Always releasing superbly interesting stuff, Hypnotic Dirge Records unleashes Moonworshipper and their ‘EP’ “13 Fullmoon Nights of Loneliness”. Featuring a truly chaotic, experimental, and yet lush sound, this release pretty much takes elements from almost every genre of music and mixes them together in a very melancholic and tormentous release. If you are a fan of Manes, Lethe, Ulver, and similar outfit, this release is right up your alley.
Starting with some cavernously Doomy guitar riffs, the single 24-minute track in this release hints at a very heavy and punishing journey. The crushing guitars and rhythmic drumming is perfectly offset by hellish vocals and crafty tempo changes. This is until the band switches things up with hauntingly eerie piano/atmospheric passages and the introduction of sultry female vocals. Note that at this stage the guitars and doomy vibe are still very present as the band continues to dabble in some Depressive/Suicidal BM influences mixed into jazzy and noir-esque female singing.
Creating a truly unique and immersive sound, today we have Seattle’s Eye of Nix and their latest full-length opus “Ligeia”. Borrowing elements from every single band we know, this band crafts a very dense atmosphere that is flanked by Black Metal, Doom and even some Progressive onslaughts. Only for those that like to dissect music and listen to an album on repeat non-stop for a few weeks, this band rewards patience with unparalleled musical brilliance.
The album sets out with a very mellow progression as “Concealing Waters” slowly warms up the listener with crafty percussions and Joy Von Spain dreamy clean vocals. However, the pace quickly picks up with furious Black Metal onslaughts thrown into the mix. This interesting interplay of very aggressive passages with dreamy interludes gives the band a dynamic sound that keeps the listener always on the edge, as on brilliant tracks like: “Pursued” and the haunting “Tempest”.
From the ashes of Lifelover, today we have Kall and their very unique and somber mixture of Depressive Rock with Black Metal. With their sophomore release “Brand”, the band continues their exploration of obscure and depressive sounds while crafting six brilliant tracks that slowly uncover a very decadent and poignant style. For nearly one hour we are treated to some very chaotic and yet lush compositions of madness and despair, a journey you don’t want to miss out on.
The release starts with a certain Bluesy vibe as “Rise” slowly builds up to crafty guitars, a lively bass guitar line and hellish vocals. The combination has a very unique Katatonia-meets-90’s Bethlehem vibe that is both sinister and quite chilling. The band’s craftiness allows them to develop songs like “Fervour”, where the tempo slowly builds while the atmosphere chokes up the listener, particularly when the solemn saxophone comes into play.
As one of the most fitting soundtracks for weird times, today we have Asofy’s latest release “Amusia”, which takes the listener into a highly experimental and chaotic journey. For nearly an hour, the listener gets transported into this one-man outfit’s world, filled with abstract textures and a highly melancholic atmosphere. If you like weird, this is one of the weirdest (and yet good) of 2020.
Opening with the moody “Agnosia”, we get some Jazzy glimpses with crafty percussions, subtle guitars and trippy vocals. The song feels very free flowing as it progresses between different moods. Continuing with the captivating “Palinodia”, we get a darker and more moody side of the band with minimalist arrangements and very eerie atmospherics. For those looking into heavier and creepier sounds, the album title track has a good kick as it eases into the harrowing madness of “Residuo”.
One of the very few advantages of the COVID-19 pandemic is that we can now work from home and listen to music non-stop. As one of the more interesting releases to creep into our inbox, today we have Forlesen and their two song, 36 minute release “Hierophant Violent”. Featuring members of Lotus Thief, Kayo Dot, Botanist, Maudlin of the Well this band creates a transcendental musical experience with a very powerful and carefully crafted sound.
Kicking off the release with the hypnotizing atmospherics of “Following Light”, the band creates a very dreamy mood as the song progresses into magical ethereal interludes and very cathartic moments. The guitars and drums are perfectly leveled with the atmospheric elements, allowing a very unique interplay between these elements and the haunting male and female vocals.
With the volume of promos we get every day, we rarely look into the ones that contain singles. That being said, when the name Manes popped into our inbox, we had to drop everything else and pay undivided attention. As one of our favorite genre-bending bands, this Norwegian outfit continues to push the boundaries of music with their creative exploits and “Young Skeleton” is no different. If you like a mixture of Rock/Metal and tons of atmospheric elements, then Manes is definitely a band to explore.
Opening with the title track, we get a somber track that slowly builds up with very subtle elements until Tom Engelsøy guest vocals perfectly lead this piece. The song has a very nice progression as the lush atmospherics slowly complement the minimalist percussion. Delivering a more complex and layered approach, “Mouth of the Volcano” unleashes the full Manes sound with brilliant guest vocals from Anna Murphy (Cellar Darling) and Ana Carolina Skaret (Mourning Sun) paired with regular vocalist, and alongside eerie atmospherics. Creating a chaotic and yet lush experience, this track gives us a bit of a mix between Manes and Lethe.
It is not every day that we get a release from Tunisia, and it is even less common that it is actually pretty good. Today we have Ayyur with their highly atmospheric and experimental Black Metal unleashing their two-song EP “Balkarnin”. With a knack for cavernous atmospheres and punishingly slow riffs, this release is one strong introduction to this very promising band.
The EP sets a very hypnotic mood with the slow riffs of “I”, combining them with harsh vocals and a certain Doom vibe. As the guitar leads develop into an atmospheric interlude, the band creates a commanding atmosphere that is both bone chilling and dense. Without much flair or additional elements the rudimentary rawness of the band’s sound is quite direct and effective.
Unleashing a highly mysterious and depraved orgasmic aural assault, today we have Finnish outfit Oranssi Pazuzu and their highly expected fifth full-length release “Mestarin Kynsi”. Having sonically abused all their fans for the last decade, the band continues their musical exploration with 51 minutes of music spread in six captivating tracks. If you think the band was weird and trippy in the past, wait until you listen to this release.
Opening with the trance-inducing “Ilmestys”, the band slowly builds up and introduces their funky mixture of effects, sickening vocals and crushing guitar work. If the first track didn’t create enough anxiety in the listener, “Tyhjyyden sakramentti” continues the aural exploration with chaotic ravaging passages filled with weird distortions and an overall sense of urgency that creates a very demoralizing and brutal atmosphere.
After receiving tons of Black and Death Metal releases in the last few weeks, it is quite refreshing to get something completely different in Myth of I’s self-titled debut release. Featuring a very improvisational and fluid approach to songwriting, the band unleashes nearly 50 minutes of highly technical instrumental Metal music. Ranging from Progressive Metal to Technical Death Metal (minus the vocals), this release perfectly blends a wide gamut of styles under a cohesive and catchy umbrella.
Opening with a dreamy intro, the album gets in full swing with the fabulous “The Illustrator” and its crafty guitar wizardry. Full of tempo changes and intricate drum patterns, this release perfectly leads to heavier and more experimental pieces like “Cherophobia” and “Obsidian Vale”. Doing away with traditional song structures, the tracks in this release flow freely weaving back and forth between proggy influences and heavier counterparts.
Unleashing a very refined futuristic release, today we have Italy’s one-man band Master Boot Record and their latest release “Floppy Disk Overdrive”. Besides the massive geekiness of the band’s name, concept and the album’s song names, this instrumental release is quite enjoyable and engaging. With the current state of affairs in the world, it is refreshing to be able to escape into a dystopian world with the songs in this release.
Opening with the Blade Runner-esque “ANSI.SYS”, the mood is set to be a very dynamic and engaging one. For those that are not followers of Video Game Metal/Nintendocore, bands like Vomitron and others have been releasing similar 8-bit/MIDI inspired music, but Master Boot Record takes it to a whole new level with additional influences and a bigger and more bombastic theatrical vibe, as shown in songs like “EDIT.COM”, “DEFRAG.EXE” and “DISPLAY.SIS”.