Coming from the minds of two North American musicians today we have “A New Beginning”, the debut full-length release of Creation’s End. Featuring musicians such as Mike Dimeo (Ex-Masterplan, Ex-Riot) and guitar wizard Marco Sfogli (James LaBrie band), this debut album will blow you away with its amazingly crafted Progressive Metal songs.

Creation’s End features a wide variety of influences, making them not just another Progressive Metal band, but a force to be reckoned since they touch so many genres in the 8 impressive tracks of “A New Beginning”. The band has something in store for everybody, being soaring vocals, guitar acrobatics, and a nice dark atmosphere surrounding the album.

We at Infernal Masquerade are usually very busy reviewing all the stuff we get from labels, bands, etc., that we rarely have free time to go out and discover something new. Few weeks ago we found ourselves at a friend’s house being serenaded by this great band that we had no idea who it was, turning out to be The Man-Eating Tree, and we had been listening to “Vine” for almost 3 hours non stop. Long story short, we immediately got a copy of this album and became almost obsessed by it.

Featuring Vesa Ranta (ex-Sentenced) on drums, Janne Markus (Poisonblack) on guitars and Tuomas Tuominen (ex-Fall of the Leafe), The Man-Eating Tree boasts a very impressive line-up. The music in “Vine” can equate to the quality of musicians performing on it. The band plays a very Atmospheric brand of Gothic Metal that will surely grab you attention very quickly since it’s extremely good and appealing.

Hailing from Canada, today we have Tempting Tragedy, a hard rocking Gothic Metal/Rock band that gives any big name band a run for their money in when it comes to creating catchy tunes of darkness. Having received mostly Black Metal and ‘whatever’-core bands from Canada is refreshing get Tempting Tragedy’s hard-hitting second full-length album “Descent into Madness”.

Opening “Descent into Madness” with the song “Calamities”, we are quickly treated to solid guitar riffing, pounding bass guitar line and vocals very similar to Ville Valo’s hypnotic style. Before you assume that Tempting Tragedy is another H.I.M wannabe clone band, let us tell us you are wrong since while “Calamities” might sound a lot like them, it’s the only song of this album with this nature.

The ever so interesting Prophecy Productions are re-releasing this 2010 one of the most interesting and deranged albums in the last couple of years: Lifelover’s “Konkurs”. Featuring a wide palette of influences ranging from Depressive Black Metal, Ambient, Gothic Metal, Post-Rock, Shoegaze, and everything in between, the band created one of the masterpieces of Experimental music and now we get to have it re-issued and hopefully can reach a bigger audience.

With the fourteen tracks presented in “Konkurs”, the band has managed to create a hauntingly majestic release that transcends the barriers of musical genres and human emotions. The overall bleak and depressive atmosphere around “Konkurs” is top notch and only bands like Lantlôs and Svarti Loghin can ever come close to it. Be it the combination of genres, or the emotional vocals, it’s left to the listener to discover how Lifelover will affect their psyche with this release.

Featuring two members of Exhuman, today we have Fangtooth, a Doom Metal band from Italy that blends traditional elements of the genre with some Stoner/Southern Metal influences and craft an interesting sound. Featuring six track totaling around 38 minutes of music, this self-title release shows a promising band that is still trying to find their sound.

While the genre is full of great bands, the younger bands struggle a bit to find their own identity. This is exactly what happens with Fangtooth in their debut full-length release; the band tries too many different things and ends up a bit short in achieving something very cohesive.

All the way from Italy, today we have Exhuman and their neck-breaking Death Metal that will help remove all the bad taste left from the inexperienced kiddies taking a whack at the genre. With catchy riffs, meaty hooks and overall flawless execution, this band uses the basic elements of the genre to craft seven highly addictive songs.

Death Metal is a genre full with uninspired bands and it’s refreshing to listen to a band that can hold your attention for over 30 minutes, the duration of this release. Exhuman does not do anything fancy or out of the ordinary, but yet, their music feels just right and creates a solid mixture of old school DM with nice solos and melodic hints.

One year after their crushing debut full-length “Drakonian Paradigm”, Canada’s mystical warmongers Weapon return with another brilliant Black/Death Metal assault with “From the Devil’s Tomb”. The band’s rich and multi-textured approach to the genre makes them one of the most devastating bands these days that mixes old-school elements with dynamic songwriting.

As with the band’s first full-length, “From the Devil’s Tomb” features a highly charged mystical component behind the music in terms of lyrics and concepts, that is greatly brought to life with crushing guitar melodies, powerful riffs, intricate drumming and multi-faceted vocals. The band has greatly matured in one year, making “From the Devil’s Tomb” twice as chilling, and more technically impressive than “Drakonian Paradigm”.

Featuring two members of the original Tiamat, Mr. Death hails from Sweden and it’s ready to blow you away with their super catchy horror-inspired Death Metal. Featuring a very traditional yet effective approach to Death Metal, “Death Suits You” is an album that will remind you of the days when DM was never overly technical and over produced.

The band’s musical foundation lies with very catchy riffs and intense drumming that are landmarks of the genre. The tempo changes in the songs are another very solid element of this band’s sound and allow them to never get dull or (too) repetitive. Featuring such experienced musicians, Mr. Death has quickly gathered a following of DM fans and it’s easily understandable since their music is very powerful and effective.

With all the uninspired and borings as hell Death Metal releases these days, it comes to us as a shock that Stench’s debut full-length releases “In Putrescence” is as good as it is, especially for a debut album. Hailing from Sweden, the band takes the basics of Death Metal and crafts a very interesting and elaborate sound that makes them sound very unique in comparison to most DM releases these days.

“In Putrescence” features 8 tracks of highly addictive Death Metal that will have you headbanging for the 30 minutes that the album lasts. This three man band takes a different approach to the chugging riffs of traditional Death Metal and features a wide variety of slow passages that create a very haunting atmosphere when combined with the mournful screams. But they manage to keep a very solid core of catchy riffs, blistering drumming and interesting song structures that never get dull.