Death Metal

  • Pestilence – Resurrection Macabre (2009)

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    When Patrick Mameli decided it was time to bring back Pestilence, he enlisted the services of Tony Choy (Bass) and Peter Wildoer (Drums) in order to record “Resurrection Macabre”, the band’s return to their Death Metal days, and first album in 16 years. Many people where left off wondering what happened to Pestilence with their very good (and for some atrocious) release of “Spheres” an album that saw the band change their musical style considerably.

    “Resurrection Macabre” in a few words is: A fucking brutal and technical release. This album is something we were expecting from Pestilence back in 1993, however this release still sounds good for this time thanks to a superb production. Patrick has brought back the full aggressive Pestilence sound that we all loved from their beginnings and the technical aspect of “Spheres” combined together into a brilliant release.

  • The Breathing Process – Odyssey: (Un)Dead (2010)

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    Out of all the bands we have reviewed recently, The Breathing Process is by far the one that combines to most influences of different genres in their music. With a very impressive (but sometimes terrible) mixture of Black/Death/Gothic Metal with some Melodeath and even Metalcore-ish influences we get “Odyssey: (Un)Dead”.

    After their very impressive debut album “In Waking: Divinity”, we could not expect anything less from this young American band, but we also got a bit disappointed at some points during this album. The band fails to mix their elements together and ends up sounding extremely chaotic and redundant in some places.

  • Evig Natt – Darkland (2010)

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    After their impressive debut album “I Am Silence” back in 2007 we were left wanting more from Evig Natt, and finally we get “Darkland” this 2010. This Norwegian band debuted combining Black Metal with Gothic/Doom Metal influences in a very unique way, getting them enough attention and acclaim for their first album.

    With “Darkland” the band is back with a sound geared towards our favorite trifecta: Gothic/Doom/Death Metal. We completely love this genre, and we can say we are its harshest critics. With only a handful of bands that we discovered in the last few years that are worthy of carrying the banner of the combination of these three genres, we were pretty cautious when reviewing “Darkland”.

  • Nominon – Monumentomb (2010)

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    For a band that has been around for 17 years, Nominon’s music does not really reflect this. “Monumentomb” features nine sub-par Death Metal songs that pretty much anybody else would have been able to come up with. The band’s old-school Death Metal sound is ok, but it lacks a lot in the creativity department.

    Featuring members from tons of other bands, we can’t really point out want is wrong with this release except that is plain uninspired and empty of worthy content. Hailing from Sweden and having tons of great bands around them we would definitely expect more from this band. Another issue with “Monumentomb” is that the production behind it sound very cheap and does not allow the music to shine properly.

  • Salem - Playing God And Other Short Stories (2010)

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    Hailing from Israel, Salem is a very ‘diverse’ band that plays a combination of Death/Gothic/Doom Metal and it’s pretty good at it….. until now. “Playing God And Other Short Stories” is a very, very weird album that will either get on your nerves after the first three songs or you will totally love it. We are kind of in the middle since we think some songs are good and others are dreadful.

    The first thing you will notice is the mixing on the drums is way high and makes them sound weird, plus the band does use some weird drumming structures on their songs (so we think) making it sound like a drum circle on crack. In other words, we think the percussions are extremely overdone in this release.

  • Master – The Human Machine (2010)

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    The legendary Master is back again with “The Human Machine” and it’s ready to blow some heads off with their traditional old-school Trash/Death Metal aural assault that we have been witnessing since the band first started, back in the 80’s. Note: If you don’t know who the almighty Master is, then you need to get your Metal facts straight and do some research before you continue to listening to Metal music.

    “The Human Machine” features the gritty sound that we all love from the Death Metal records produced in the 90’s and sadly is probably one of the best things that the album has to offer. By no means “The Human Machine” is a bad album, but it just sounds a bit stale from what we have been used to hear from Master, and even “Slaves to Society” is a far superior album than this one.

  • Flagellation – Incinerate Disintegrate (2007)

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    Coming from Sweden we received Flagellation’s EP “Incinerate Disintegrate” and after doing some research on this band we noticed that disbanded back in 2009. We assume the band is trying to re-group and gain momentum again since we got this EP in 2010, if not it’s the first release we ever get from the grave.

    Funny note aside, Flagellation plays Death Metal in a very brutal and stylish way, something that we haven’t heard much in a while, especially since Zyklon disbanded. The band (at the time of the EP recording in 2006) features members from Loch Vostok, Wuthering Heights, as well as many other Swedish bands. Musically, Flagellation was onto something big in 2007 when the EP was released.

  • Condemned To Live – Nuke First…Ask Questions Later (2009)

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    Every once in a while we get tired of listening to over produced albums Death Metal that sound so good that sometimes we even forget we are listening to Metal, something that has to be brutal and aggressive, not pretty sounding. For those occasions we have found the perfect solution: Condemned To Live’s debut album “Nuke First…Ask Questions Later”.

    The band hails from San Jose, California, and it’s formed by a very peculiar group of individuals (so they claim). Featuring a Porn Star and a Cannabis Cup participant as the most notable one, the band plays Death Metal with some Grind and Black Metal influences. With 8 tracks and 35 minutes of music they have a solid calling card with “Nuke First” and hopefully will allow them to generate enough buzz for them to keep releasing albums like this.

  • Post Mortem – Message For The Dead (2009)

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    As one of the first underground Death/Trash Metal bands in the USA, Post Mortem has left a handful of cult releases, most notably “Coroner’s Office” back in 1986. The band never reached its full potential and being in hiatus for most of the 90’s due to internal conflicts we are left only with pieces of what could have been an even more influential band.

    Reforming back in 2003 with their “Coroner’s Office” line-up the band was set for a comeback, only to be set back by the death of John McCarthy, the band’s vocalist. Fast-forward several years; we get “Message For The Dead”, the band’s long awaited latest release. A release that is a tribute to McCarthy and to apace the longtime fans of this band.

  • Exortum – City In The Dead Mask (2009)

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    This month we find ourselves reviewing another band from the country that makes up 1/5th of the world: Russia. Hailing from Moscow we have Exortum, and band that plays Melodic Death Metal with plenty of clean vocals and even some breakdowns (but not in a really bad way).

    The band’s four song EP is called “City In The Dead Mask”, yep, that is what is called. But don’t be fooled by the odd WTF title, the band’s music is very good, in fact the album could be called “Raping Clowns” for all we care and this will not take anything away from the quality of this band.

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