Fronted by Daniel Neagoe (Clouds, Shape of Despair), today we have Funeral Doom outfit Eye of Solitude and their latest opus “Slaves to Solitude”. Just fresh from their North American West Coast mini-tour, this band unleashes one of the most misery inducing Funeral Doom releases of the last few years. Up with Mournful Congregation, Clouds, and Shape of Despair, this band creates uniquely melancholic crushing songs that will extinguish your will to live.
The album kicks off with the dreamy “The Blind Earth”, a song that takes a while to build up, but once it reaches the 7 minute mark it becomes increasingly punishing. Daniel’s inhuman growls perfectly complement the bleak and desolate atmosphere created. With Mark Antoniades and Steffan Gough handling the guitar dutties, tracks like “Still Descending” perfectly deliver that brilliant Doomy sound of weeping guitars and well-timed heavy riffs.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Going back to their original Death/Doom Metal roots, today we have On Thorns I Lay and their amazing release: “Aegean Sorrow”. Keeping the Death/Doom Metal flame alive, the band delivers over 45 minutes of truly demoralizing music that reminds us of their sound back in the 90’s and outfits like Celestial Seasons (early days) and Forest of Shadows. If you are looking for Death/Doom Metal, this is the album to get in 2018.
Opening with the incisive riffs and gargantuan growls of the album title track we are taken back in time to the heydays of the genre. The band however adds a certain dimension of modern Melodic Death/Doom Metal as we can hear in the melodic guitars of “Erevos” and the crushing “In Emerald Eyes”, were we get a Swallow the Sun/Hanging Garden-esque contrast of deep growls and catchy guitars.
Hailing from the UK, today we have Melodic Death/Doom Metal outfit Twilight’s Embrace and their self-released EP “Penance”. Unleashing four highly melancholic tracks, this release features that old-school Death/Doom sound that fans of bands like My Dying Bride, October Tide and November’s Doom will completely love and enjoy. In a short but sweet time, the band will certainly win you over with their crafty song writing and engaging music.
Opening with “Dying Earth”, the band sets a very moody atmosphere with weeping guitar leads and catchy riffs. The song structure is quite traditional for the genre, but it quickly hooks you into head banging alongside the music. Changing up the pace, “Curtain Call” delivers more waves of melancholy as the growls perfectly complement the tempo of the track. We particularly enjoy the certain retro vibe and bleak atmosphere crafted around this track.
Originally released on 2017, “V – Oceans” is too much of an album to not have on vinyl, so Code666 is handling this task. Slow is a one-man project which hails from Belgium and it crafts some of the most devastating and bleak Atmospheric/Funeral Doom Metal we have ever heard. Featuring five songs, this is definitely a release you need to take in with full attention and on a dark and gloomy day.
The album starts with a very slow and mournful progression in “Aurore”. The riffing is slow and painful, allowing for the atmospheric elements to shine and lead way to the crushing growls. The band’s mastermind, Déhà, has tons of musical experience and by participating in outfits like Clouds. In Slow, he takes things even further, unleashing songs that are over 10 minutes long and perfectly paced for bleakness, just like the dreamy “Ténèbres”.
With a keen eye for unique and boundary pushing release, today we have the latest Hypnotic Dirge Records release with Odradek Room’s sophomore album “A Man of Silt”. Unleashing over 50 minutes of superbly crafted Progressive Death/Doom Metal, this band merges influences from bands like Anathema and Opeth with lush instrumentations and a very somber mood. If you like complex music with high replay value, this is certainly one of the best releases in 2017 for that.
The intro “Arising in the Void” provides a very dark and somber opening into the band’s unique musical voyage adorned with an Armenian duduk. The release continues to blossom with the transition into heavy guitars and growls in “Selfness”, a 7-minute piece that sets the experimental proggy tone for this album. Hailing from Ukraine, the band crafts very unique songs filled with highly atmospheric passages that are quite intricate and yet lush and filled with emotion, as delivered in “Texture of Reality”.
Just in time for the Fall and Winter seasons, today we have the Hanging Garden’s very dark and atmospheric “I am Become”. These Finnish Melodic Death/Doomsters unleash 46 minutes of catchy and crafty music that is quite diverse in nature. Filled with brilliant melodic Death/Doom Metal elements, this album perfectly blends the band’s old-school sound with their more modern and atmospheric influences.
Kicking off with “As Above, So Below”, we get a certain Insomnium guitar driven vibe that invites the listener to head bang while listening and settle into a dark and melodic vibe. Things go into a Swallow the Sun vibe with the aggressive riffing of “Hearthfire”, a track which features guest vocals from Tomi Joutsen from Amorphis fame. Interestingly enough, the band’s more Atmospheric Rock side comes out in the excellent “Elysium”, a piece that is quite melancholic and moody.
Delivering one of the most engaging and crushing Death/Doom/Sludge Metal releases of 2017, today we have Jupiterian and their sophomore release “Terraforming”. Unleashing a unique mix of atmospheric elements with traditional Doom/Sludge riffs, the band has crafted over 38 minutes of music that will keep you at the edge of your seat while clamoring for more.
The release immediately sets the tone with the slowly building atmosphere crafted in “Matriarch”. Crafting a powerful wall of sound, the guitars are quite punishing and quite relentless from the start. As “Unearthly Glow” rolls around, we get a more structured Death/Doom dynamic with powerful growls and weeping guitar leads, all tucked between crushing riffs and a very tight tempo.
As one of the most devastating albums of 2017, today we have “No Stars Upon the Bridge” by Hallatar. Formed by Juha Raivio (Swallow the Sun) to pay homage to Aleah Starbridge, this band can be seen as a continuation of Trees of Eternity with a more raw and emotional edge. Joined by Tomi Joutsen (Amorphis), and Gas Lipstick (ex-HIM), with the guest appearance of Heike Langhans (Draconian), this release is full of despair and loss, transmitted in very emotional songs that will rock your senses.
Opening with the punishing riffs of “Mirrors”, the album starts with a very powerful and commanding tone. In this track we get to listen to Tomi’s vocals in a raw and uncomposed way, perfectly transmitting the state of a grief-stricken madman, this is indeed a truly haunting experience. “Raven’s Song” is a very nice and short poem that switches the mood of the release as it mellows a bit with the highly melancholic “Melt”. In this song, the clean vocals are full of emotion and perfectly kick of a moody track that features interesting tempo changes and powerful atmospheric elements.
Unleashing one of the most monumental Funeral/Epic Doom Metal releases of the last few years, today we have Ukraine’s Vin de Mia Trix and the double LP “Palimpsests”. Featuring over 90 minutes of highly melancholic music, this release is a fourth part aural exploration that traverses through many different styles and influences. Highly recommended for fans of bands ranging from Skepticism, My Dying Bride, to the likes of Candlemass and Ahab.
Opening with the 27-minute beast of a song “Matarisvan”, the band slowly builds up a punishing atmosphere that is perfectly elevated as soon as the My Dying Bride-esque weeping guitars make their mark. The vocals vary from harsh growls to some very solid clean singing that reminds us a bit of Epic Doom Metal outfits, and provides enough diversity to keep things fresh and interesting.