Sludge Metal

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    Rosy Finch – Witchboro (2015)

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    With a crushing and hypnotic mixture of Sludge/Doom/Stoner Metal/Rock influences, today we have Spain’s Rosy Finch and their debut full-length release “Witchboro”. Divided into two ‘movements’, this debut release features a merciless first side and then it mellows out into a more experimental and melodic nature, showcasing the wide musical range from this very promising young trio. Filled with heavy riffs from start to end, this is one unconventional release that you should definitely check out.

    Opening with the droning “Úrsula”, we get a very hearty dose of fuzzy distortion and intoxicating female lead vocals. With both Mireia Porto and Elena García contributing to the vocals, we get a richer and more diverse aural experience in this album. Focusing on delivering riffing riffs, “Hyde Formula” is one hell of a track that will make your speakers rattle thanks to its pulsating bass guitar line and solid percussions.

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    Minsk – The Crash & The Draw (2015)

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    Having recently returned from a hiatus, Minsk delivers one of the early candidates for top 10 albums of 2015 with “The Crash & The Draw”. Following the same footsteps of bands like Neurosis, Year of No Light, and The Ocean, we get 11-tracks of brilliant Atmospheric Post-Metal/Sludge music that is both complex and crushing. Returning with a 75 minute opus is an ambitious task that Minsk manages to pull off flawlessly.

    Instantly making their mark with the 12-minute opener “To The Initiate”, we have a very playful track that changes moods and delivers a good amount of intricate percussions and powerful riffs to keep you listening to it on repeat for at least a day. Slowly building with “Within and Without”, the band crafts a very tight short piece to hold the listener over until the unleash their four piece behemoth of “Onward Procession”. In part I and II the band invokes their inner Neurosis with heavy and dense tracks that nicely evolve into the trippy atmospherics of part III and IV. This four-piece track showcases the band’s ambitions and excellent execution of a multi-faceted song that nicely evolves and dances around all the genres the band has influences from.

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    Abstracter – Wound Empire (2015)

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    Hailing from Oakland, CA, today we have the Abstracter and their 2nd punishing aural assault titled “Wound Empire”. Featuring over 40 minutes of crushing Blackened Sludge/Crust/Doom music with some Post-Metal elements, this is one hell of a punishing release that will subdue the listener from start to finish.

    The opener “Lightless” slowly builds up with pummeling riffs and a nice progression as the nearly 11-minutes of music go by. The vocals are quite strong and nicely fit the equally crushing guitar riffs. Abstracter goes into further exploration of their dark sound in the atmospheric “Open Veins”. This song provides us with some more typical Sludge/Doom riffs arranged in a very precise manner to fit their atmospheric passages and massive drumming.

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    Witches of Doom – Obey (2014)

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    Extreme catchiness arrives today under the name of Witches of Doom and their debut release “Obey”. Expertly mixing Doom/Sludge elements with Gothic Rock and infusing them with an extra dosage of grooviness, this Italian band delivers nine superb tracks that are extremely melodic and totally awesome.

    The album opens with the Southern/Twangy “The Betrayal”, a song that instantly showcases the band’s talented singer Fed Venditti. With a very deep alternative rock/gothic vocals, this is the signature element that bands need these days to stand out from the pack. As the band goes through tracks like “Witches of Doom”, “Needless Needle” and “To The Bone”, we notice influences of bands like H.I.M, Lacrimas Profundere, and other Gothic Metal/Rock bands, but with a slight Sludgy twist.

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    The Flight of Sleipnir – V. (2014)

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    Hailing from Colorado, today we have the elusive duo The Flight of the Sleipnir and their fifth full-length release titled “V.”. Featuring seven tracks of very mellow improvisational-style Psychedelic Sludge/Doom, this band delivers a very unique aural experience with over 59 minutes of very diverse and sonically pleasing music that evokes the likes of folk-induced Agalloch, Velnias, mixed with countless Doom Metal acts.

    The release kicks off with a very Empyrium-esque opener with “Headwinds”, a track that slowly builds up to some powerful Sludgy riffs and tight drumming. The mixture of and Sludge elements is quite well crafted and the clean vocals nicely fit the bill, the harsh vocals while odd at first create a very contrasting vibe that ultimately fits the song perfectly. Things get a bit more psychedelic, or should we say ‘sludge-chedelic’ in the trippy “Sidereal Course”. This song has a very nice free-flowing vibe and feels like a jam session in some places.

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    Downfall of Gaia – Aeon Unveils the Thrones of Decay (2014)

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    As one of the least conventional bands in Metal Blade, Downfall of Gaia delivers a punishing 60 minute musical experience with their third full-length release “Aeon Unveils the Thrones of Decay”. Perfectly crafting an apocalyptic sound that fuses Black Metal, Post-Metal, and Sludge elements, this band will mercilessly make your speakers pop and have you begging for more.

    Getting down to business with the bestial opener “Darkness Inflames These Sapphire Eyes”, the band spews their message with a brutality and firmness. The Black Metal sections are perfectly craved into the heavy riffing of this track, and the different vocal styles further extend the songs brutality. Just when you things are getting calm, blistering passages change the mood and direction of the songs, like in the epic “Carved into Shadows”. The underlying Doom/Post-Metal elements of tracks like this one and “Ascending the Throne”, make the band’s sound even richer and very diverse, making it harder to pin them down.

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    Kruger – Adam and Steve (2014)

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    Having released one of our favorite albums of 2010, Kruger finally returns with an even more impressive follow-up with “Adam and Steve”. With a very melodic and yet crushing sound, the band takes Post-Metal/Sludge to new heights in this eight track assault.

    The insanity beings with the very intense opener “Bottoms Up” and never lets go. Vocalist Renaud Meichtry delivers a savage performance with his charismatic screams and greatly elevates the level of intensity presented by the music. The band’s ability to craft intricately layered songs like “Discotheque” and “Charger” is truly unique and its one of the factors that makes them stand out from the rest.

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    Colossus of Destiny – In Lesser Brightness (2013)

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    Arriving from France, today we have Sludge/Stoner Metal band Colossus of Destiny and their debut full-length “In Lesser Brightness”. Featuring a barrage of crushing riffs divided into 6 neck snapping tracks, France is greatly stepping up their game in terms of bands and this is one of the better ones.

    Opening the album we have the expansive “Dismay in Empty Eyer”, clocking in at 7 minutes this song features a wide variety of movement and greatly shows the band’s composition skills. Layering their Sludge/Stoner elements with some Neurosis-like Post-Metal antics, the band nicely keeps things fresh and interesting on tracks like “Unleashed” and “Get Lost”. While considerably shorter than the first song, they greatly develop the band’s sound.

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    Sarvas – Sarvas (2014)

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    Completely redefining what we know about Sludge Metal, today we have Sarvas and their self-titled debut release. Fusing elements of Death/Doom Metal with some Groove and a base of Slude, this Finnish band manages to craft a very unique sound that is far from the traditional (and sometimes dull) Sludge Metal genre. Delivering 6 punishing tracks, this release will surely have something that everybody will love.

    Opening with “Kindle”, we get a traditional beginning to this song that slowly that sets up the stage for the forthcoming onslaughts. The album quickly evolves into catchy, groovy, atmospheric brilliance, as we get to listen from the emotional “Dead Pilot”. Don’t you even think for a minute that the Sludgy riffing is lacking in this release, since “Pit” makes it quite clear that you will feel the power of Sarvas’s Doomy riffage.

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    Blood Red Water - All the Ills of Mankind (2013)

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    In a world mostly filled with harry odd looking dudes as drummers, today we have Italy’s Blood Red Water and their sexy female drummer Fiorica Gasparini. Delivering five tracks of gut-wrenching Sludge Metal on “All the Ills of Mankind”, this band rolls punishing riffs since the first minute and never let’s go.

    Opening with the heavy as fuck “A Ride In The Funhouse”, we are left with very slow and devastating Sludge riffs that will appease any connoisseur of the genre. The vocals are slurry and have a certain Motörhead/Southern snarl to them, nicely complementing the music. The bass guitar is quite present on “Megalophobia” as the band switches into more punishing riffs and all out headbanging brilliance.

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