Unsigned

  • The Shiva Hypothesis – Promo 2015 (2015)

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    As one of the best releases to appear on our magical postal box, today we have The Shiva Hypothesis and their demoralizing 2015 3-song promo. Featuring an imposing sound similar to bands like Behemoth, Vesania and even Dimmu Borgir minus all the fluffy shit, this Dutch band delivers 20 minutes of brutal music that will rattle your speakers from start to end.

    Opening with the incisive riffing of “Caduceus”, The Shiva Hypothesis starts its journey pummeling the listener with devilish vocals provided mainly by MVS, and some killer drum patterns. As a package, this band is firing with all cylinders, allowing all elements to perfectly blend together crafting an oppressive atmosphere.

  • Ande – Licht (2015)

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    Steamrolling its way from Belgium, today we have one-man battalion Ande and his debut release “Licht”. Featuring over 22 minutes of music, this release features tons of great ideas and eerie atmospheric pieces. Opting to always have a sort of prelude before the main songs, this allows for the atmosphere to be perfectly established before moving into heavier and more ‘Metal’ things.

    After a solid intro, “Paniek” delivers heavy distorted guitars with a very raw and crushing sound. With the guitars leading the way, the vocals are quite fitting for the mid-tempo efforts presented in this track. Focusing more on how the guitars command attention, the band’s sound is quite clean and direct.

  • Lost Seconds – A Place to Start (2015)

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    Arriving from Sweden, today we have Metalcore outfit Lost Seconds and their superbly crafted debut EP release titled “A Place to Start”. Featuring five songs, this album weaves back and forth between aggressive vocals and incisive riffs to melodic passage and soaring vocal melodies. With a good emphasis on melody, this EP stands out thanks to the traditional Gothenburg melodic Metal influences baked in with the rest of the band’s sound.

    Opening with the lush “Reflections”, the band takes a few minutes to set the stage with a very Prog Rock opening that slowly evolves into heavier territories. The mixture of harsh and clean vocals is done quite well, infusing raw emotions into this solid track. Perfectly shining with some glorious Gothenburg melodic Metal influences, tracks like “Sirens’ Song” and “Silent” deliver a good blend of melody and aggression, keeping the album fresh and fast paced.

  • Dark Letter – Psychomachia (2015)

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    Bringing back the days of Dreams of Sanity-like Gothic Metal/Rock, today we have Dark Letter and their debut EP titled “Psychomachia”. Featuring a simple yet effective approach to the genre, this young Polish outfit delivers five solid tracks filled with atmosphere and somber vocals. If you liked Gothic Metal bands from the late 90’s, this band will bring those days back to life with their 26 minutes of music.

    Opening with the mysterious “Toy”, the band sets a very mellow mood when pairing keyboard arrangements with well-structured drum patterns and Beata Golińska’s singular vocal style. Her style is a bit more firm and natural sounding than most actual female leads of the genre, giving the songs enough power and firmness to sound dark and not too sweet. The playfulness of tracks like “Romasanta” allows the listener to enjoy multiple facets of the band’s musical skills.

  • Amiral! – Les Territoires interdits (2014)

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    Hailing from France today we have a very interesting release from the enigmatic Amiral!, titled “Les Territoires interdits”. Mixing ambient and trip-hop influences, this release moves the band further into the cinematic realm with very futuristic and tense pieces that elevate the listener’s state of consciousness.

    Opening with the very ethereal and magical “Barry”, this one-man outfit sets a very unique and promising mood. Other tracks perfectly complement each other in terms of buildup like “Nu, dépouillé” and the very upbeat “Jericho II”. We prefer more dreamy songs like “Papa maman”, the mysterious “survivre en mer” and the very peaceful “réserve indienne”. Amiral!’s strength lies on the ability to create very piercing songs that while minimalist in nature, engage the listener in multiple ways.

  • Irradiance – Dissidence (2015)

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    Freshly arrived from France, today we have the lively Irradiance and their latest release “Dissidence”. Playing an interesting combination of Progressive/Symphonic Metal with some jazzy and Rock influences, this outfit delivers ten brilliant songs that will keep you at the edge of your seat. For fans of Epica, Stream of Passion, and similar outfits, this release is very bombastic and engaging.

    Opening with the lush “Children’s Game”, the band’s singer Audrey Dandeville, instantly comes center stage with her excellent operatic vocals. This opening song is quite catchy and structured in a way that grabs the attention of the listener. There are some unique elements that remind us of Diablo Swing Orchestra thrown into the mix that might catch some people off-guard, but we think they are super cool. Continuing strong, “The Soldier and the Child” allows Alexandra Vallet, the band’s violinist to change the course of an already excellent track.

  • Vandersloot – 7 inch (2014)

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    Hailing from the Netherlands, today we have a short but sweet 7-inch release from a band named Vandersloot. Featuring six tracks, this release delivers a very unique combination of Sludge and Punk that gets the listeners going with its high-octane approach to the genres. Keeping things simple, the Dutch trio crafts straightforward songs that are quite catchy and heavy at times.

    Opening with the all-out Punkness of “Socially Stabbed”, we are quickly introduced into the band’s unique world. The riffs feel a bit heavier than normal and as “Frustration” creeps on the listener, we start noticing their Sludgy edge. This last track is also quite melodic in nature, showing even more versatility from this outfit.

  • Deathkings – All that is Beautiful (2016)

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    Delivering brilliant waves of Doom/Sludge/Post-Metal misery, today we have Deathkings and their sophomore release “All that is Beautiful”. Clocking in at 62 minutes, this four song release is both punishing and extremely melancholic. We are quite surprised that the band is unsigned due to the quality of their material and how the North American scene is eating up bands that play this style of music.

    Opening with the bleakness of “Sol Invictus”, the band slowly builds up from some spacious Post-Metal momentum-building passages (a la Neurosis) to more hectic Doom/Sludge inspired riffing onslaughts. The pairing of the combination of multiple styles of vocals with the brilliant atmosphere crafted by the roaring guitars fits perfectly with the intricate drum patterns and overall pace of the music. Reminding us of bands like Fall of Empyrean and Mournful Congregation, “The Storm” delivers a very precise Doom message with some solid Post-Metal influences, making it one of our favorite tracks in this release.

  • Neutra – Music for an Exhibition (2015)

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    Hailing from Italy, today we have one-man dream machine Neutra and its latest hypnotic opus “Music for an Exhibition”. Delivering five tracks of superb ethereal music, this is one of the most engaging and transforming Ambient releases we have heard in a while. Evoking the delicate precision and ambiance created by Robert Rich, this Italian band manages to captivate for the complete duration of this release.

    The album kicks off with the angelic “After The Flood” and its very dramatic piano sections. Having very subtle mood changes, this opener tracks sets a very enigmatic and dreamy stage. Continuing with the playful “Paranthenogenesis”, the mood shifts to a more space-like cinematic vibe. Our personal favorite is the somber “Point of View” and its dramatic progression.

  • Necroblaspheme – Belleville (2015)

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    Always pushing the envelope, French bands have managed to craft some of the most interesting Metal albums of the past few years. Today is the turn for Necroblaspheme and their crushing Atmospheric mixture of Black/Death/Sludge Metal, on their third full-length release “Belleville”. Featuring members and ex-members of Glaciation, this outfit delivers a very unique sounding mixture of elements that will entertain all fans of any of the genres they combine.

    Opening with the dissonant riffs of “Rempart”, the band crafts a very thick and sickening atmosphere that weaves back and forth between aggressive vocals and catchy guitar melodies. As “Le discours du bitumen” and the instrumental “How Did We Get There” roll in, we start to see the band’s true intentions with their highly aggressive wall of sound that brilliantly transforms over the duration of each track.

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