Delivering one of the most pungent and demoralizing Black Metal onslaughts of 2017, today we have Alaska’s Arria Paetus and their debut self-titled full-length release. Unleashing over 43 minutes of punishing music split in seven tracks, the band perfectly balances unrivaled brutality with melody and rawness. Reminding us of underground bands like Avzhia and more known outfits like Sargeist and Naxul, this band will take you by surprise.
Opening with the crushing “Slash Your Flesh, Drink to Death”, the band wastes no time in delivering gut-wrenching shrieks and dissonant riffs that slowly build up to total brutality. The savagery unleashed upon the listener on tracks like “Exsanguine” and “The Entropic Hive” perfectly demonstrate the band’s misanthropic views laid on their lyrics.
Hailing from Belgium, today we have the always improving Symphonic Black Metal outfit Saille and their fourth full-length release “Gnosis”. Returning with their highly melodic music, the band manages to craft 45 minutes divided in nine tracks that showcase their musical evolution in to a cleaner and leaner outfit since their conception. After releasing 3 albums in a span of 4 years, the band took more than two years to fully prepare and unleash this near perfect gem into the world.
Opening with the melodic riffing of “Benei ha'Elohim”, the band slowly introduces their clean cut musical style that remind us of bands like Apostasy, Old Man's Child, and Emperor. Things get catchier with the Dimmu Borgir-esque “Pandaemonium Gathers”, the perfect contrast between funky keyboards and pummeling drums/guitars make this song quite interesting and engaging. The killer solos and melancholic guitars in “Blôt” brilliantly complement Dennie Grondelaers mixture of growls and shrieks, making this track one of the most complete and diverse pieces in this release.
Perfectly capturing feeling of grief and sorrow, today we have Atmospheric/Funeral Doom Metal outfit Illimitable Dolor and their self-titled debut release. Clocking in at around 45 minutes, this release delivers four crushing tracks of Skepticism, Thergothon and Mournful Congregation inspired music that will darken your soul by the first few minutes.
Opening with the majestic weeping guitars and atmospheric keys of “Rail of Moon, A Stone”, the band sets a very high bar in terms of melancholy. Perfectly weaving back and forth between punishing riffs and slowly paced drumming, the band creates a very powerful and retro vibe sending chills down the listeners’ spine. Things pick up a bit with the moody “Comet Dies or Shines”, a song which features interesting tempo changes and even more dramatic keyboard arrangements.
Keeping things as weird and unique as possible, today we have the legendary Fleurety and their latest EP titled “Fragmenta Cuinsvis Aetatis Contemporaneae”. Released as a 7” vinyl, the listener gets two more windows in to the band’s unique, and pretty deranged, musical vision. If you like weird stuff, this is definitely something you need to check out.
Very far from their Black Metal origins in the seminal “Min tid skal komme”, the band has continued to evolve over the years perfectly creating a very bizarre sound that just keeps getting better and better with time. Exhibit A in this release is the trippy “Consensus”, a song that is quite experimental with influences ranging from Noise to Drone and all the way to Jazz. This piece creates a very dissonant and uncomfortable atmosphere that is equally brilliant and insane at the same time.
Perfectly delivering just the right amount of distortion to burst your speakers, today we have Kalloused and their debut release “Damn You Believer”. Featuring over 25 minutes of an intense mixture of Sludge, Doom and Post-Metal, this band delivers a good dosage of pummeling riffs that will make your ears ring for a few days. If you like bands like Neurosis and Amenra, this should be right around your alley.
Opening with the mysterious momentum builder “Pt. 1”, we are slowly introduced into the band’s world of ripping guitar riffs and punishing bass guitar lines as the track progresses. Settling more into their own sound, “Pt. 2” showcases a powerful band that perfectly times their vocal assaults around their imposing wall of sound. Not breaking much out of character, “Pt. 3” continues the onslaught with some cool opening drum patterns and a very chaotic vibe to start off one of their most aggressive and diverse pieces.
Hailing from Italy, today we have five-piece Gaerea and their punishing self-titled debut EP. Featuring over 27 minutes of blistering Black Metal music, this debut showcases a very promising band with a highly atmospheric oppressive BM sound. Filled with cathartic moments, this release sets the bar quite high for any future activities by this young outfit.
Opening with the atmospheric “Santificato”, building up on punishing drumming and imposing vocals, this opener sets a very dark and gloomy mood for the release. “Final Call” continues the onslaught with dissonant riffs and pummeling tempo that quickly escalates the level of aggression. As one of their best skills, Gaerea effortlessly changes tempos while trampling the listener with crushing passages and dissonant contrasts.
Video games and Metal are the two things we love the most over at Infernal Masquerade and when combined, life can’t get any better. Vomitron’s triumphal return delivers over 60 minutes of superb instrumental music which brings to life several video game themes that will make you dust off your NES console and relive your childhood. With “NESessary Evil” this one-man band positions itself as the finest Video Game Metal outfit in the world.
Opening with the music of Rare’s classic “Wizards & Warriors”, the album instantly transports the listener to simpler days of spending your evening doing homework as quick as possible to start playing video games until bed time. Next up we have a part one of a great rendition of the music from “Metroid” filled with dramatic guitar leads and funky keyboards that closely resemble the original 8-bit, but take it to a whole new level of detail and creativity.
Closing 2016 and very appropriately set for release on Christmas day, today we have Black Metal outfit Paria and their devastating EP titled “Knochenkamp”. Delivering 28 minutes of punishing Black Metal, the band combines incisive riffs with hellish vocals to create a very foul and demoralizing atmosphere that submits the listener from beginning to end.
After a drone-ish eerie intro, the band lashes at the listener with the piercing rifing of “Pergamentikkch Nemesis”. A very interesting thing in this track is the funky bass guitar line that instantly gets under your skin and allows the music to be psychedelic and weirder in nature. The mixture of screams reminds us at times of early Bethlehem. The band’s sound is raw and uncompromising as you can hear in the all-out war anthem “So Far From the Hidden God”, a track that will haunt your dreams.
As yet another side project from the man behind Lustre, today we have Nachtzeit and his ‘solo’ project under the same unleashing its EP “Sagor I Natten”. Focusing more on intensity, this release will remind you a bit of Lustre, but with a more destructive and raw edge. If you are a fan of one-man battalions, we can assure you that this release is a worthy addition to your collection.
Wasting no time to pummel the listener into submission, “Ett fjärran mine” is full of ferocity in the shape of blistering riffs and devilish harsh vocals. The track sets a nice groove in terms of tempo that is nicely continued by the relentless “De färdas genom natten”. Nachtzeit’s vocals are the perfect match for the wall of sound created by the hectic riffing. The drumming on the other side sounds bit plain, when you compare the rest of the music, but it gets the job done.
After more than 10 years since their last full-length release, we finally have Crimson Moon back with their latest opus “Oneiroaut”. Delivering six crafty Black Metal hymns, this release is rare gem in a world filled with BM albums that all sound the same. Mixing creepy atmospheric elements with a retro-sounding Black Metal foundation, Scorpios Androctonus and company deliver one of the creepiest and most effective albums in 2016.
Opening with the blistering “Gossamer of Arachne”, the band sets a high standard in terms of viciousness and intensity. The riffing is quite punishing and the drumming is pretty hectic, but the best part is the eerie atmospheric sections filled with creepy vocals and a very ritualistic vibe. The same raw viciousness is greatly present in killer tracks like “Molding of a Spell” and the brutal “Seeker of the 7th Gate”. Both songs remind us of ‘old-school’ Black Metal like Absu, Lord Belial, and earlier Enthroned.