, and its creator Anthony Kwan, but for the uninitiated, it's highly melancholic and yet straightforward. The somber melancholy perfectly bleeds into the excellent “Dust” and its lush string arrangements paired with harsh vocals and a very Doomy tempo.

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    Might - Abyss (2022)

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    Blowing us away in 2020 with their self-titled debut release, Germany’s Might returns with an even more intricate and captivating sophomore release titled “Abyss”. With a fitting album title, this release feels like an exploration of levels of the abyss with tons of extra ideas and eerie atmospherics mixed in with the band’s rudimentary (and crushing) Doom Metal foundation. While less straightforward than their first release, this album is ready to turn some heads thanks to its uniqueness and crafty execution.

    The album opens up with the ominous and creepy intro “Naked Light”, slowly transitioning with crushing riffs and a very imposing momentum that is nicely picked up with “Lost”. The first couple of tracks are the most ‘traditional’ ones with “Abysses” having those classic Doom elements that we all love. We particularly enjoy the mixture of clean male and female vocals with hypnotic percussion and enigmatic guitar leads.

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    Mournful Congregation - The Exuviae of Gods - Part I (2022)

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    It’s been almost four years since Mournful Congregation’s last release and they have been some very doomy years indeed. Luckily for fans of Funeral Doom Metal, the band returns with a ‘short’ EP titled “The Exuviae of Gods - Part I”, which of course clocks in at 37 minutes and unleashes three piercing tracks. Needing no introduction, this Aussie band is about to make your day a whole darker and gloomier with this crushing release.

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    Darkher - The Buried Storm (2022)

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    Unleashing one of the most haunting releases of 2022, today we have Darkher and her truly eerie brand of Doom Metal. In “The Buried Storm”, Jayn Maiven continues to create highly atmospheric pieces perfectly blending just the right amount of distortion and tempo to create a very suffocating and yet liberating experience.

    The album slowly builds its momentum with the sparse “Sirens Nocturne” and its tense atmospherics combined with lush vocal arrangements. Next up, “Lowly Weep” increases the tension with eerie cellos and the gradual introduction of distorted guitars alongside cathartic vocal arrangements. For those into folkier flavored Atmospherics, “Unbound” is a track to enjoy.

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    Black Oath - Emeth Truth and Death (2022)

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    Unleashing an impressive barrage of crushing Doomy riffs, today we have Black Oath and their latest full-length release “Emeth Truth and Death”. Perfectly crafted for those of us that are worshipers of gargantuan Doom riffs, this Italian outfit perfectly blends elements from traditional Doom with more modern influences, and pairs them with a crispy production to further rattle your speakers.

    Establishing dominance with the pummeling riffs of “Truth and Death”, the band sets a very engaging mood as the sound is quite dynamic with tons of melodic elements thrown into the mix alongside soaring vocal arrangements. Far from static, songs like “Serpent of Balaam” and “Children of Babalo”, deliver dramatic guitar leads and massive headbanging passages, reminding us of bands like Yearning.

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