Album Reviews

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    Ad Mortem - In Honorem Mortis (2024)

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    Delivering a swift and brutal onslaught of Black Metal sickness, today we have Germany’s Ad Mortem and their debut full-length release “In Honorem Mortis”. Filled with piercing guitars, hellish screams and crafty drumming, this release contains eight tracks and over 43 minutes of intense music. Highly recommended for fans of Horna, Sargeist, Bexehen, etc., this album is one of the most punishing and yet refined releases of 2024.

    Things escalate quite quickly with the atmospheric opening of “Von hohen Himmeln”, that swiftly transforms into all-out war with intense riffing and blistering drumming. E. Aggressor’s vocals are your traditional BM harsh creams, perfectly fitting to the tremolo picking ways of the band. As “Größer als das Leben”, “Labyrinth”, and “Der letzte Feind”, roll around, the band also has a certain melodic edge to their sound with some crafty melodic interludes that quickly erupt into more crushing passages.

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    Darkestrah - Nomad (2024)

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    Unleashing a masterful atmospheric epic, today we have Darkestrah and their latest effort “Nomad”. Instantly transporting the listener to unknown lands and taking them on adventures, this release perfectly blends Pagan and Folk influences with a Black Metal core to deliver a lush listening experience. Hailing from Kyrgyzstan and having a few members of Iran in their ranks, this outfit has mastered the skill of blending in unconventional instruments, in Metal music, into heavy and punishing compositions.

    Setting the mood with the desolate “Journey through Blue Nothingness”, things quickly escalate with the lush atmospherics of “Kok Oy”, a track filled with crafty melodic guitars and ravaging tempo changes. Things get catchier and more Folkish on the album title track and dramatic instrumentation and hypnotic vocal arrangements. The epic “Destroyer Of Obstacles” brilliantly continues this flow of lavish instrumental arrangements around very melodic distorted guitars that are frantic at times.

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    Givre - Le Cloître (2024)

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    Unleashing a very expansive and diverse set of exploratory sounds, today we have Canada’s Givre and their latest opus “Le Cloître”. Featuring six tracks and over 41 minutes of music, the band explores six songs which each corresponding to a holy woman from Christian history. With a different take in each track, the band explores expertly crafted moments of total chaos that weave back and forth between dissonance and melody.

    Opening with “Marthe Robin (1902 - 1981)”, the band starts creating a very atmospheric and dense vibe with shoegazey elements that quickly transition into punishing Post-Metal/Blackgaze passages. The mood slightly shifts into more chaotic territories with the pummeling “Louise du Neant (1639 - 1694)” and its furious onslaughts of piercing riffs and hellish harsh vocals. “Sainte Therese d'Avila (1515 - 1582)” rounds up the first half of this release with fierce dissonant guitars and masterful tempo changes.

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    Austere - Beneath the Threshold (2024)

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    After a long hiatus, the masters of melancholy and one of the initiators of the Depressive Black Metal sound, Austere finally returned last year with a killer release. Not even one year has passed and they are now back with another demoralizing album with “Beneath the Threshold”. Featuring six tracks and around 40 minutes of music, this Aussie duo unleash more depressive vibes filled with melancholy and some crafty musicianship.

    Opening with “Thrall”, we get a slow burning piece that nicely unleashes dissonant guitars in a very mellow tempo alongside harsh and mournful vocals. The duality of the clean and harsh vocals alongside the subtle keyboard atmospherics creates a thick and soul crushing atmosphere, the thing we most enjoy from this band. Both “The Sunset of Life” and “Faded Ghost” masterfully induce more misery thanks to their crafty tempo changes and very solemn atmospheres.

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    Funeral Oration - Antropomorte (2024)

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    Capturing a very unique style of old-school Melodic/Symphonic Black Metal, today we have Italy’s Funeral Oration and their latest effort “Antropomorte”. Inducing a feeling of going back in time a couple of decades, the band unleashes seven tracks and around 40 minutes of highly theatrical and very engaging music. If you were ever a fan of Limbonic Art, Tartaros, and Charmand Girmloch, then this is the release for you.

    Opening with “PLenus Larvarum”, we are immediately treated to old-school BM riffs and to some extent a slight Punk-ish vibe, this all quickly changes as the playful keyboards come around and the whole vibe changes to a more theatrical style. Perfectly blending incisive riffs with superbly catchy interludes and solid harsh vocals, “Amor Obsessio”, “Cloaca cattolica”, and “Il Serpente della Genesi”, keep things intense and yet full of lush and elegant atmospheric arrangements.

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    Fall of Serenity - Open Wide, O Hell (2024)

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    Delivering a swift and brutal, old-school Melodic Death Metal with some heavier touches, today we have Germany’s Fall of Serenity and their crushing “Open Wide, O Hell” release. In their first full-length release in nearly 17 years, the band shows a very interesting mixture of elements to create excellent songs to headbang and mosh from start to finish.

    The release kicks-off with the leveling “Thy Pathway” and its crafty melodic riffing, there is a certain Dissection-esque vibe that immediately got our attention. Things gradually get heavier and catchier as tracks like “Darkness, I Command”, and “I Don’t Expect I Shall Return” lead with superb guitars alongside crafty drumming and very engaging tempo changes. The band’s Melodic Death Metal is definitely on the heavier side, as you won’t find many Insomnium-esque passages.

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    Leaves’ Eyes - Myths Of Fate (2024)

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    After touring extensively on their “Last Viking”, 2020 release, Leaves’ Eyes marks their return with a new full length release titled “Myths of Fate”. With their well refined folky Symphonic Metal, the band delivers eleven tracks and nearly 50 minutes of superbly catchy and epic sounding music. This release is as epic and melodic as they come, thanks to the perfect balance between excellent songwriting skills, masterful musicianship, and lush vocal arrangements.

    Opening with “Forged by Fire”, the band sets a very regal epic atmosphere from the start. The band’s sound is as bombastic and dynamic as ever, with epic orchestrations, crafty heavy guitars and Elina Siirala’s soaring vocals. Alexander Krull and company have been at this for a while and tracks like “Realm of Dark Waves”, “Who Wants to Live Forever”, “Hammer Of The Gods” have that perfect balance while delivering tons of head banging passages.

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    Hamferð - Men Gu​ð​s hond er sterk (2024)

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    As one of the most expected releases of 2024, “Men Gu​ð​s hond er sterk” marks the return of Hamferð and their highly melancholic and fatalistic Melodic/Death Doom Metal. Featuring eight tracks and nearly 45 minutes of heartbreaking music, this release oozes waves of melancholy and misery. Perfectly blending emotive clean vocals, doomy riffs, and deep growls, this release is the perfect medicine for those of us that don’t want winter to be over.

    The release quickly sets a powerful atmosphere with the piercing riffs of “Ábær”, immediately followed by deep growls and a punishing sense of aggression that suddenly transitions into melancholy thanks to the clean vocals. Perfectly balancing light and darkness in their songs, pieces like “Rikin”, “Marrusorg”, and “Glæman” masterfully weave fast paced passages with more melodramatic interludes of minimalist percussions and weeping lead guitars.

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    Sylvaine - Eg Er Framand (2024)

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    Being huge fans of Sylvaine since their beginnings, we are quite excited to hear Kathrine Shepard taking a risk and releasing a very different release with “Eg Er Framand”. This EP features six tracks and nearly 30 minutes of dreamy Folk music, with absolutely no elements of Metal, showcasing a very different and raw side to Kathrine’s talents.

    The release opens with the solemn “Dagsens Auga Sloknar Ut”, and its very minimalist instrumentation that surrounds Kathrine’s clean vocals. If the organ didn’t create enough tension for you on the first track, “Arvestykker” introduces some excellent vocal layering alongside “Eg Veit I Himmelrik Ei Borg”, which features a bit more instrumentation and somber atmospherics.

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    Alestorm - Voyage of the Dead Marauder (2024)

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    There is nothing like starting the day with some lighthearted and silly Pirate Metal, thankfully, Alestorm has been feeding our cravings for over 15 years. With “Voyage of the Dead Merauder”, the band unleashes five extremely playful and hilarious tracks of their signature music. The band has constantly polished their sound over the years and have gotten their craziness to a science, with all tracks being funky, funny, and expertly crafted and executed.

    Opening with the EP title track, we get a very lively Folky piece, featuring Patty Gurdy on the hurdy-gurdy and vocals. This track has a big Eluveitie vibe, however, the band’s pirateness is nicely embedded into the piece. Up next we have the superbly silly “Uzbekistan”, a tale of pirates in a landlocked country. This is a quite hilarious and well crafted piece with the band’s signature tempo changes and crazy festive heabanging/moshing passages.

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