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  • Terra - Für dich existiert das alles nicht (2022)

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    Unleashing a gargantuan slab of Black Metal with tons of atmospherics, today we have UK’s Terra and their sophomore release “Für dich existiert das alles nicht”. In the vein of Ash Borer, Fell Voices, and the like, this release punishes the listener with ravaging onslaughts of Black Metal aural abuse thanks to its unsettling atmosphere. With four tracks clocking in at over 60 minutes, this release is as brutal as it is brilliant.

    Opening with “The Beginning”, the band slowly envelops the listener with raw distortion, massive drums and piercing vocals. The band’s style is definitely an acquired taste as it relies heavily on its punishing atmosphere but once it settles, it is demoralizing and extremely powerful. The riffs on tracks like “Verisimilitude” are as heavy as they can get and nicely weave back and forth from the drone-ish/ambient-like atmospherics. This particular style is quite effective and immediately transports the listener to a dark and foggy world where sound transcends consciousness.

  • Lost in Kiev - Rupture (2022)

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    Having slowly creeped its way into influencing Metal bands, Post-Rock is a genre we have always enjoyed and found quite engaging and dreamy to so extent. One of the best bands in the genre has to be French outfit Lost in Kiev, which returns this October with their latest opus “Rupture”. Producing over 51 minutes of high-octane cinematic music, the band covers many different moods and tempos in a very cohesive and engaging release.

    The release nicely builds momentum with the intriguing “We Are” and its crafty progression, filled with intricate guitars and engaging drumming. Featuring Loic Rossetti from The Ocean, “Prison of Mind” perfectly layers dramatic and aggressive vocals on top of the band's exploratory and momentum building style. This is definitely the heaviest track of this release. Our favorite track in this release has to be the magical “Another End is Possible” and its oozing bleakness alongside dreamy shoegazing passages.

  • Abyssic - Brought Forth in Iniquity (2022)

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    It is hard to innovate in Metal these days, however, there are always bands like Abyssic that take known formulas and greatly improve on them with their highly eerie Symphonic Doom/Death Metal. With “Brought Forth in Iniquity”, the band’s sophomore release, Memnoch and company craft over 50 minutes of highly atmospheric and very crushing music that greatly improves over their first release.

    Opening with the decadence of “Cold as Winter Storm”, we are introduced to a perfectly balanced old-school Funeral-ish Death/Doom Metal with a huge atmospheric component. This atmosphere is quite cinematic and it feels like a black and white horror movie, making songs like “Mirror of Sorrow” and “Djevelens Lys” deliver a truly immersive and imposing experience. The band features members like Memnoch (ex-Susperia) and Tjodalv (ex-Dimmu Borgir) and they bring their years of songwriting experience together in a very cohesive and engaging way.

  • Catalyst - A Different Painting for a New World (2022)

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    Hailing from France, today we have a very engaging and technically proficient outfit with Catalyst and their sophomore full-length release “A Different Painting for a New World”. With a very catchy and crafty Tech/Prog Death Metal sound, reminding us of a mixture of Scar Symmetry, Persefone, and Into Eternity, this band delivers nearly one hour of neck-snapping music that will immediately please any fan of the genre.

    After building momentum with the opener, the band wastes no time to unleash their riffing onslaught with the pummeling “To Unleash Thy Heinous Fate”, a track that is both blistering and crafty. The band’s style is very well balanced as they expertly mix harsh grows and tempo changes with virtuosity as we can hear in pieces like “The Last Warning”, “Worms and Locusts”, and “Arise of the Anathema”. This last track is one of our favorites thanks to how dynamic and explosive it is.

  • Ravenoir - In the Womb of Sin (2022)

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    Unleashing a nice old-school Death Metal vibe, Ravenoir delivers over 40 minutes of catchy and engaging music with “In the Womb of Sin”. With a sound more akin to Grave, Dismember, and Entombed than current DM outfits, the band perfectly balances atmospheric elements with melody and crunchy guitars. Featuring a couple of members of the defunct Root and other Czech outfits, this release is full of nostalgia and craft songs for any fan of the genre.

    After setting a mysterious and yet imposing mood with the opener “The Ecstasy of Desecration”, the band’s excellent riffing sets the album’s more sinister tone with the brilliant album title track. Changing gears into more traditional and punishing territories, “The Cold of Casemates” and “The Scene Obscene” have that vicious edge that makes this band standout from the rest, particularly when combined with the subtle atmospherics and the intense guitar leads.

  • Catacombes - Des glaires et des briques (2022)

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    We are constantly impressed on how Sun & Moon records always manages to find very interesting underground bands like Selbst, Blaze of Sorrow, etc. The label has done it again with the incisive Catacombes and their crafty and engaging Black Metal on their sophomore release “Des glaires et des briques”. The band’s music is raw and direct, with a certain Peste Noire meets Monarque approach that will lead to plenty of weird headbanging sessions.

    After a mood setting opener, “Cathédrale” creates a very decadent and moody atmosphere with fierce guitar riffs and hellish vocals. The pace is not always intense, allowing the atmosphere and tempo to accommodate more experimental and even Doomy passages. However, not all tracks are the same as pieces like the album title track and “Face à Godasses” are commanding and pummeling from start to end. The band can easily switch gears and they are not afraid of showing it.

  • Ellende - Ellenbogengesellschaft (2022)

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    Completely blowing us away, today we have Ellende’s latest opus “Ellenbogengesellschaft”. As one of the most anticipated releases of 2022 for us, this album delivers nearly 50 minutes of highly melancholic atmospheric Post-Black Metal unlike anything you’ve heard before. L.G manages to improve the band’s sound by introducing additional elements while keeping its raw core untouched.

    The elegant intro “Ich bin” nicely sets a solemn mood that is quickly elevated with “Unsterblich”. In this relentless track we get our first dose of the band’s signature blistering aggression nicely adorned with subtle atmospherics and dramatic tempo changes into lush melodic passages. The mood of the track completely changes when it transitions to weeping guitar leads and dreamy choral arrangements.

  • Wyrms - Sarkhral Lumænor - La lueur contre les fléaux (2022)

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    Unleashing one blistering barrage of punishing Melodic Black Metal riffs, today we have Wyrms and their fourth full-length release “Sarkhral Lumænor - La lueur contre les fléaux”. Other than having one of the longest album titles in 2022, this album perfectly blends unparalleled intensity with sinister BM foundations, creating a very Windir/Vreid meest Atmospheric/Suicidal BM atmosphere.

    Immediately setting a hellish pace, “La messe de l épée” slowly transitions from dreamy atmospherics into all-out Black Metal onslaughts filled with intense guitar work and ravaging drumming. This level of intensity is perfectly on display on pieces like “Fort blanc et bêtes noires” and “Entre gueux et rats”, where the melodic aspect of the band's sound nicely creates a very effective and direct mixture that will have listeners furiously headbanging.

  • Epoch of Unlight - At War With the Multiverse (2022)

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    Seemingly frozen in time, today we have, after 17 years, Epoch of Unlight's latest opus “At War With the Multiverse”. We were huge fans of the band back in the early 2000’s and their fresh thrashy Melodic Death Metal music, which was echoed by bands like Estuary of Calamity and Sacramentum to some extent. In this new release, the band unleashes around 42 minutes of catchy and well-crafted music that has a certain nostalgic retro sound, but will please anybody that is a fan of Death/Black Metal with melodic tendencies.

    The opening riffs of “The Anthropocene”, bring us back to the early days of North American Death Metal, namely Suffocation, Incantation, and similar outfits. However, the special Epoch of Unlight sauce lies in the melodic passages in songs like “The Numbing Stillness”, “Wrath of the Cryomancer”, and “An Amaranthine Line”, which perfectly switch between neck-snapping chugging sections, to clean and blistering guitar leads and solos.

  • Mortuus - Diablerie (2022)

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    Hailing from Sweden, today we have the mysterious duo Mortuss and their sickening Black Metal. Filled with eerie atmospherics, tense melodic passages, and a hefty dose of murkiness, “Diablerie” unleashes 44 minutes of crafty music in four ravaging tracks. Not all BM is the same, and this outfit takes creating dark and dissonant atmospheres to a whole new level with dense and macabre compositions.

    Opening with some recorded spoken sections behind a wall of crushing guitar riffs, “Threefold Harrowing of Hell”, immediately sets a very suffocating atmosphere. The subtle use of keyboards alongside J. Kvarnbrink’ deep snarls create a very eerie vibe. With the album title track, the band continues their onslaughts with piercing drumming and firm and aggressive vocals.

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