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  • Jess and the Ancient Ones – Astral Sabbat (2013)

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    After blowing us away with their self-titled debut album last year, today we have Jess and the Ancient Ones and their follow-up EP titled “Astral Sabbat”. In this release the band further refines their amazing Psychedelic Occult Rock/Metal music and presents three very engaging tracks that will satisfy any fan of the band and of the genre. With so many bands playing this genre nowadays, it is refreshing to hear this band excel at it.

    The band immediately jumps into things with the highly intoxicating and playful “Astral Sabbat” song. We got immediately transported into psychedelic times with the crazy keyboards and super catchy song structure. Jess’s vocals are as amazing as ever and carry this song with a dramatic performance. Immediately following we have the band’s cover of Shocking Blue’s “Long and Lonesome Road”. While imprinting the band’s unique sound to this song, they also managed to say very true to this highly addictive song. Look it up on YouTube so you can judge for yourself.

  • TalismanStone – Lovecraftpolis (2011)

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    Delivering one of the most unique and sonically crushing releases of 2011 (and we missed it then!), today we have Italy’s TalismanStone and their monumental “Lovecraftpolis” release. Comprised by 3 musicians, this outfit delivers a Sitar induced double-bass guitar aural assault that combines Pyschedelic Rock elements with Doom and Sludge into four tracks of biblical proportions. If you think this combination is weird, TalismanStone manages to pull it off graciously and crank out over 45 minutes of hypnotic music.

    Opening with the Stoner/Southern Metal sounding “By The Sun of The Light Keeper”, the band establishes a very mellow and sludgy atmosphere. The bass guitars (yeah, that is right, TWO of them) replace all guitars in this track and they perfectly create that thick distortion that one would expect from a Sludge/Stoner Metal release. The female vocals courtesy of Erica Bassani are both haunting and intoxicating. However, the best part is when the trippy sitar makes its entrance to this already excellent song.

  • Diabula Rasa – Ars Medioheavy (2012)

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    Making its way from Italy, today we have Diabula Rasa and their latest full-length release “Ars Medioheavy”. For those of you unfamiliar with the band, they play a very well balanced Folk Metal that is not too heavy, but it is heavy enough to keep people headbanging for a while. In a scene so saturated by many shitty bands that want to play Folk Metal, it is quite refreshing to hear a release that is both catchy and unique, never abusing any of their traditional elements and delivering a very warm and authentic sound.

    The album opens in very high spirits with the superb “Ghirondo”. The catchy foundations of this track make it very engaging and the traditional instruments give it that authentic feeling, all enhanced by subtle orchestrations that greatly improve the atmosphere of the track. As “Tsanich” and “Cataclism” roll around, we start to appreciate the band’s old school Rock/Heavy Metal foundations that are very present in the tracks making them super catchy and quite engaging without being overly heavy or fast paced. This is one of the best elements that Diabula Rasa presents in their music.

  • Totengeflüster – Vom Seelensterben (2013)

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    Being huge suckers for Symphonic Black Metal, we got excited when we received the debut full-length release of Totengeflüster titled “Vom Seelensterben”. After several listens we still have mixed feelings about this release, one the one hand, there are some awesome songs, on the other hand, there are some totally filler self-masturbation ‘orchestral’ passages that should just be discarded. This release might have been better served as an EP, since as a whole it has less impact on the listener.

    Opening with the traditional dramatic orchestration, the album finally kicks into gear with “Ein Traumgespints”, a fierce track that reminded us of the aggression put forth by bands like Anorexia Nervosa. The singing is superb and highly aggressive, the riffs are pretty solid and the overall aural experience is quite filling. There are some obvious Dimmu Borgir and Cradle of Filth-esque elements inserted into the music, on tracks like “Ein Monolog im Mondschein”, but we can deal with them as long as they are not overdone.

  • The Resistance – Rise From Treason (2013)

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    The Resistance is a Superstar Swedish band formed by Jesper Strömblad, Marco Aro, Glenn Ljungström and Christofer Barkensjö. Together they bring to the table years of experience playing Swedish-styled Death Metal, and they managed to fuse it successfully together with some old-school Hardcore. In their debut EP “Rise From Treason” they managed to deliver four hard-hitting tracks that will have any metalhead going ape-shit for hours.

    “My Fire” introduces this release with a hefty dosage of Hardcore attitude and catchy riffs. The vocals are quite aggressive and very fitting of the Swedish DM riffs presented in the track. The band’s mixture of styles is very evident as they manage to keep the intensity levels to the max with this song. “Face to Face” features a better defined sound and a knack for crushing melody that is graciously created by the experienced musicians behind the band. We particularly love the catchy chorus section and the melodic riffs in this track.

  • Megascavenger – Descent of Yuggoth (2013)

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    Megascavenger is the latest project of Swedish Death Metal icon Rogga Johansson. “Descent of Yuggoth” is the band’s debut full-length release that is set to crush waves of people with its very traditional Death Metal riffs and demonic growls.

    Opening with some crushing riffs and crazy solos, “Nihilisticon” makes an immediate statement as the album’s first track. Deep growls and catchy sections are plentiful in this impressive track that any fan of the genre will greatly enjoy. “Descent Of Yuggoth” quickly creates a wall of distortion that is nicely appreciated as the track moves forward and delivers some meaty hooks and even some more unconventional sections. In “Smokescreen Armaggedon”, the combination of Rogga’s growls with the guest vocalist (we will say who they are later) greatly enhances this track.

  • I Lied – World Insane (2013)

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    Arriving from Violent Journey Records, today we have Finish outfit I Lied and their super catchy Death/Thrash Metal in “World Insane”. Originally a self-financed EP, this release is too catchy to pass and we are quite glad that the band got a label to release it to a wider audience. Delivering five tracks covering 19 minutes, this album features tons of catchy riffs and a very old-school attitude behind its music.

    Opening with a Mortician-style intro, “Beaten Zone” immediately delivers powerful guitars and super catchy hooks. The vocals are very typical of the genre and they are very well balanced between growls and screams. Moving on to a more melodic approach, “Total Self Hatred” keeps the riffing onslaught alive with incisive guitars and tight drumming. There are plenty of superb headbaning moments in this track as well.

  • Mourning Beloveth – Formless (2013)

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    Legendary Irish Death/Doom Metal outfit returns after four years with a double CD dosage of slowly asphyxiating music with “Formless”. Delivering six blows of brilliantly crafted 14+ minute songs (and a short one), the band makes a statement that they are the kings of the genre with such an impressive release.

    Opening with the heavy hitting “Theories of old bones”, the band delivers a monolithic 14 minute introduction to what is next to come in this release. The band’s signature style is immediately present in this track and through the release with very minor adjustments over their previous release. The combinations of growls and clean vocals are pretty effective since they perfectly fuse the growls of Death/Doom and the signature traditional doom clean singing.

  • The Fall of Every Season – Amends (2013)

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    Six years have passed since multi-instrumentalist Marius Strand released “From Below”, the debut full-length of his project solo-project The Fall of Every Season. Fast-forward to 2013 and we have him unleashing another masterpiece of extreme melancholic proportions with “Amends”. Featuring five tracks and 53 minutes of hope-crushing Atmospheric Death/Doom Metal, this is one of the best releases that we have ever heard in this genre.

    Opening with the extremely painful “Sole Passenger”, this release features powerful Doom riffs surrounded by deep growls and superb clean vocals. The atmosphere in this track is amazing and is greatly enhanced by the depressive solos and top-notch vocal layering. “A Portrayal” delivers a solemn acoustic instrumental interlude that greatly enhances the mood and keeps things very mellow.

  • Acelsia – Don’t Go Where I Can’t Follow (2013)

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    Arriving from Norway, today we have the melancholic Norwegian rockers of Acelsia and their debut full-length “Don’t Go Where I Can’t Follow”. With the band down to a two-piece outfit comprised of Malene Markussen on vocals and piano, and Odd Henning handling guitars bass and synth, they have moved away from their Gothic/Doom Metal roots and they now play very emotion-filled Rock. With 11-tracks this release is very diverse, showcasing the duo’s excellent songwriting skills.

    Opening with the haunting vocals or Malene, the band moves the listener with the powerful “Roads”. This song immediately shows the band’s more Indie/Alternative rock sound with catchy guitars and soaring vocal lines. The Post-Rock touches of “Stitches” and “Up On The Roof” greatly enhance the songs and adds an extra dimension to the band’s already unique sound. “Up On The Roof” greatly reminded us of the band Shellyz Raven and their super depressive music.

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