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    Kuolemanlaakso - Uljas uusi maailma (2012)

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    Dropping on November 23rd we have Kuolemanlaakso’s debut full-length “Uljas uusi maailma” on Svart Rcords. This Finish band with members of Swallow The Sun (on vocals), Chaosweaver (on guitar), delivers a very interesting mix of Doom Metal elements with dark and dirty atmospheres that sound very imposing. Written and delivered all in Finish, this eight tracks are very well shrouded in a gloomy atmosphere, unlike anything the band members have ever done before.

    Opening with the moody “Minä elän”, the band set the stage for a solid riffing onslaught that is quite heavy and engaging. Mikko Kotamäki’s vocals are his typical growl/shrieks from STS with some heavier sections like on Algazanth, nothing new here, but it does bring a certain level of familiarity to the music for fans of his bands. The sick atmospheric keyboards that the cake in this song since they are used very sporadically and to great effect. “Kuun Lapset” follows a similar pattern but with more keyboards and a very dominating bass guitar line.

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    Nidingr – Greatest of Deceivers (2012)

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    Originally a solo-project of Teloch, this ‘all-star’ Black Metal band presents us with their latest opus of destruction titled “Greatest of Deceivers”. Being no strangers to Black Metal, all members of this band channel their collective efforts into one of the most savage and crushing Black Metal releases of 2012. With a no-bullshit approach, the band delivers ten anthems of sickness that will surely resonate in your ears for quite a long time.

    The furious “Greatest of Deceivers” opens up this release on a very high note with perfectly layered guitar riffs and very intense drumming. The vocals are top notch courtesy of Cpt. Estrella Grasa, and greatly do justice to such well-crafted Black Metal. Leading the riffing onslaught we have Teloch and Blargh, in what seems a competition of who delivers the most awesome riff as the songs progress.

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    Arcanum Inferi – Ars Hermetica (2012)

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    Finally a Black Metal band that delivers an old-school sound that does not totally suck or sounds exactly like all the other copy cats in the scene. Arcanum Inferi’s debut full-length “Ars Hermetica” delivers a nine-track opus that combines rawness with interesting melodic elements in a devastating manner. Hailing from Italy, this band reminded us of the beginnings of BM, but with a nice crisp rawness that is rare to find these days.

    After a very fitting and creepy intro, the band delivers the crushing “Aeterna Damnatio”, a furious in your face song filled with hateful Black Metal riffs and hellish shrieks. The vocals might not be everybody’s cup of tea, but we think they fit the music very well and add that extra layer of brutality to it. The bass guitar line in this song (and release) is particularly excellent and very intense. The mellow into of “Furor Melancholicus” just makes this track even more brutal once the guitar onslaught is brought forth.

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    By The Patient – Premonitions (2012)

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    Delivering their sophomore release through Deathbound Records, today we have Denmark’s By The Patient and their brutal album “Premonitions”. With a very unique mixture of traditional European Death Metal and some melodic elements, this band does a great job in keeping things interesting and the listener engaged until the last second of this release. Through nine songs we have a journey of incisive guitar work, blasting drumming and very aggressive vocals, exactly what the doctor ordered for a Tuesday night of drinking.

    Opening with the crushing “A Distorted Mirror Image”, the band’s traditional DM chops jump off immediately, but they gracefully progress to more melodic and catchy riffs. Very interesting in our opinion since they seem to switch the focus of the music and manage to create an engaging song structure, the same can be said for “Hours of Mist”. The almost Black Metal-esque riffs of “Veil of Depression” really give the track an even more aggressive edge, but it is ultimately the massive drumming that really stands out as the most aggressive element of the band. The particularly like the melodic passages of this very unique song.

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    Ichabod – Dreamscapes From Dead Space (2012)

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    After really hating on this band for their totally craptastic old singer in their last release “2012”, a few months back we got a message from the band saying they changed singers. Fast-forward a few months and now we have the band’s latest release “Dreamscapes From Dead Space”, showcasing their excellent mixture of Stoner Rock with Southern influences and now with an extremely capable singer in John Fadden.

    Featuring eight tracks of very catchy and well-crafted music, “Dreamscapes From Dead Space” is by far our favorite Stoner/Southern Rock/Metal release of 2012. With a vibe similar to Chrome Division, The New Black, Down, and such bands, Ichabod exploits their excellent guitar riffing skills and creates powerful songs like “Huckleberry”, the album’s excellent opener. The band’s vibrant music is greatly appreciated through massive riffage, in tracks like “Looking Glass” and the very aggressive “Hollow God”.

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    Amenra – Mass V (2012)

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    Four years have passed since the band’s last opus title “Mass III”, this enigmatic band from Belgium is finally back after a series of split releases and an EP with “Mass V”. In this crushing release the band brings their in-your-face Doom/Sludge to Neurot Recordings and delivers a release that will put them in direct comparisons to early Neurosis and Year of No Light.

    The first blow is the delivered by the monolithic “Boden” and it’s very natural and unnerving progression. When the powerful riffs finally make their appearance, the listener is well into an hypnotic trance thanks to the tracks slow progression. The screams are pretty typical of a Sludge release, but it’s the drifting guitar work that really hooks the listener into this song.

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    Saturnus – Saturn In Ascension (2012)

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    Finally!! after six years since their last release, Saturnus returns with their latest masterpiece of Melancholic Death/Doom Metal titled “Saturn In Ascension”. Featuring eight tracks, this release will only help the band elevate their legendary status as the best band of their genre. With a mixture of the elements that have made this band’s musical trajectory impeccable, the songs in this release deliver high doses of raw emotions transmitted by truly melancholic music.

    Opening with the crushing “Litany of Rain”, the band reminded us of their “Paradise Belongs To You” era with a straightforward growl fest filled with emotional riffing. The characteristic vocals of Thomas Akim Grønbæk Jensen really set the band apart from the rest and his mixture of growls and clean sections work wonders in this nearly 10-minute epic.

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    Narrow House – A Key to Panngrieb (2012)

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    Being huge fans of Doom Metal, we sometimes dabble in the realms of Funeral Doom Metal, its ugly and boring cousin. While we are not huge fans of the genre due to its mind-numbing repetition and ridiculously slow execution, some bands like Shape of Despair and Thergothon are still ok in our book. Hence today we have Narrow House and their less boring approach to the genre with “A Key to Panngrieb”. By introducing lush atmospheric elements that range from keyboards to cellos, this band really grabs ahold of the listener and keeps it engaged for the duration of the huge songs in this album.

    Opening with the crushing “Poslednee Pristanishe”, things start very well with the perfect mixture of slow and painful riffs, commanding growls, and brilliant atmosphere. The simplicity of the music is really well shrouded behind a well-crafted atmosphere thanks to the keyboards. The band does a great job in navigating through such a long song with well-placed tempo changes. The same can be said about the considerably shorter track “Psevdoriatunok”, but with a nice combination of growls and ethereal clean vocals, very reminiscent of Draconian and such bands.

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    Attempted Life – Pangaea (2012)

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    Hailing from Finland, today we have a trio that delivers quite interesting music that is ridiculously hard to pin down exactly what they play, so we will just say they play Metal. “Panagea” marks the band’s latest EP that features five very different tracks that range from Sludge to Melodic Metal to Groove Metal, and almost everything else. The only consensus we can reach is that the band has that Finish Melodic Death Metal vibe to them in most of the tracks.

    Opening with the funky vibe and hard rocking riffs. The harsh vocals only add to the overall confusion of the band’s identity, but they nicely enhance the experience. Switching from catchy riffs to melodic passages it kind of gives the feeling that this track is actually more of a jam-session than an actual song. On a more serious note, “Graveyard Bitch” has a more traditional structure and relies on powerful riffs to create a melodic atmosphere that is sometimes accelerated to mildly aggressive levels.

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    Show Your Face - Afraid (2012)

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    Nailing down three solid and very catchy tracks, today we have Show Your Face and their EP titled “Afraid”. Hailing from Greece, this band nicely combines Groove Metal with Core elements to create very engaging tunes that will appeal to a wide variety of people. With a somewhat unique sound, this band is a worthy representative of the recent Core-with everything movement.

    Opening with the razor sharp “Afraid”, this track delivers a hefty dosage of powerful riffs that sometimes feel a bit Deathcore, but the band’s Thrash influences pulls them apart from sounding like another The Black Dahlia Murder clone band. The screams are very typical of Core-stuff releases, but the emphasis on catchiness really makes this song quite enjoyable.

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