It has been a while since Janne Warman has turned his attention to Warmen and their insanely fast and technical music. While their previous 2014 release was meh at best, their first four albums are just amazing. With “Here for None”, Janne alongside his brother and new additions Petri Lindross and Seppo Tarvainen, return with a refreshed sound that is more aggressive, (a bit) slower, and yet more cohesive and equally enjoyable.

Opening with the catchy “Warmen are Here for None”, the band quickly unleashes their more aggressive nature with Lindross snarl and heavier/more melodic death metal-esque guitar work. However, the magic of Warmen is always present as Janne’s over the top keyboards and Antti’s guitar wizardry as songs like “The Driving Force”, “A World of Pain”, and “Too Much, Too Late” demonstrate. There are certain Children of Bodom elements in the music, but the band imprints their own spin, like one epic songs such as “Night Terrors”.

Creating one of the more harrowing and intense releases of 2023, today we have Dymna Lotva and their third full-length release “Зямля пад чорнымі крыламі: Кроў”. With over 72 minutes of music, this album is both beautiful and demoralizing. Full with eerie atmospherics, lush arrangements and intense vocals, this release is one of the most powerful ones that Prophecy Productions has put out in quite a while.

Opening with “Ідзі і глядзі”, we get very powerful atmospherics and crafty guitar work. The wide variety of vocal styles create a very diverse and engaging narrative, ranging from mourns to screams, masterfully paired around lush arrangements. As “Пахаваны жыўцом” and “Смерць цалуе ў вочы” roll by, the band weaves back and forth between lush Doomy passages and full-on atmospheric oppression, always flanked by piercing guitars and tempo changes.

Unleashing misery and heaps of gloominess, today we have UK’s Godthrymm and their sophomore release “Distortions”. Led by Shaun Taylor-Steels and Hamish Glencross of My Dying Bride fame, this album delivers nearly one hour of majestic Epic Doom with killer riffs and crafty heaviness. As a well oiled machine, this outfit’s song writing abilities perfectly shine with some monumental headbanging sessions.

The release quickly sets a very oppressive and doomy mood with the ripping guitars of “As Titans”, featuring a nice MDB and Mournful Congregation-esque vibe. However, the band is far from just copying others as they weave in their own signature style alongside the clean male and female vocals of Hamish and Catherine Glencross. Some Epic Doom bands overdo it on the clean vocals, but here we get a perfect balance as tracks like “Devils”, “Echoes” and “Obsess and Regress” showcase.

Crafting a truly unique and powerful mixture between heaviness and dreaminines, today we have Dutch project Welmoed and their debut release “Ask & Embla”. Featuring five tracks and over 33 minutes of Atmospheric Post-Black/Shoegaze Metal/Rock music, this release creates a very engaging and fragile atmosphere thanks to ethereal keyboards and dramatic vocal arrangements.

The album sets a very hypnotic pace with the shoegaze-y opener “Naga'' and its dramatic tempo changes alongside crafty instrumentation. While the opener is pretty good, one starts thinking that this will be just another one of those Post-Black Metal releases as the intense tremolo picking sets in. This impression continues as “Ask & Embla” continues the release, until a magical change happens as angelic female vocals are introduced and the whole vibe instantly changes.

Bringing back the days of mid to late 1990’s Death/Doom Metal, today we have Finland's Asphodelus and their sophomore release “Sculpting from Time”. With a very retro and yet engaging sound, at least for oldtimers like us, we are transported to the time when bands like (early) The Gathering, Yearning, Anathema, Castle, Katatonia, etc. started adding atmospheric elements to Doomy music.

Opening with the moody guitars of “Waterside”, we are magically transported to the past with a very direct and old-school production and a style we haven't heard in quite a while. Led by Jari Filppu, the band perfectly captures that gloomy vibe and delivers tracks like “Fallen Dreamer”, “Life Painted Vermillion”, and “World of Hollow”. There are also some hints of old-school Finnish Death Metal, and even some 90’s Greek Metal hints from bands like The Elysian Fields.

Hailing from Greece, today we have an excellent Symphonic Metal newcomer with Mystfall and their debut release “Celestial Vision”. Featuring over 40 minutes of high-octane music, this release has all the staples of the genre to please even the most demanding fans. If you are a fan of Epica, Visions of Atlantis, etc., you will certainly love this release.

Opening with a dramatic orchestrated intro, the band really shines as it transitions to “Celestial Vision”. Showcasing polish and excellent instrumentation, alongside the talented vocals of Marialena Trikoglou, this outfit unleashes dramatic arrangements and tons of catchiness as they pummel through songs like “Centuries”, “Endless”, and “Silence”.

Following up an epic release such as “Echoes of the Soul”, is a hard job, luckily for us, Crypta manages to not only match the intensity but also surpass it with the killer “Shades of Sorrow”. Featuring 13 tracks and over 50 minutes of high-octane music, the band keeps leveling everything in their path to greatness.

Leading with the pummeling “Dark Clouds” after a short intro, we are instantly incited to mosh and headbang with the blistering guitar work of Tainá Bergamaschi and Jéssica Falchi. Chuggy riffs, crafty drums, and hellish vocals mark tracks like “Poisonous Apathy”, “The Outsider”, and “Stronghold”. All filled with intense tempo changes and waves of old-school DM mixed in with epic melodies and throbbing bass guitar lines.