Finntroll – Nifelvind (2010)

After releasing “Ur Jordens Djup” in 2007, Finntroll reached ‘world fame’ and became one of the most recognized bands in the Folk Metal genre. The band been touring both Europe and the USA since that album non-stop and finally we get a new release this 2010.

“Nifelvind” shows why this horde of crazy Finish people incites the masses to consume beer and party with their music. The album features eleven tracks of very solid Folk Metal that will surely please every single fan of the band since it caries with the band’s traditional sound.

Dark Tranquillity – We Are The Void (2010)

Dark Tranquillity in it’s almost 20 years lifespan has managed to create some of the most iconic Melodic Death Metal albums of all times. The band has also paved the way to the hundreds of clones that try to play Melodic DM with the famed Gothenburg sound but fail miserably at. With “We Are The Void” they present us their latest offering in their career and it’s a solid but somewhat empty album.

The band has always been pushing the boundaries of the genre in every release they have produced. Since the early days they have been bending musical boundaries, and in the last decade they have been probably the only true Gothenburg Melodic DM band left.

Voices Of Destiny – From The Ashes (2010)

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Have you ever wondered how angles or sirens would sing?, if I had to guess it would be pretty darn close to Maike Holzmann, the female vocalist of Voices Of Destiny. I’m a huge fan of Gothic Metal and I’ve heard countless bands but only a few female singers have enchanted me, and Maike is one of them.

Voices Of Destiny hails from Germany and for such a young band (formed in 2004 and have only released one demo), they kick ass at playing the ‘traditional’ Gothic Metal with the ‘beauty and the beast’ vocal approach. But don’t be fooled, this band is nowhere as formulaic as this statement might sound.

Demonica – Demonstrous (2010)

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Featuring Hank Shermann from Merciful Fate fame, Demonica is here to capitalize on the current revival of Trash Metal. And they do a great job at it, kicking ass in every direction this album takes.

You can hear some Slayer-style vocals (which are not my favorite), but the best element in this album is the guitar riffing: it’s amazing. If you are not a big Trash Fan you should get in on the action right now, since there are many brilliant albums being released these days.

Catamenia – Cavalcade (2010)

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Back in the day Catamenia used to play Melodic Black Metal and was considered just another band in the bunch. We have slowly seen how this band has been evolving into a more complex beast and it has been shedding its skin release after release until now.

“Cavalcade” shows a finally mature band that plays a very interesting sounding ‘Blackened’ Power Metal. You still get the Black Metal shrieks, however the music structure is very Power Metal like, and its brilliant. The band finally polished its sound and after interesting releases we finally get a great one.

Artbook previews for Negura Bunget, Les Discrets and The Vision Bleak

Today, PROPHECY PRODUCTIONS would like to give you a preview of the artbook format coming up for the new releases of Negura Bunget, Les Discrets and The Vision Bleak.
All artbooks will be hardcover, featuring besides
the album and additional bonus material also 56 pages of exclusive art and/or photography and coming in a format of 28 x 28 cm - making all of them very noble and precious collector's items.

Orphaned Land - The Never Ending Way of ORwarriOR (2010)

Orphaned Land has the very daunting task of creating an even better release than “Mabool”, and they have somewhat succeeded in this almost impossible task. The band has refined their music greatly, and while this release is very good, they are miles away from the complexity and intricacy that “Mabool” offered us.

“The Never Ending Way of ORwarriOR” is a great release and it brings the Middle Eastern Folk influences that the band has showed in the past to be the main focus of this release. I love when bands use different elements in their music as a complement, not as a main gimmick in order to create shock value.

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