Hailing from Australia, Mesarthim creates one of the most mystifying and unique blends of Metal with electronic/atmospheric elements. Similar to bands like Germ, Violet Cold, and Progenie Terrestre Pura, the band’s sound is both bombastic and pretty aggressive, keeping things superbly catchy and still heavy enough for Metal fans to enjoy. With 5 tracks and nearly 30 minutes of music, “Vacuum Solution” is one hell of a unique and engaging release.
The album title sets a very dramatic futuristic vibe with super catchy synths and beats, paired with powerful guitars and fiendish shrieks. This is the exact explosivity we loved from bands like Germ, but Mesarthim takes it to a whole new level with more electronic/dark electro elements. Track like “Matter and Energy” also have a certain Industrial-like vibe, reminding us of Italy’s Aborym but with a catchier edge.
Straight out of a horror film, today we have Poland’s Odraza and their bone-chilling EP “Acedia”. Perfectly blending Black Metal elements with tons of dramatic atmospherics in a very experimental manner, this release unleashes nearly 27 minutes of creepy music that is intended to disturb listeners while drawing them into its fierce claws.
Immediately setting the bar high with the creepy first few minutes of “I”, the band slowly creates a very foul and disturbing atmosphere. There are certain jazzy and exploratory elements thrown into the mix, allowing the band’s sound to be quite expansive and unique. Heavy doomy riffs and crafty percussion help shift the mood in this aural journey, to a more industrial and ethnic place, while the sparse Black Metal onslaughts are fierce and demoralizing due to their intensity.
When it comes to weird and out of the ordinary music, we are always on looking for the next weirdest thing. Today, via Agonia Records, we have Shadows and their self-titled debut EP. Led by Alex Bouks of Incantation and Goreaphobia fame, this band unleashes a very intoxicating and unique release with a blend of musical styles within Metal and bordering with Rock and Goth elements.
Opening with the somber “Ghosts of Old”, we get an interesting mixture of crafty drumming, firm riffs and a very moody tempo. The clean vocals remind us a bit of the band EverEve, with a certain twang added to them. The album’s atmosphere is quite dark and enjoyable as tracks like “Shadows”, “Night of the Goat Winter Moon”, and “Elders” have a nice mixture of warm and fuzzy psychedelic distortion with engaging tempo changes and very solemn vocals.
It has been a while since we have heard anything from Australia’s weird Industrial Metal outfit The Amenta. Returning with “Revelator”, the band continues their path of weirdness with an interesting blend of experimental elements and Industrial Metal foundations, creating a very chaotic and yet interesting sound. If you like odd and unconventional music with a good dose of heaviness, this release has some nice surprises in store for you.
The release starts with the pummeling “An Epoch Ellipsis”, a track that starts with a similar pace to Anaal Nathrakh’s music, but quickly shows that it is a completely different beast with funky tempo changes, soaring clean vocals, and some underlying industrial elements. The uniqueness of “Sere Money” nicely changes the pace a bit as the band showcases their more melodic and catchy side, with lush rhythmic sections and a nice blend of harsh and clean vocals.
Hailing from Tunisia, today we have a very unique and aurally abusive outfit: Omination. Dropping their third full-length release, “NRG”, this band delivers one hell of an expansive sound that incorporates elements of traditional Funeral Death/Doom Metal with some more cinematic and experimental endeavors.
Unleashing an eerie and ritualistic aural assault with “Crossing the Burned Wasteland”, the band sets a very punishing and intriguing atmosphere. This oppressive atmosphere is further explored with the monolithic onslaughts of “Apocalyptic Ignis Fatuus”, a very powerful track featuring hellish atmospheric elements and potent distorted guitars. The band’s drums, which seem to be programmed, at times give the music a certain industrial edge that classes at times with their atmospheric context, but at the same time creates a very unique and aurally confusing experience, like on “Last Trisagion”.
Always delivering a truly hypnotic and ritualistic aural experience, today we have Dark Buddha Rising and their latest opus “Mathreyata”. Hailing from Finland, this outfit continues to captivate audiences with their piercing and ritualistic compositions, unleashing nearly 43 minutes of music in four tracks. For those that like heavy distorted guitars, trippy percussions and tempo changes, alongside a good dose of Drone, Sludge, and Pysch, this release is face melting.
Opening with the trippy “Sunyaga”, the listener is faced with a barrage of pummeling riffs alongside a psychedelic undertone. Vocalist Marko Neuman is one of those weird forces that seems to unleash multiple personalities while singing, creating a very mysterious and yet brutal aural. Feeling already numb and subdued, the second track “Nagathma” takes the eerie atmospherics to a whole new level thanks to some superbly creepy elements paired alongside crafty drum patterns and spacious guitars.
The always mysterious and intoxicating sound of Völur is quite hard to describe but completely unique to experience. Delivering their third full-length release “Death Cult”, the band continues their path of darkness with a very lush, engaging, and captivating release. For nearly 40 minutes the band transports the listener into a very unique and mystical folky world that is beautifully crafted.
Starting with the hypnotic “Inviolate Grove”, the band quickly creates a very distressing atmosphere thanks to the dramatic use of string instruments and a captivating bass guitar line. For those not familiar with the band, Völur shies away from your traditional distorted guitars to a combination of pummeling bass guitar, electric violins/violas, and lush percussions, creating a very unique and dense atmosphere that can only be compared to some extent to parts of bands like Elend and early Silent Stream of Godless Elegy.
Perfectly crafted for those of us that like funky Black Metal with tons of unique and at times bonkers elements, Void Paradigm prepares to unleash: “Ultime Pulsation | Demain Brûle”. In this 38+ minute release, the band presents two songs that create very unique atmospheres and are full of intricate little details to discover. Highly recommended for fans of bands like Ved Buens Ende and Ephel Duath.
The release kicks off with side A, “Ultime Pulsation”, a chilling song that slowly builds up to a very chaotic catharsis and a hefty dosage of creepy atmospherics and stern vocals. With incisive and punishing riffs flanking the hellish vocals of Jonathan Théry, the release instantly induces anxiety upon the unsuspecting listener. We particularly enjoy how the crafty tempo changes and funky drum patterns shape how the song unravels to the listener while creating some interesting and subtle instrumental passages.
France has been on the forefront of pushing Black Metal to new auditory levels with bands like Blut Aus Nord and Throane. Today we have the latter’s new effort: “Une Balle Das Le Pied” a one-track, 13-minute 7” release that continues Dehn Sora’s musical exploration with plenty of unique elements. Not for the close-minded, this short but sweet release encapsulates a very unique concept alongside hellish music.
Unleashing a hellish attack on your senses, the juxtaposition of Industrial elements and trance-inducing Dark Ambient influences creates a very thick and chaotic atmosphere, similar to what Yeruselem crafted last year but with a more punishing and hypnotic edge. The song is divided into three main movements separated by eerie interludes. However, every single part delivers relentless aggression with harsh screams and crushing guitars.
A bit outside of our regular reviewing domain, today we have electronic music project Bergeton and their debut release “Miami Murder”. Formed by Morten Bergeton Iversen (Teloch) from Nidingr and Mayhem fame, this one-man outfit crafts a unique mixture of video game-like music with more traditional electronic elements, and of course some heavy distorted guitars thrown into the mix. If you are the type of Metal head that enjoys Ulver and similar outfits, then this release will certainly appeal to you.
Kicking off with the hypnotic “Arabian Nights”, “Depeche Load, and “Fort Apache Marina”, we are instantly transported to the times of 8-bit music from Nintendo and old-school computer games. However, Bergeton adorns this style with more lush and rich electronic elements to these tracks and some nice ripping guitars to the former track. The playful nature of the music is quite engaging and far from linear, tracks like “Lambo” have a cohesive and yet differential feeling to them, keeping the album interesting and fresh.