Black Metal

  • Haar – Haar (2010)

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    Hailing from Edinburgh, Scotland today we have Haar and their self-titled debut EP. The band plays a mixture of Black Metal with progressive elements that sounds a bit like Wolves In The Throne Room meets Deathspell Omega. While the band’s sound is not strikingly original, they can still craft solid tunes of darkness.

    Featuring 26 minutes of music divide in 3 songs this EP release will certainly entertain all the fans of obscure sounding Black Metal. The band’s sound is greatly enhanced by recording all instruments at the same time, providing enough rawness and a live feeling to their music.

  • Sorgeldom – Inner Receivings (2010)

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    Today we have an interesting Black Metal band from Sweden with the name of Sorgeldom. We call this band’s music interesting because their sound has some of the Scandinavian Black Metal feel to it mixed with some experimental rock/shoegaze elements. The band never goes as far as sounding like a Post-Black Metal band, but they do have a cleaner/slower edge in their sound that few others have.

    Sorgeldom in not by any means a revolutionary band, but they do a pretty solid job in incorporating different elements into a strong Black Metal foundation. The band has somewhat shifted from their original sound and now they are trying to find a middle ground between the harshness of traditional Black Metal and their experimental elements.

  • Blasphemous – Bearer of the Darkest Plagues (2010)

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    Sometimes we wonder if Infernus really listens to whatever he puts out/sells on his Forces of Satan records label. Blasphemous “Bearer of the Darkest Plagues” is released by Baars Records, but Forces of Satan has it for digital download and we are not impressed.

    With a very low-fi cassette-demo sounding production, Blasphemous second full-length has minor flaws that greatly bring down the quality of this album. The band’s style of Blackened Death Metal is very retro sounding but still holds it’s own, until you hear the drumming going from slow sections into the blasting sections. It seems that the drumming is playing in a slower gear than the rest of the music.

  • Lightning Swords of Death - The Extra Dimensional Wound (2010)

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    “There is a turd in the punch bowl, I repeat there is a turd in the punch bowl.” Is exactly the first thing we thought when listening to “The Extra Dimensional Wound”. After a mostly decentstack of albums we have reviewed in the last few weeks we had to get a turd of an album. Playing harsh Black Metal in the way of Bathory, Venom, etc. Lightning Swords of Death has failed to capture the feeling and inspiration behind these legendary bands.

    With a wide variety of uninspired riffs, an overly loud bass guitar line, and sub-par vocal “The Extra Dimensional Wound” will create and actual wound in your ears from listening to this release. We are not always completely negative, and we can say that the drumming in this album is probably the best thing going for it, besides the song titles and the super cool band name.

  • Istapp – Blekinge (2010)

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    With a particular beef with the sun (read their bio) and a very interesting overall concept behind the band, we get today Istapp and their blend of Black Metal with Viking/Folk Metal elements. The band’s first full-length release “Blekinge” set to be release on June 8th on Metal Blade records is one of the most complete Black Metal albums of 2010.

    Hailing from Sweden, a place where pretty much every band seems to have the skills to craft great music, it’s hard to find young and promising talent such as Istapp. The band’s music is very straight forward and aggressive, but has mystical clean passages that create unparalleled atmospheres fully enriching the listening experience.

  • Lantlôs - .neon (2010)

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    Hailing from Germany (well, the original ‘half’ of the band is from Germany), we get today Lantlôs with their second “.neon”, the band’s second full-length release. And right of the bat, we will tell you that “.neon” is one of the best depressive Post-Black Metal releases we have ever heard. The bleak atmosphere created by this release is unparalleled.

    Featuring Neige from Alcest on vocals, Lantlôs has crafted around 40 minutes of pure depressive music that will make Amélie Poulain get sad and depressed. The enchanting melodies crafted on “.neon” are greatly adorned by Neige’s sorrowful vocals, sounding sometimes similar to Alcest, but with a higher dose of jazzy elements that create an intoxicating atmosphere.

  • A Forest of Stars – Opportunistic Thieves of Spring (2010)

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    After their brilliant debut release “The Corpse of Rebirth”, A Forest of Stars (AFS) is back with their demented Psychedelic Black Metal that will puzzle the masses and will be praised by the select few that like experimental genre-bending music. “Opportunistic Thieves of Spring” is a huge step up for AFS, the album is 72 minutes long and features more intricate, more dense, and overall more grandiose compositions.

    In the six songs presented on “Opportunistic Thieves of Spring” we found a very rich palette of different sounds and elements that at first, did not seemed to come along nicely. However, after a few listens we started getting immersed in the haunting (and demented) atmospheres presented in this release. Yes, the learning curve on this one is a bit steep, but once you are over the hump you will enjoy this release 100%.

  • Nàttsòl – Stemning (2010)

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    With a true Norwegian Black Metal sound, Nàttsòl has unleashed upon the world their majestic debut release: “Stemming”. The band has the true and cold atmosphere that Black Metal should have, but what makes them standout is their use of folk elements through the album, making them sound like Ulver in their “Bergtatt” and “Kveldssanger”.

    Working in secrecy since 2006 Erlend Antonsen, the mastermind behind Nàttsòl, had been writing songs and required the services of top notch musicians from the Norwegian scene in order to bring his creations to life. With “Stemming” we get a very mature Black Metal album in nature, but with a brilliant shroud of mysticism and folk elements thrown into the mix.

  • I Shalt Become – Poison (2010)

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    I Shalt Become is one of the pioneering bands behind the USBM movement of the last years, and while not as recognized as Leviathan and Judas Iscariot, the band has released some fine pieces of USBM history like “Wandering” and “In The Falling Snow”. “Poison” features an overly orchestral trip down to the depths of hell.

    The first things that came to mind when listening to “Poison” are the quick similarities it draws to Elend’s work. And while the musical composition skills of S. Holliman are not as good as the ones behind Elend, this album does create a very dramatic atmosphere that is not to be taken lightly. Also, “Poison” features has a down temp feeling, similar to what some doom and funeral doom bands have been doing for years, providing an extra dimension to this fine release.

  • Hacavitz – Metzli Obscura (2010)

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    Hacavitz is a Mexican two man apocalyptic outfit that creates very raw and brutal Black/Death Metal. Unlike many bands of this genre, we don’t hate them. The band is pretty good at creating rudimentary and harsh music that will make your spine chill. Using English, Spanish, and Aztec (or something like that) the band will haunt your dreams since the start of “Metzli Obscura”.

    We usually bitch and moan about the shitty quality that similar releases have, but we cannot complain about this with Hacavitz. The band’s sound is very dense and dirty, but it works wonders in creating a raw and thick atmosphere. With the chaotic feeling that “Metzli Obscura” creates, we have found the perfect soundtrack for a journey through hell.

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