Black Metal

  • Belphegor - Walpurgis Rites – Hexenwahn (2009)

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    Every time I listen to one of Belphegor’s albums I’m blown away with the ability Helmut has of refining their already brilliant musical style. For those living under rocks or new to metal, this Austrian band plays a mean mix of Death and Black Metal that will put all other bands attempting to do this to great shame,

    “Walpurgis Rites – Hexenwahn” is the band’s latest opus and a very worthy follow up to the bizarrely named “Bondage Goat Zombie” album. Belphegor is one of those bands that are like whiskey, they only get better with time.

  • Nihlotep – Surrogate Panoptic Quantal Regality (2009)

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    If the Metal Olympics where to be instituted in the next few years, Nihlotep would win in several categories: Longest Black Metal Songs and The Most Lyrics per Song categories.

    This band from California plays a mean Black Metal and they are not shy to let you know the have enough composition skills to write a couple of 13 + minute songs for their self-released first full length album.

  • The Black – Alongside Death (2009)

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    The Black was originally one of many side projects from Jon Nödtveidt (R.I.P) from Dissection fame, I remember getting their first release from Necropolis Records 15 years ago, and I was extremely psyched about it. At that time that’s what black metal was supposed to sound like.

    The band has reformed with two members of Tyrant and Vinterland at the helm along with original drummer “The Black”. And it seems that time stood still for this band, since their sound is very old school. I’m like both Tyrant’s and Vinterland’s music and was very disappointed to hear this release, since it lacks any novelty in it.

  • Immortal – All Shall Fall (2009)

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    “All Shall Fall” is one of the most expected Black Metal releases from this legendary band. Seven years have passed since their last album “Sons Of Northern Darkness” and this release continues EXACTLY were they left off.

    For some people this might be just perfect, and to some extent it is, but you would imagine that a band would learn something new after that amount of time. All band members have been playing in different bands and should have provided a creativity boost to this album.

  • Weapon – Drakonian Paradigm (2009)

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    After receiving this promo CD I was expecting and other, at best, average Black Metal band that needs to show off his evilness on the cover of the album. However, after a few times going over the CD I discovered that this Canadian act has more going on for them other than the whole satanic act.

    Having a very solid production behind them, the band manages to release a Death/Black Metal album that features an old school sound with fresh elements thrown in. The band never stays stagnant with a particular style and mixed things up in all songs, being acoustic passages and the usage of sitar and grand piano, all these elements create a very dark atmosphere that the band uses to perfection.

  • Pestilential Shadows – In Memoriam, III Omen (2009)

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    We get a ton of cookie cutter Black Metal bands and their ‘cult’ sounding albums, and this makes for a very tedious job of listening to their albums and producing an objective opinion on them, however there are days when we get lucky and bump into an actual release that represents the earlier days of BM with a bit of a different edge to it. Today we found “In Memoriam, III Omen”, and after doing some research of the band we figured out that the quality of this album made sense since it features several members of the great Nazxul.

  • Vulvark – Vulvark (2009)

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    When it comes to rawness Vulvark would get the highest marks, however the whole raw concept of the album gets a bit tired after a while and then you are left with a disconnected array of several elements that would have made for a better album under the hands of somebody more creative.

    The ten minute epic opening track and the next two made me very optimistic about how this album was going to turn out, but as the next tracks made their appearance this illusion quickly faded. Clocking at 1 hour and 6 minutes, I think this album should have been cut at track 3 and this would make a great EP. However the last 5 songs just destroyed the whole momentum the band built on the opening tracks.

  • The Ruins Of Beverast – Foul Semen Of A Sheltered Elite (2009)

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    The Ruins Of Beverast is a one man project from the drummer of the defunct band Nagelfar. The ‘band’ brings us a very dense sounding and highly enjoyable Black Metal album that features a wide variety of elements that make this release a very different one from the piles of BM albums that are released every month.

    “Foul Semen Of A Sheltered Elite” features 10 tracks of sickness that will keep the listeners on the edge of their seats. The music ranges from ambient-like passages to blast-beat sections in a very well arranged manner. It never becomes dull or boring for the whole duration of this journey into darkness.

  • Bleeding Fist – Bestial Kruzifiz666ion (2009)

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    With the moniker of “True Slovenian Black Metal” stamped on the CD I figured this band would play something a little more… organized. While the brutality and speed is undeniable in this release, sometimes it just feels that they are just banging at their instruments with no coherence behind them.

    That being said, there are plenty of ‘trashy’ sounding BM riffs here and the intensity of the guitars is pretty good. The drumming is very bestial and sounds like a demon with 4 arms and 4 legs is playing the drums at some points, it’s also sometimes very random sounding and it makes me wonder if they can play the same song twice without making a mistake.

  • Azaghal – Teraphim (2009)

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    If I’m ever looking for a brutal and raw Black Metal album, I always turn back to my Azaghal and Horna albums, since they are the true embodiment of this genre. Azaghal returns after one year of releasing “Omega” and the still bring their A game to the table.

    The only change that Azaghal has suffered is the very light use of synth in their last two albums, and in “Teraphim” this element makes me like this album even better. This being said, do not expect Dimmu Borgir style synths or anything like that, just small hints to complement a song.

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