Experimental

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    Adaestuo - Krew Za Krew (2018)

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    Unleashing one of the most harrowing Atmospheric/Experimental Black Metal releases of 2018, today we have Adaestuo and their debut full-length “Krew Za Krew” . Created by VJS of Nightbringer fame, P.E. Packain ex-Horna, ex-Sargeist, and with Hekte Zaren handling all vocals, this outfit presents a very unique aural abuse that is quite intoxicating and engaging. For over 50 minutes the listener descends into the band’s suffocating madness, making it a very excruciatingly amazing experience.

    Wasting no time to make an impression, “Red Moon” creates a very tense and dominant atmosphere with hellish vocals and chilling atmospherics. The tension continues with the Ambient/Noise piece “Transcendental”, which provides some sort of an interlude to their next punishing onslaught: “Monument”. Clocking in at 10 minutes, the hypnotic riffing sets a very dire tone, but it’s the whirlwind raw Black Metal elements that brings the listener into the early days of bands like Emperor and Enslaved.

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    Nochnoy Dozor - Nochnoy Dozor (2018)

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    Always challenging listeners with truly unique and very interesting releases, today Prophecy Productions brings us Nochnoy Dozor and their self-titled debut album. Mixing tons of atmospheric elements with Rock and Doom influences, this six song EP is one very crafty and engaging release. While the music is quite excellent, what distinguishes the band is the dual vocalist approach that fully develops the listener on very sultry and melancholic ride.

    The release opens with “Black Hand” a very enigmatic piece filled with lush vocal melodies and very moody music that sets a very lounge-y tone. Lina and Revekka have great chemistry and it shines in songs like “Stains”, where they sections perfectly complement each other and create a very playful dynamic in the duet passages. Moving on to Doomier territories, “Closer” and “All Mine” feature heavy distorted riffs and a sound similar to outfits like Subrosa, Black Mare and Bathsheba.

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    A Forest of Stars - Grave Mounds and Grave Mistakes (2018)

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    Unleashing one of the most disturbing and yet highly original and complex releases of 2018, today we have A Forest of Stars and their fifth full-length release “Grave Mounds and Grave Mistakes”. As a total cacophony, the band delivers over 64 minutes of chaotic Black Metal that features so many different layers, making a very complex album to fully digest. We love these types of release were you keep finding new little things with each time you listen to a track, never fully revealing themselves to the listener until a great effort is made.

    Setting a very lively mood with the album intro track, the band fully explodes into madness with the harsh vocals and convoluted riffing of “Precipice Pirouette”. With dramatic violins serving as highlights to a very dense and powerful wall of sound, this track has an unnerving pace that induces anxiety and and despair. On “Tombward Bound”, the band splits up the punishment with a somber interlude between a hectic start and a Devil Doll-esque climax that is some of the band’s finest work to date.

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    Manes - Slow Motion Death Sequence (2018)

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    As one of the most forward thinking and creative bands to come out of Norway, today we have Manes and their latest opus of madness titled “Slow Motion Death Sequence”. Featuring over 44 minutes of lush cinematic music filled with trip-hop, electronic, Metal, and even some synth-pop elements, this release further expands the band’s musical range. Constantly pushing the envelope, this release delivers nine intoxicating songs that demand attention and an open mind.

    The release kicks off with the magical jazzy moodiness of “Endetidstegn”, a piece filled with dreamy atmospheric elements and lush vocal arrangements featuring Ana Carolina from Mounring Sun and the enchanting Anna Murphy of Cellar Darling. Things get futuristic with the catchy “Scion”, featuring some funky vocals and a very modern synth-pop-ish feeling. This song is one of the catchiest tracks in this release for sure.

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    Spectral Lore / Jute Gyte - Helian (2018)

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    As one of the most interesting split releases of this young 2018, today we have Spectral Lore and Jute Gyte’s split “Helian”. Featuring two tracks and over 40-minutes of intense (and highly experimental) Atmospheric Black Metal, this release demonstrates the two ‘bands’ different takes and musical translation of Georg Trakl’s poem. Which each outfit delivering a chilling and unique experience, this release is certainly not for the faint of heart.

    Jute Gyte kicks off the release with a very dissonant opening that slowly transitions into a trance-like state with disparate guitars and funky atmospherics. The vocals are quite disturbing, as they capitalize on the weird atmosphere generated by the repetitive riffs and dense distortion. As the track progresses, it feels like we are descending into madness as it just keeps getting more and more chaotic and bizarre. Truly unique and interesting first ‘half’ of this release.

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    Russkaja – Kosmopoliturbo (2017)

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    Superbly bizarre Austrian outfit Russkaja is back with yet another totally deranged release with “Kosmopoliturbo”. Adding a few more influences to their already funky Ska-ish sound, the band delivers ten songs that will either make you avoid them like the plague, or find you bizarrely interest in listening to them for extended periods of time. Filled with lush musical arrangements and very catchy songs, this release is one of those love it or hate it kind of albums, so be sure to approach it with an open mind.

    Opening with the extra catchy “Hey Road”, the band instantly showcases the Polka/Ska influences with this very palatable song that reminds us of a mixture of Angizia and the Devil Swing Orchestra. Things get a bit crazier with the throbbing bass guitar line of “Alive” as this track descends into total madness before its completion. Learning new tricks, the band delivers the reggaetón-inspired “Still in Love”, with auto-tune and everything, this track is truly odd and very mainstream sounding, but you can still get the signature Russkaja weirdness in it.

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    BVDK – Architecture of Future Tribes (2017)

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    Delivering one of the weirdest and most unique releases of 2017 (so far), today we have France’s BVDK and their debut full-length release “Architecture of Future Tribes”. Featuring over 44 minutes of magical weirdness, this trio mixes elements from Industrial, Avant-garde and Black Metal into a very unique experimental mix, that sounds actually quite appealing. Reminding us of a mixture of Diabolos Rising and Kovenant, this is certainly a very interesting release.

    The weirdness brilliantly starts with the heavy riffs and odd percussions of “Snatcher”. As the atmospheric keyboards enshroud this song, the band delivers funky choral arrangements, creating a very disturbing and yet intoxicating atmosphere. If this first track was not weird enough, the Industrial Dance vibe of “Surreptitious Cluster” or the funky samples/tempo of “Nana Buluku” will certainly catch you off-guard and get you hooked into the band’s bizarre musical powers.

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    Gravetemple – Impassable Fears (2017)

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    Delivering one of the most decadent aural assaults of the year, today we have super group Gravetemple and their sophomore full-length release “Impassable Fears”. Featuring luminaries like Stephen O’Malley, Oren Ambarchi, Attila Csihar, and Matt Sanders, this super-band’s experimental Drone/Doom will leave your ears ringing and claiming for more. Filled with punishing riffs, trippy Drone elements and completely haunting vocals, this release will certainly catch you by surprise.

    Opening with the track “A Szarka”, the band sets a very dissonant mood with funky percussions and heavily distorted guitars leading the way for Attila’s sickening vocals. Thing continue on a downward spiral as the superbly creepy “Elavúlt Földbolygó” arrives with its Event Horizon-like vocals and a very unsettling pace. Brilliantly crafting at atmosphere of anxiety and discomfort, in two tracks, Gravetemple has full control of the listener’s psyche.

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    Asofy – Nessun Luogo (2017)

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    Pushing the boundaries of sanity, today we have Italina duo Asofy and their latest release “Nessun Luogo”. As one of the most soothing and unique releases of 2017, this album creates brilliant songs filled with tension and mystery that will send chills down your spine. Featuring over 60 minutes of music, this album will creep on you with its bleak soundscape and minimalist approach.

    The album kicks off with the cavernous riffs of “Lontano da me”, a very mysterious piece that slowly builds up into a very powerful and disturbing opening statement. As the album evolves with tracks like “Nemeton”, “Infine”, and the heavier “Fosca”, we continue to enjoy the band’s very deconstructive vision of both Black and Doom Metal. You can piece out some distinctive genre-specific riffs placed in unique contexts, allowing Asofy to really break boundaries and deliver a very unique release.

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    Snares of Sixes – Yeast Mother: An Electroacoustic Mass (2017)

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    With several bands rising from the ashes of Agalloch, today we have Jason William Walton’s Snares of Sixes debut EP release “Yeast Mother: An Electroacoustic Mass”. Featuring a wide array of invited guests like Don Anderson (Agalloch) and Andy Winter among others, this release is a truly unique musical experience that is both delirious and yet cohesive. Unleashing four extremely intricate tracks, this release will certainly grab your attention since the first minute.

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