Hailing from Denmark, today we have the most promising new kids on the Melodic Death Metal block: Killing Gandhi. With a highly refined and effective sound, this band unleashes upon us their sophomore release “Aspirations of Failure”. Mixing everything we love from bands like Dark Tranquility, Children of Bodom, (old) In Flames, Kalmah, Omnium Gatherum, etc. the band delivers nearly 40-minutes of neck breaking music that is definitely one of the best releases of the genre in quite a while.
After the obligatory atmospheric intro, the band quickly gets down to business with the intense “Let Me Tell You”. This track starts off with killer catchy riffs and energetic vocals, and while there are tons of influences there, the band has their own unique signature style. With some futuristic keyboards, “Dark Hours” and “Hollow Paintings” are definitely some of the highlights of this release, blending tight drumming with intricate riffing and a very upbeat tempo.
Melodic Death Metal
Going back to their original Death/Doom Metal roots, today we have On Thorns I Lay and their amazing release: “Aegean Sorrow”. Keeping the Death/Doom Metal flame alive, the band delivers over 45 minutes of truly demoralizing music that reminds us of their sound back in the 90’s and outfits like Celestial Seasons (early days) and Forest of Shadows. If you are looking for Death/Doom Metal, this is the album to get in 2018.
Opening with the incisive riffs and gargantuan growls of the album title track we are taken back in time to the heydays of the genre. The band however adds a certain dimension of modern Melodic Death/Doom Metal as we can hear in the melodic guitars of “Erevos” and the crushing “In Emerald Eyes”, were we get a Swallow the Sun/Hanging Garden-esque contrast of deep growls and catchy guitars.
Hailing from the UK, today we have Melodic Death/Doom Metal outfit Twilight’s Embrace and their self-released EP “Penance”. Unleashing four highly melancholic tracks, this release features that old-school Death/Doom sound that fans of bands like My Dying Bride, October Tide and November’s Doom will completely love and enjoy. In a short but sweet time, the band will certainly win you over with their crafty song writing and engaging music.
Opening with “Dying Earth”, the band sets a very moody atmosphere with weeping guitar leads and catchy riffs. The song structure is quite traditional for the genre, but it quickly hooks you into head banging alongside the music. Changing up the pace, “Curtain Call” delivers more waves of melancholy as the growls perfectly complement the tempo of the track. We particularly enjoy the certain retro vibe and bleak atmosphere crafted around this track.
Unleashing probably the best Melodic Death Metal release of 2017, today we have Grecee’s Aetherian and their full-length debut release “The Untamed Wilderness”. Picking all the best elements from bands like Insomnium, Omnium Gatherum, Amon Amarth, Dark Tranquility, and Nightrage, this outfit delivers an intense nine-track performance that is worthy of recognition. If you are a fan of melodic DM, this is one hell of an album you can’t afford to miss.
Opening with “Clouds Gathering”, the band sets an Insomnium-esque start which is blown wide open with the catchiness of “The Rain”. With instant headbanging-inducing riffs, this track showcases the band’s knack for catchy and technically proficient song writing. As the band pummels through killer songs like “The Path” and “As the Veil Fades”, we also start noticing the band’s unique signature style as they incorporate influences and make them their own with a very refined style.
Hailing from Finland, today we have Melodic Death Metal batallion Wakener and their debut demo titled “Rise to Fall”. Featuring over 20 minutes of catchy music, the band showcases a very in your face attitude and a knack for crafting engaging tunes. Reminding us of old-school Kalmah, Amorphis, and Satm1na, this new band is ready to deliver killer neck snapping tunes that will keep you waiting more.
Opening with the demo title track, “Rise to Fall”, we are treated to a hectic track filled with solid riffs and a very groovy vibe. Things turn a bit more sinister and even Thrashier with the crushing riffs of “The Artist”, showcasing the band’s versatility and command of their instruments. Reminding us of a mixture of old Sepultura and Kalmah, “Organized Hate” keeps things rolling with a very direct and full of attitude approach.
Just in time for the Fall and Winter seasons, today we have the Hanging Garden’s very dark and atmospheric “I am Become”. These Finnish Melodic Death/Doomsters unleash 46 minutes of catchy and crafty music that is quite diverse in nature. Filled with brilliant melodic Death/Doom Metal elements, this album perfectly blends the band’s old-school sound with their more modern and atmospheric influences.
Kicking off with “As Above, So Below”, we get a certain Insomnium guitar driven vibe that invites the listener to head bang while listening and settle into a dark and melodic vibe. Things go into a Swallow the Sun vibe with the aggressive riffing of “Hearthfire”, a track which features guest vocals from Tomi Joutsen from Amorphis fame. Interestingly enough, the band’s more Atmospheric Rock side comes out in the excellent “Elysium”, a piece that is quite melancholic and moody.
With a few central members of the band leaving, we were quite curious to see how Eluveitie would move forward. It is safe to say that with “Evocation II – Pantheon” the band continues its well-defined path with another brilliant release filled with memorable moments and catchy songs. Not losing a step, this release delivers over 50-minutes of intoxicatingly catchy Folk/Melodic Metal music that will appeal to any fan of the band and the genre.
As a continuation of their 2009 release, “Evocation I - The Arcane Dominion”, this album kicks off with “Dvressu” by showcasing the talents of new vocalist: Fabienne Erni. Replacing the talented Anna Murphy seemed like a nearly impossible, but the band has done a great job as we can hear in the very upbeat “Epona”. This track has the band’s signature style of delivering lush arrangements and catchy song foundations.
Hailing from Chihuahua, Mexico, today we have Behold the Grave and their crafty mixture of Melodic Death Metal with Thrash/Hardcore elements. In their debut release, “The Path of the Blind”, the band delivers over 50 minutes of very engaging music that effortlessly combines tons of influences into 11 superbly catchy tracks. If you are a fan of old-school Melodic Death Metal to bands like Arch Enemy, Soilwork, etc., this will be one hell of a release for you.
The album wastes no time to impress the listener with the brilliant guitar work of “The Chair of Redemption”, a song that is very crafty and engaging. Not letting the momentum slowdown, the band quickly hits with “Full of Black Venom” and “The Meaning of Hate”, two very fast-paced tracks filled with killer guitar leads and tight drum patterns. Other songs like “Endless war Serpents”, while keeping things intense, add some funky guitar passages and playful vocal arrangements to keep things fresh and engaging.
After a killer debut EP with “Waves” Owler returned in 2016 to unleash “Soil”, a highly melancholic collection of five songs that showcase more maturity and creativity from these Finns. Clocking in at around 30 minutes, this release takes all the elements of their first release and further refines them and integrates them into the band’s own signature style. This music is still highly recommended for fans of bands like Insomnium to The Man Eating Three.
Opening with the soaring vocals of “Storm”, the release kicks off with a very theatrical piece that fully takes advantage of “Juha Simola’s melancholic clean vocals. Things turn a bit darker and doomier with the heavy atmospheric and crushing riffs of “Amend”. We really enjoy how the subtle atmospheric keyboards set the mood for the harsh vocals and slower tempo.
Hailing from Finland, today we have a band that perfectly combines elements from Post-Rock/Post-Metal with traditional Finish Melodic Death Metal. Delivering over 25 minutes of melancholic music, this band could be described as a mixture of The Man Eating Three with Before the Dawn.
The EP starts with the lush “Throes”, a track filled with melancholic clean vocals and dreamy guitars. At first glance, the guitars seem a bit heavier than usual for this type of music, but they do an effective job at preparing the listener for what is to come. As “Distance” kicks off we are instantly reminded of Before the Dawn during their “Soundscape of Silence” years. The mixture of growls and clean vocals is very effective and they perfectly contrast the ethereal keyboards and weeping guitars.