Napalm Records

  • Serenity – Death & Legacy (2011)

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    In the band’s most ambitious release to date, Serenity sets out to create a release around historical figures such as Christopher Columbus, Giacom Casanova, Sir Francis Drake, Queen Elizabeth I, in a very electrifying and symphonic fashion. “Death & Legacy” is hands down the band’s best release and it’s also one of the most dynamic and rich sounding albums we have received this 2011.

    The overall Symphonic feeling of “Death & Legacy” is one of the main ingredients to set this release apart from your average album. However, the ingredient that really sets them apart from the rest is the amazing duets with Charlotte Wessels (Delain), Ailyn (Sirenia), and Amanda Sommerville.

  • Visions of Atlantis – Delta (2011)

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    As one of our most anticipated releases from Napalm Records in 2011, today we have Visions of Atlantis with their fourth full-length album “Delta”. As an habitual reader of Infernal Masquerade, you should know that we have a weak spot for Symphonic/Gothic Metal releases and “Delta” is hands-down the most impressive one we have listened in the last few months.

    After a few line-up changes drummer Thomas Caser brought back Werner Fiedler on guitars and added Mario Lochert (Emergency Gate) on bass guitar and on vocals we have the sweet voice of Maxi Nil (ex-Elysium) from Greece. This vocalist change is probably what makes this release be even better than their previous ones since her voice contrasts amazingly with Mario Plank’s clean vocals.

  • Grave Digger - The Ballad of Mary (2011)

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    Just a few short months after the release of the amazing “The Clans Will Rise Again”, we have Grave Digger providing us with an EP featuring 5 songs that would have been best fitted in a special edition version of the band’s previous album. However, these 5 songs provide a different (and very interesting) look to a few of the songs of the band’s latest full-length release.

    Featuring two versions of their epic ballad “The Ballad of Mary”, this EP packs enough heat to surely satisfy the band’s fans. In the first version of this song we have Doro and Van Canto providing vocal support, making this song considerably better. In the ‘extended’ symphonic version (which is actually 20 seconds shorter than the Doro version of the song) we have symphonic elements that add to this song a very acoustic/classical feeling to this dramatic song.

  • Artas – Riotology (2011)

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    Featuring a very diverse sound, Napalm Records brings us Artas second full-length release “Riotology”. In this release the band combines everything from Thrash, Death, Groove, and Melodic Modern Metal to create a very diverse sound that while at times it works wonderfully, other times it sounds too chaotic and disconnected.

    Having a more concise sound than on their debut album “The Healing”, Artas sometimes seems to jump the gap between ‘real metal’ and Metalcore/core stuff. This will make some listeners fly away from the band, but we recommend you stick around since there are parts and songs good enough to be worth suffering through the ‘core’ stuff for a bit.

  • Battlelore – Doombound (2011)

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    Like a fine wine, Battlelore has been graciously aging with time and with “Doombound” they achieve a very solid release and refinement of their signature Epic Metal sound. As one of the most awaited releases of 2011, “Doombound” has everything a fan of the genre needs: brilliant female and male vocals, epic melodies with elaborate arrangements, and powerful guitar riffing.

    While not terribly revolutionary, Battlelore has been refining their style with every album they have produced and with “Doombound” they are close to achieving. As a concept album “Doombound” takes the listeners into a magical fantasy journey, something that the band has made part of their concept (and live show) since their conception and it’s one of their best traits.

  • Fejd – Eifur (2010)

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    The Rimmerfors brothers are back and so is their very elaborate and catchy brand of Swedish Folk music with some hints of Metal influences. Completing the band’s line-up we have three fifths of Pathos / Nostradameus bringing the Metal side of things with solid drumming, a nice bass guitar line, and keyboards.

    Being the band’s sophomore release (and second in a two year period), “Eifur” is a very diverse album that will grab the attention of any Folk music fan due to it’s brilliant instrumentation and catchy melodies. Again all the lyrics are in Swedish so most of us will be deprived of actually knowing what the songs are about, but the music alone is enough to hook us into this release.

  • Monster Magnet – Mastermind (2010)

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    After reaching considerable popularity a few years ago with “Powertrip”, Monster Magnet tries to get back on the saddle with “Mastermind” after a few lackluster albums with SPV. “Mastermind” is a very catchy and overall solid release that will surely please fans of the band and will probably even do well in terms of sales since the band (somewhat) returns to their familiar sound of the past.

    Now on Napalm Records, the band structures their songs with catchy riffs and powerful vocal lines. There is not much to the band’s music other than its catchy and well constructed. Each song is a hard rocking anthem that will keep you listening to this album over and over for days.

  • Grave Digger – The Clans Will Rise Again (2010)

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    Celebrating 30 years of the band’s existence, Grave Digger comes at us with one of their most impressive releases in their career. With “The Clans Will Rise Again”, the band goes somewhat back into their “Tunes of War” era and continues to sing about Scotland. Since the first song with the bagpipes, you get the feeling this album will be nothing short from epic.

    Chris Boltendahl vocals are as characteristic as always and greatly keep the Grave Digger sound alive. As the only remaining original member, he brings to the table all the experience of kicking ass and taking names over the span of 30 years. The rest of the band does a great job in capturing the old-school vibe of the genre and keeping it fresh with interesting keyboard sections and brilliant guitar riffs/solos.

  • Jaldaboath – Rise of the Heraldic Beasts (2010)

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    Everything that has to do with the Templar Knights has been of great interest for us in the past, so when we heard of this band playing ‘Templar-inspired Metal’ we quickly jumped in and started listening to “Rise of the Heraldic Beasts”. To our disappointment, Jaldaboath is a terrible band, we can’t really pinpoint if it’s the stupid lyrics (like on “Axe Wielding Nuns” for example) or the terrible simplistic music and vocals (i.e. “Hark the Herald”).

    Just imagine a bad mix of Alestorm and Nekrogoblikon, with a lot less inspiration and a lot more repetition. Half the songs on “Rise of the Heraldic Beasts” are very repetitive and get to be very annoying after a few songs. The terrible vocals of songs like “Hark the Herald” and “Axe Wielding Nuns” really kill the mood created by a few nice keyboard arrangements and catchy rhythmical sections.

  • Katra – Out of the Ashes (2010)

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    The lovely Katra is finally back with a 100% new release (the last album “Beast Within” was mostly songs from her debut album but translated from Finish to English). Katra is now also a full-fledged band not only a female solo artist with hired ‘monkeys’ to play the rest of the instruments like on her last album. With this ‘permanent’ band, Katra’s sound is more Metal and even more cohesive than before, making “Out of the Ashes” and excellent release that will surely be in our top 10 Symphonic/Gothic Metal albums of 2010.

    Featuring ex-members of Nocturn, October Falls, and many other Finish bands, Katra’s new band is actually very proficient musically and greatly incorporates Metal elements with more straightforward Rock elements. This will surely make “Out of the Ashes” accessible to both Metal and non-Metal fans alike, since it’s smooth and flows very nicely, never being too aggressive or weak.

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