Hailing from the UK, today we have Melodic Death/Doom Metal outfit Twilight’s Embrace and their self-released EP “Penance”. Unleashing four highly melancholic tracks, this release features that old-school Death/Doom sound that fans of bands like My Dying Bride, October Tide and November’s Doom will completely love and enjoy. In a short but sweet time, the band will certainly win you over with their crafty song writing and engaging music.
Opening with “Dying Earth”, the band sets a very moody atmosphere with weeping guitar leads and catchy riffs. The song structure is quite traditional for the genre, but it quickly hooks you into head banging alongside the music. Changing up the pace, “Curtain Call” delivers more waves of melancholy as the growls perfectly complement the tempo of the track. We particularly enjoy the certain retro vibe and bleak atmosphere crafted around this track.
Hailing from Finland, today we have Melodic Death Metal batallion Wakener and their debut demo titled “Rise to Fall”. Featuring over 20 minutes of catchy music, the band showcases a very in your face attitude and a knack for crafting engaging tunes. Reminding us of old-school Kalmah, Amorphis, and Satm1na, this new band is ready to deliver killer neck snapping tunes that will keep you waiting more.
Opening with the demo title track, “Rise to Fall”, we are treated to a hectic track filled with solid riffs and a very groovy vibe. Things turn a bit more sinister and even Thrashier with the crushing riffs of “The Artist”, showcasing the band’s versatility and command of their instruments. Reminding us of a mixture of old Sepultura and Kalmah, “Organized Hate” keeps things rolling with a very direct and full of attitude approach.
Hailing from Iran, today we have Progressive Metal outfit Heterochrome and their debut release “Melancholia”. Filled with intricate soundscapes and angelic female vocals, this release is quite engaging and entertaining as it reminds us a bit of outfits like Alas and Echoes of Eternity. Delivering over 30 minutes of music divided in six tracks, this release showcases the many talents of the band and will surely put them in your radar for the future.
Opening with the playful percussions of “Cage”, the band sets a very moody and ethereal opening that hooks the listener but does not reveal the band’s surprises yet. As “Hang” starts we get some brilliant proggy guitars paired with tight drumming as Mida’s vocals effortlessly take center stage. Her vocal range is quite unique and fits perfectly the tempo changes of this song.
We are constantly surprised when a band that we actually quite enjoy reaches out to us via our website to submit their music for review. Today we have Austria’s melancholic/Atmospheric Gothic/Alternative Rock trio Our Ceasing Voice with their latest full-length release “Free Like Tonight”. Delivering eleven moody tracks, this release continues the band’s musical exploration of mellow and bleak territories.
Combining elements from bands like H.I.M, End of Green and Katatonia, the band kicks off with the moody “The Arsonists”. In this very bleak song, Dominik Dörfler’s raspy vocals instantly set a very dark mood that is greatly enhanced by a slow tempo and minimalist atmospheric elements. Things slowly progress with lush tracks like the playful “Gone”, the entertaining album-title track, and the somber “New York in the Rain”, which incidentally feels a whole lot like watching tear drop on a quiet evening.
Delivering one of the weirdest and most unique releases of 2017 (so far), today we have France’s BVDK and their debut full-length release “Architecture of Future Tribes”. Featuring over 44 minutes of magical weirdness, this trio mixes elements from Industrial, Avant-garde and Black Metal into a very unique experimental mix, that sounds actually quite appealing. Reminding us of a mixture of Diabolos Rising and Kovenant, this is certainly a very interesting release.
The weirdness brilliantly starts with the heavy riffs and odd percussions of “Snatcher”. As the atmospheric keyboards enshroud this song, the band delivers funky choral arrangements, creating a very disturbing and yet intoxicating atmosphere. If this first track was not weird enough, the Industrial Dance vibe of “Surreptitious Cluster” or the funky samples/tempo of “Nana Buluku” will certainly catch you off-guard and get you hooked into the band’s bizarre musical powers.
Hailing from Italy, today we have axe man Lelio Padovani and his hyper mellow Jazzy/Rock instrumental release “Waves”. Very aptly titled, this release will soothe your mornings or evenings with four tracks that are quite cinematic and engaging in nature. We are huge fans of guitarists solo releases and while many of the focus on speed and acrobatics, this one focuses on creating enjoyable and highly melancholic songs.
Opening with the lush “Time Traveler”, we get this cinematic/video-game-ish vibe from the tempo changes in the song. The keyboards nicely provide a good atmospheric backdrop for the playful interchange between the bass and the lead guitar. Continuing with the upbeat mood, “Siren Song” delivers great guitar leads under a very hypnotic bass line. This track is one of your typical songs were the guitars shine, but they never fully overpower the atmosphere created by Lelio.
Just when you think that Clouds can’t get any better, Daniel Neagoe and company unleash a short EP that takes the band’s sound to a whole new level. Delivering four new songs with guests like Mikko Kotamäki (Swallow the Sun), Ana Carolina (Mourning Sun), Gogo Melone (Luna Obscura), and Mihu Ilie (Abigail), this release pushes the limits of sorrow and melancholy. If you like the band’s previous efforts, this is an EP you cannot miss.
Opening with the bleak guitars and atmospheric violins of “The Wind Carried Your Soul”, Clouds instantly sets a very depressive and powerful mood. As soon as Ana Carolina’s vocals come forward, the atmosphere feels even bleaker and denser, and we have just gotten started. With “Fields of Nothingness” we are treated to Mikko’s vocals in a very lush track filled with warm vocal harmonies and masterful keyboards. Definitely one of the best songs in this EP, as the mood is quite desolate and crushing.
Getting tons of digital albums a month makes for a hard predicament of which ones to actually review. While some are easily eliminated by the fact that they are terrible, we are always left with a handful that really caught our attention. Self-released EP “As A Season Bloom” from Hitwood is one of those. Featuring 4 tracks of exploratory melodic Metal, this release has a certain vibe that will attract you to it and will keep you listening.
Opening with the Post-Rock-ish “A Spring Glare Where Green Shine the Brightest”, this one-man project sets a very lively and moody atmosphere. Soothing the listener into such a lush and carefully crafted atmosphere is definitely the best way to start a release. The mood then shifts to more of a folky power ballad with “Memories from a Gentle Summer Evening”, featuring relaxing clean/acoustic guitars and a killer last few minutes, this track nicely continues the moody nature of the EP.
Arriving all the way from Lebanon, today we have one-man project Moonaadem and their self-titled debut release. Featuring seven tracks of very well crafted Atmospheric Black Metal, this release is filled with raw misery and solemn music that will crush your spirits and soul. Staying away from the clichés of the genre, and avoiding sounding like everybody else, this outfit keeps things very dark and melancholic for over 25 minutes.
Starting with “Multivers”, the album sets a very sinister mood with a mid-paced Black Metal piece that is quite engaging. Blending atmospheric elements with traditional riffs allows this track to have that certain BM-vibe, while further expanding its effect with an eerie atmosphere. The punishing “Pleine Lune”, is one of the best tracks in this release with its very melodic approach and furious intensity. This is masterfully contrasted by dreamy atmospherics and violent BM shrieks, leading to trippy passages.
Hailing from Chihuahua, Mexico, today we have Behold the Grave and their crafty mixture of Melodic Death Metal with Thrash/Hardcore elements. In their debut release, “The Path of the Blind”, the band delivers over 50 minutes of very engaging music that effortlessly combines tons of influences into 11 superbly catchy tracks. If you are a fan of old-school Melodic Death Metal to bands like Arch Enemy, Soilwork, etc., this will be one hell of a release for you.
The album wastes no time to impress the listener with the brilliant guitar work of “The Chair of Redemption”, a song that is very crafty and engaging. Not letting the momentum slowdown, the band quickly hits with “Full of Black Venom” and “The Meaning of Hate”, two very fast-paced tracks filled with killer guitar leads and tight drum patterns. Other songs like “Endless war Serpents”, while keeping things intense, add some funky guitar passages and playful vocal arrangements to keep things fresh and engaging.