As one of the most unique up and coming bands, today we have Ukraine’s Jiner and their latest EP: “Micro”. Mixing up elements of Groove Metal, Progressive Metal, Nu Metal and even some Hardcore/Rapcore elements, this band turns heads with their intense style and charismatic front woman: Tatiana Shmailyuk. Featuring five tracks, this EP should stir up some more momentum for the band as they tour Europe with Amorphis and Soilwork this year.
Wasting no time, “Ape”kicks things off with crafty tempo changes and intricate guitar work to set a vibrant and aggressive move immediately. Things get a bit more melancholic with the groveness of “Dreadful Moments”, which features some Meshuggah-like chops and brilliant hellish hash vocal onslaughts. The riffing power of “Teacher, Teacher!” when contrasted with the rap-like vocals make up for a very odd and yet intoxicating track.
Going completely ‘off the reservation’, today we have Svoid and their very strange and yet interestingly addictive EP “Spiral Dance”. Not showing any of their Black Metal influences, this release is a very weird experimental EP that explores the band’s more theatrical side with a few Post-Punk sprinkles thrown into the mix. Certainly this release is a very true to form album from Sun & Moon Records.
The weirdness begins with the bizarre indie-anthem “Stand in Awe”, an interesting track that has some Post-Punk elements, but in general feels more like an NPR kind of song. Considering this release a complete outside the box release, we can certainly enjoy catchy tracks like the epic “The Very Hours” and its melancholic vibe. It even has a quasi-Depeche Mode vibe that caught our attention and we found ourselves playing this song quite a few times.
Unleashing one of the most harrowing Atmospheric/Experimental Black Metal releases of 2018, today we have Adaestuo and their debut full-length “Krew Za Krew” . Created by VJS of Nightbringer fame, P.E. Packain ex-Horna, ex-Sargeist, and with Hekte Zaren handling all vocals, this outfit presents a very unique aural abuse that is quite intoxicating and engaging. For over 50 minutes the listener descends into the band’s suffocating madness, making it a very excruciatingly amazing experience.
Wasting no time to make an impression, “Red Moon” creates a very tense and dominant atmosphere with hellish vocals and chilling atmospherics. The tension continues with the Ambient/Noise piece “Transcendental”, which provides some sort of an interlude to their next punishing onslaught: “Monument”. Clocking in at 10 minutes, the hypnotic riffing sets a very dire tone, but it’s the whirlwind raw Black Metal elements that brings the listener into the early days of bands like Emperor and Enslaved.
Always challenging listeners with truly unique and very interesting releases, today Prophecy Productions brings us Nochnoy Dozor and their self-titled debut album. Mixing tons of atmospheric elements with Rock and Doom influences, this six song EP is one very crafty and engaging release. While the music is quite excellent, what distinguishes the band is the dual vocalist approach that fully develops the listener on very sultry and melancholic ride.
The release opens with “Black Hand” a very enigmatic piece filled with lush vocal melodies and very moody music that sets a very lounge-y tone. Lina and Revekka have great chemistry and it shines in songs like “Stains”, where they sections perfectly complement each other and create a very playful dynamic in the duet passages. Moving on to Doomier territories, “Closer” and “All Mine” feature heavy distorted riffs and a sound similar to outfits like Subrosa, Black Mare and Bathsheba.
Unleashing one of the most disturbing and yet highly original and complex releases of 2018, today we have A Forest of Stars and their fifth full-length release “Grave Mounds and Grave Mistakes”. As a total cacophony, the band delivers over 64 minutes of chaotic Black Metal that features so many different layers, making a very complex album to fully digest. We love these types of release were you keep finding new little things with each time you listen to a track, never fully revealing themselves to the listener until a great effort is made.
Setting a very lively mood with the album intro track, the band fully explodes into madness with the harsh vocals and convoluted riffing of “Precipice Pirouette”. With dramatic violins serving as highlights to a very dense and powerful wall of sound, this track has an unnerving pace that induces anxiety and and despair. On “Tombward Bound”, the band splits up the punishment with a somber interlude between a hectic start and a Devil Doll-esque climax that is some of the band’s finest work to date.
As one of the most forward thinking and creative bands to come out of Norway, today we have Manes and their latest opus of madness titled “Slow Motion Death Sequence”. Featuring over 44 minutes of lush cinematic music filled with trip-hop, electronic, Metal, and even some synth-pop elements, this release further expands the band’s musical range. Constantly pushing the envelope, this release delivers nine intoxicating songs that demand attention and an open mind.
The release kicks off with the magical jazzy moodiness of “Endetidstegn”, a piece filled with dreamy atmospheric elements and lush vocal arrangements featuring Ana Carolina from Mounring Sun and the enchanting Anna Murphy of Cellar Darling. Things get futuristic with the catchy “Scion”, featuring some funky vocals and a very modern synth-pop-ish feeling. This song is one of the catchiest tracks in this release for sure.
As one of the most interesting split releases of this young 2018, today we have Spectral Lore and Jute Gyte’s split “Helian”. Featuring two tracks and over 40-minutes of intense (and highly experimental) Atmospheric Black Metal, this release demonstrates the two ‘bands’ different takes and musical translation of Georg Trakl’s poem. Which each outfit delivering a chilling and unique experience, this release is certainly not for the faint of heart.
Jute Gyte kicks off the release with a very dissonant opening that slowly transitions into a trance-like state with disparate guitars and funky atmospherics. The vocals are quite disturbing, as they capitalize on the weird atmosphere generated by the repetitive riffs and dense distortion. As the track progresses, it feels like we are descending into madness as it just keeps getting more and more chaotic and bizarre. Truly unique and interesting first ‘half’ of this release.
Superbly bizarre Austrian outfit Russkaja is back with yet another totally deranged release with “Kosmopoliturbo”. Adding a few more influences to their already funky Ska-ish sound, the band delivers ten songs that will either make you avoid them like the plague, or find you bizarrely interest in listening to them for extended periods of time. Filled with lush musical arrangements and very catchy songs, this release is one of those love it or hate it kind of albums, so be sure to approach it with an open mind.
Opening with the extra catchy “Hey Road”, the band instantly showcases the Polka/Ska influences with this very palatable song that reminds us of a mixture of Angizia and the Devil Swing Orchestra. Things get a bit crazier with the throbbing bass guitar line of “Alive” as this track descends into total madness before its completion. Learning new tricks, the band delivers the reggaetón-inspired “Still in Love”, with auto-tune and everything, this track is truly odd and very mainstream sounding, but you can still get the signature Russkaja weirdness in it.
Delivering one of the weirdest and most unique releases of 2017 (so far), today we have France’s BVDK and their debut full-length release “Architecture of Future Tribes”. Featuring over 44 minutes of magical weirdness, this trio mixes elements from Industrial, Avant-garde and Black Metal into a very unique experimental mix, that sounds actually quite appealing. Reminding us of a mixture of Diabolos Rising and Kovenant, this is certainly a very interesting release.
The weirdness brilliantly starts with the heavy riffs and odd percussions of “Snatcher”. As the atmospheric keyboards enshroud this song, the band delivers funky choral arrangements, creating a very disturbing and yet intoxicating atmosphere. If this first track was not weird enough, the Industrial Dance vibe of “Surreptitious Cluster” or the funky samples/tempo of “Nana Buluku” will certainly catch you off-guard and get you hooked into the band’s bizarre musical powers.
Delivering one of the most decadent aural assaults of the year, today we have super group Gravetemple and their sophomore full-length release “Impassable Fears”. Featuring luminaries like Stephen O’Malley, Oren Ambarchi, Attila Csihar, and Matt Sanders, this super-band’s experimental Drone/Doom will leave your ears ringing and claiming for more. Filled with punishing riffs, trippy Drone elements and completely haunting vocals, this release will certainly catch you by surprise.
Opening with the track “A Szarka”, the band sets a very dissonant mood with funky percussions and heavily distorted guitars leading the way for Attila’s sickening vocals. Thing continue on a downward spiral as the superbly creepy “Elavúlt Földbolygó” arrives with its Event Horizon-like vocals and a very unsettling pace. Brilliantly crafting at atmosphere of anxiety and discomfort, in two tracks, Gravetemple has full control of the listener’s psyche.