Death Metal

  • Interment – Into the Crypts of Blasphemy (2010)

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    We love Death Metal and we greatly enjoy bands from the good old days like Grave, Entombed, Dismember, etc., so when we got Interment’s promo we got excited. Interment formed 22 years ago in Sweden when all the glorious Swedish Death Metal movement was going down, after a few demos they broke up never to be heard from again until 2007.

    Fast-forward to 2010 and they are finally releasing their first full-length “Into the Crypts of Blasphemy”, with some members of the band having played in Centinex and still play in Demonical, we can only foresee a very impressive band…. Well this is not the case since in our educated opinion this album blows from start till end.

  • Waking the Cadaver – Beyond Cops. Beyond God. (2010)

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    If it wasn’t enough that all the kiddies are playing Deathcore these days, we now have BRUTAL, yes BRUTAL Deathcore. We can definitely can notice an extra ‘aggression’ level in Waking the Cadaver’s Deathcore sound making it much more brutal, but it still borders with the Death/Grind bands of a few years ago.

    The band call their style “Slamming Gore Groove” and we think this is downright hilarious, there aren’t enough Groove elements to categorize this release like this, but we can see that there is some Grooviness to their music. We can’t really find the ‘innovative’ aspect of this band anywhere since they just sound like a really pissed off version of Black Dahlia Murder without their occasional good riff.

  • Quest of Aidance – Dark are the Skies at Hand (2008)

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    Quest of Aidance is yet another band that was started/features Christian Älvestam from Scar Symmetry, Solution .45, etc. fame. This Death/Grind band also has within it’s ranks Jonas Kjellgre (Scar Symmetry, Centinex), and Henrik Schönström (Unmoored) on drums.

    After all the name-dropping we find ourselves listening to a very brutal Death/Grind release with some weird stuff in the middle. All previous musicians are usually known for their technical abilities but in “Dark are the Skies at Hand” they show they can do uncompromising brutality with a little technical aspect on the side.

  • Crematoria – Demo(lish) (2009)

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    In the last few years most of the new kids playing Death Metal (or at least trying) have managed to completely miss the point and get a solid grasp on the genre. We can guarantee that most of those bands have gone and changed into playing Metalcore or dissolved. However, there are always a very limited number bands that truly get it and release bad-ass demo’s, Crematoria is one of them.

    Hailing from Denmark, the band formed in 2008 and released their first demo in 2009. This 3-song release is aptly titled “Demo(lish)”, featuring very solid songs that punch you right in the face. With some Trash foundations on their riffs the band has crafted these songs very nicely, and while they might not be revolutionary, they are solid and very catchy.

  • Grave – Burial Ground (2010)

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    When it comes to Death Metal it’s already a widely proven fact that nobody can do it like the older bands can. With all the 16 year-old pissed off emo kids trying to create Death Metal and heavily relying on Pro-Tools and other modern ‘magic’ elements to have their band sound decent, we are left hanging to our old school albums, and waiting for the remaining greats to produce new music.

    This month we have Grave’s “Burial Ground”, and album that clearly states why bands like this will never get old. Yes, you might argue that this band is not dynamic or fresh sounding anymore, but when it comes to Death Metal, who gives a shit. We all want chugging mid-tempo songs with fast-paced drumming and consistent growls. None of that modern sounding shit.

  • Blasphemous – Bearer of the Darkest Plagues (2010)

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    Sometimes we wonder if Infernus really listens to whatever he puts out/sells on his Forces of Satan records label. Blasphemous “Bearer of the Darkest Plagues” is released by Baars Records, but Forces of Satan has it for digital download and we are not impressed.

    With a very low-fi cassette-demo sounding production, Blasphemous second full-length has minor flaws that greatly bring down the quality of this album. The band’s style of Blackened Death Metal is very retro sounding but still holds it’s own, until you hear the drumming going from slow sections into the blasting sections. It seems that the drumming is playing in a slower gear than the rest of the music.

  • Diabolic – Excisions of Exorcisms (2010)

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    With all the kiddies invading the current Death Metal scene, it’s nice to see some of the older bands come out and show what this kind of music is all about. Hailing from the Tampa scene, this American band shows that they have earned their DM chaps by experience, and not by copying everybody else.

    “Excisions of Exorcisms” pretty much has the ‘traditional’ DM feeling to it. The riffing is very powerful, the blasting drumming is very well crafted, and the vocals are just right for this release. The band might not have the technical abilities that some of the ‘traditional’ bands do, but they compensate with blistering fast sections that will make you start moshing in no time.

  • Whitechapel – A New Era of Corruption (2010)

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    With all the shit-core bands out these days we are very skeptical about reviewing anything that comes with the Metalcore and Deathcore tags. We usually trash most of these bands because of their lack of creativity and musical maturity, using a bunch of random riffs before the ‘traditional’ breakdown is not a formula for success (some might differ with this opinion).

    When we first started listening to Whitechapel’s 3rd album “A New Era of Corruption”, the first thing that came to our minds was: “Oh shit, another Black Dahlia Murder clone”. However, after the first few songs we actually discovered that Whitechapel is much more than a ‘straight forward’ Deathcore band. Their sound over the years (yes, we had check them out since their first releases) has changed from an uninspired copy-cat Deathcore, into their own brutal combination of Death Metal with some modern core-ish influences.

  • Aeon – Path of Fire (2010)

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    Hailing from Sweden we have today yet another Death Metal band that wants to be ‘brutal’ and technical at the same time. Aeon is not a very (or at all) original band, but what they do, they do perfectly. With a very groovy sound, the band reminds us of the likes of Jungle Rot, Six Feet Under, etc.

    Combining chugging riffs and meaty hooks, the band does a great job in creating a very brutal DM backdrop, with the addition of some brilliant solos and bestial drumming (courtesy of Nils Fjellstrom, from Dark Funeral) the band creates very solid tracks that will have people moshing in no time. While Aeon is an extremely formulaic band, they do have good song writing chops to keep you entertained for over 40 minutes.

  • Hacavitz – Metzli Obscura (2010)

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    Hacavitz is a Mexican two man apocalyptic outfit that creates very raw and brutal Black/Death Metal. Unlike many bands of this genre, we don’t hate them. The band is pretty good at creating rudimentary and harsh music that will make your spine chill. Using English, Spanish, and Aztec (or something like that) the band will haunt your dreams since the start of “Metzli Obscura”.

    We usually bitch and moan about the shitty quality that similar releases have, but we cannot complain about this with Hacavitz. The band’s sound is very dense and dirty, but it works wonders in creating a raw and thick atmosphere. With the chaotic feeling that “Metzli Obscura” creates, we have found the perfect soundtrack for a journey through hell.

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