Black Metal

  • Outlaw - Reaching Beyond Assiah (2023)

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    Featuring a pummeling intensity, today we have International outfit Outlaw and their third full-length release “Reaching Beyond Assiah”. With a huge Dissection/Thulcandra vibe, this band delivers seven memorable anthems that clock in at around 45 minutes. Filled with melody and explosiveness, this release is certainly for Black Metal fans that want to be headbanging for almost an hour straight.

    Opening with the blistering intensity of “Bliss of Soul”, we get a nice balanced onslaught of melodic riffs and a hectic tempo. The Dissection worship starts with the epic “To Burn This World And Dissolve The Flesh”, a track filled with very familiar sounding riffs, but nicely arranged to fit the band’s relentless style. We particularly enjoyed the lead guitars in the aforementioned track and other melodic standouts like “Beyond The Realms of God” and “The Unending Night”.

  • Austere - Corrosion of Hearts (2023)

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    Gladly surprising everybody about a comeback a few years back, Austere returns with a brilliantly hypnotic and demoralizing release with “Corrosion of Hearts”. Featuring four tracks and clocking in at 46 minutes, this release is everything that any fan of the band could have expected, and then some. As one of the best outfits of the Depressive Black Metal movement, their mid 2000’s “Withering Illusions and Desolation” release is soul crushing, and this release shows they didn’t skip a beat.

    Opening with “Sullen”, this track was premiered during their first live shows in 2022 at Dark Bombastic Evening and Prophecy Fest. For nearly 12 minutes we get that signature trance inducing melancholic riffing alongside the signature screams of Tim Yatras. Always perfectly in sync with Mitchell Keepin’s dramatic atmospheric and hypnotic songwriting, the band unleashes sheer misery inducing onslaughts with the moody tempos of “A Ravenous Oblivion”.

  • Vorna - Aamunkoi (2023)

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    Showing their excellent 2019 release, “Sateet palata saavat”, was no fluke, Finland’s Vorna returns with an even more expansive and bombastic release with “Aamunkoi”. The band’s sound is as unique as before, perfectly mixing Folk/Pagan/Black Metal with a hefty dose of atmospheric elements. Featuring over 44 minutes of lush vocal arrangements alongside crafty instrumentation and a solid level of heaviness, this release is quite rich and highly enjoyable.

    Opening with “Hiljaisuus ei kestä” a very lush and folky mood is established thanks to a mixture of clean and harsh vocals alongside solid riffing and tight drumming. The band’s melancholic nature starts oozing more profusely as “Harva päättää hyvästeistään”, “Aika pakenee”, and “Valo” come around with their dramatic atmospherics and crafty tempo changes, we even got some Amorphis-esque vibes here and there.

  • Nightside - Lions (2023)

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    Perfectly capitalizing on their 2021 return, cult outfit Nightside has managed to crawl from the depths of hell to unleash one brilliant ode to the days of 90’s uncompromising and punishing Black Metal. Featuring three songs and labeled as a demo, “Lions” showcases the band’s undeniable talent and blistering execution of the dark arts while putting all the posers and copycats to shame.

  • Bacchus - II (2023)

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    Unleashing a very hypnotic and highly atmospheric beast, today we have France’s Bacchus and their debut full-length release “II”. With a very interesting and oppressive sound, this band sounds a bit like The Ruins of Beverast meets Urfaust meets Fluisteraars. For six tracks and nearly 35 minutes, the band haunts the listener with piercing compositions that are both mysterious and highly disturbing.

    Opening with the atmospheric funkiness of “II.I”, the band quickly sets a very hypnotic tempo that is nicely amplified by (very) weird vocal arrangements that create a very oppressive atmosphere. The atmospheric synths and samples give a certain Germ/Galaktik Cancer Squad and create some truly unique and disturbing soundscapes, as delivered by “II.II” and “II.III”.

  • Aara - Triade III: Nyx (2023)

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    Drowning in atmospheric brilliance, today we have Aara closing their trilogy with “Triade III: Nyx”. Delivering six sweeping songs of brutality and lush dreaminess, this release keeps the momentum of the first two parts and brings this period of the band to a close with a big bang. Highly recommended for fans of extremely atmospheric and intense music, this release will immerse you into the band’s world instantly with its relentless aural abuse.

    Opening with the enigmatic “Heimgesucht”, the mood is perfectly set as the band escalates their riffing onslaughts to frantic mode. The sheer intensity and ravaing speed of Berg’s guitars perfectly aligns with the pummeling drumming of J. The band’s core sound is intense and violent, greatly amplified by the haunting harsh screams of Fluss, as we can hear on riveting pieces like “Emphase der Seelenpein”, “Moribunda”, and “Unstern”.

  • Dødheimsgard - Black Medium Current (2023)

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    Delivering a complete ‘holy shit’ moment, today we have the legendary Dødheimsgard returning with their first full-length release in eight years with “Black Medium Current”. While the band has continued to play live and deliver some truly enthralling performances, this release shows that the years of waiting were not in vain as it is their best release to date. Featuring nine tracks and nearly 70 minutes of masterful Avantgarde Black Metal music, this release will blow you away from the first couple of minutes.

    The madness commences with the mellow opening to “Et smelter”, a slow momentum building couple of minutes until the relentless waves of BM riffs make their way. With Vicotnik and Tommy Guns handling the guitars, this opener oozes melancholy and intensity, perfectly paired with unique vocal arrangements and a very oppressive atmosphere. This unique and chaotic vibe is nicely continued with the ravaging and temperamental “Tankespinnerens Smerte”, a track that nicely leverages dreamy vocals and brilliant melodic interludes.

  • Mork - Dypet (2023)

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    As the brainchild of Thomas Eriksen, Mork is one of those well polished bands that perfectly blends melody and catchiness with traditional Norwegian Black Metal. With “Dypet”, the band’s sixth full-length release we get 47 minutes spread out in eight tracks filled with sinister melodies and a very dark and eerie vibe, exactly what the doctor ordered for a cold and rainy day.

    The release sets a dark and melancholic tune with the opener “Indre demoner” and it nicely transitions into typical Mork melodic madness with “Forført av kulden” and “Svik”. Keeping the band as a one-man outfit, the music is well honed into their signature style and every detail is quite polished to create a signature experience that the earlier releases have delivered, but with a slight forward push into darker territories.

  • Luteøks - Barely True Norwegian Black Metal (2023)

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    Black Metal parody bands is something that one does not usually encounter, so it was quite interesting to hear Luteøks and their debut release: “Barely True Norwegian Black Metal”. Upon doing more research on the band and the release, we found out that the label, Nordic Mission, is an ‘extreme Christian Metal’ label and all members of Luteøks are also members of Grave Declaration, a fully Christian Metal band. However, moving that aside since we don’t care one bit, the music is actually really good and with plenty of familiar influences.

    After a pummeling Old Man’s Child-esque intro with “Dritfjell”, the band fires up their old-school Norwegian BM chops with the very familiar opening minutes of “Sekken”. Every connoisseur of the genre will immediately pick up the familiar sounds the band manages to blend in together, particularly the Dimmu Borgir-esque nature of “Langbortistan” and its playful antics. We believe that some of the parody aspects might get lost in translation as almost all lyrics are in Norwegian.

  • Entropia - Total (2023)

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    Creating a totally unique and extremely well crafted intricate atmosphere, today we have Poland’s Entropia and their latest opus “Total”. Intelligently blending elements from Black, Sludge, and Post-Metal with avant-garde weirneds, the band unleashes five tracks and nearly 50 minutes of excellent music. If you are a fan of bands like Code, Ephel Duath, and Mord'A'Stigmata to name a few, you will love this release.

    Opening with the crafty tempo changes of “Retox”, the band sets a very playful and yet intricate tone with lush atmospherics, masterfully layered guitars and intricate drumming. Weaving back and forth brutal onslaughts, the screams fit perfectly with this contrasting musical style as tracks like “Mania” and “Orbit” demonstrate. The band’s ability to merge dissonance with avant-garde weirdness is quite masterful.

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