Having a great eye for aurally abusive releases, I, Voidhanger Records, unleashes this December, the debut release of experimental Death/Doom/Black outfit Tongues. With “Hreilia”, the band delivers seven highly disturbing, chaotic and yet very enjoyable tracks that are quite bizarre in nature. Mixing elements from Death/Doom/Black Metal genres into a very unique amalgamation of styles, this release transports the listener to a hellish universe since the first track.
Opening with the funky weirdness of “Perennial Waves”, the listener gets to warm up to a very dissonant and yet enthralling mournful opening that suddenly explodes into full-on madness. We particularly enjoy the sickening vocals and the very raw vibe transmitted. The madness takes a more traditional Black Metal shape with the punishing “Theophagous Wounds of Earth”, and its killer bass guitar line. This is certainly one of the most brutal tracks in this release with a relentless drum track and incisive riffs.
Unleashing a punishing and foul onslaught of Black/Death Metal madness, today we have New Zealand’s Vassafor and their sophomore full-length release “Malediction”. Blending elements from old-school Black and Death Metal into a killer wall of sound, this album delivers almost 50 minutes of some of the most decadent and punishing music ever recorded.
Starting with the pummeling “Devourer of a Thousand Worlds”, the slowly creep into the band’s mind with a barrage of demoralizing riffs and creepy vocals. Clocking in at 16-minutes, this track is the perfect opening into Vassafor’s madness. Filled with old-school vibes, “Emergence (of an Unconquerable One)” has a certain Grindcore edge to it due to its incisive guitar leads as well as a retro Death Metal side to it thanks to its meaty hooks.
Hailing from Swtizerland, today we have Antiversum and their ear popping, soul crushing mixture of Black/Death/Doom metal in their debut full-length release “Cosmos Comedenti”. Featuring over 37 minutes of hellish music, the band mixes Black/Death Metal influences with Doom and Sludge to create a very think and visceral listening experience. With influences from bands like Neurosis, Amenra, to Centinex, this is one release you don’t want to miss.
Opening the album, we have the harrowing “Antinova”, a piece that slowly builds up a sound wall filled with pummeling riffs and crushing growls. There are some Black Metal influences thrown into the mix that create a more dissonant and imposing atmosphere, as the song progresses in a very Sludgy/Post-Metal-ish way. Continuing the aural assault, we have “Chao E Orta Est”, a slow progressing track that is quite dissonant and aggressive.
Delivering a Death Metal blast from the past, today we have Chile’s Oraculum and their latest EP titled “Always Higher”. Having a certain Asphyx/Morgoth/Sinister vibe, this short but sweet EP captures a timeless sound and delivers is with crystal clear production values to the masses. This is the perfect EP for any fan yearning the good old days of Death Metal.
Setting the mood with the imposing atmospheric intro, “Exeunt”, the band gets rolling with the punishing riffs and leads of “Lex Talionis”. Oraculum’s vocalist Scourge of God, does a great job in delivering those raspy old-school DM vocals that we all love, and pairs them perfectly with intricate drum patters and a very hectic pace.
Continuing our exploration of Godz ov War productions goodie package we received a few days ago, today we have Kingdom’s third full-length release “Sepulchral Psalms from the Abyss of Torment”. Featuring over 34 min of crushing Death Metal, this band perfectly balances old-school Swedish and Florida Death Metal influences with their own brand of depravity to create a truly oppressive sound.
Kicking off with “Sepulchral Psalms”, the band sets a very sinister mood that is greatly magnified by the sheer brutality of “Monolith of Death”. The band’s music is quite intense, as this trio delivers pummeling riffs, bestial drumming and hellish vocals. However, the meaty hooks and melodic aspect of songs like “Forsaken Tribe” is what makes their sound quite unique and less linear than your average DM band.
Hailing from Spain, today we have Atmospheric Death/Doom quintet Evadne and their latest release “A Mother Named Death”. With the band being on our radar since their debut release “The 13th Condition”, we are quite excited to hear that they have blossomed into a very dynamic and engaging outfit. Delivering over 60 minutes of music, this band aims to take the throne of the most melancholic Spanish band from Helevorn, with this killer release.
Opening with the mellow “Adobe of Distress”, we are treated to a very traditional Death/Doom song filled with pummeling guitars and killer vocal arrangements. We particularly enjoy when a band can mix both clean and harsh vocals in a very organic and complementary way. Invoking their internal Swallow the Sun, “Scars that Bleed Again” delivers a perfect balance of sheer aggression and atmospheric magic, allowing the band to showcase their contrasting versatility.
Every few months we get a mysterious package from Poland wrapped around very creatively with saran wrap and newspaper. Arriving from Godz ov War productions, we get a pretty good variety of Death and Black Metal underground bands, one of the standouts this month has to be Loathfinder. Unleashing four tracks and over 28 minutes on their debut EP “The Great Tired Ones”, this Polish one-man battalion focuses on mixing elements of Black/Death Metal with Doom/Sludge guitar work.
Opening with the catchy “Genetic Gloom”, a layer of thick riffing and harsh growls sets the mood for this release. While featuring heavy riffs and a dense atmosphere, the song has a certain Sludgy edge to it that keeps it interesting and different from other bands. The album’s most engaging song has to be “Feast on My Entrails”, where we have ripping melodic riffs and devilish harsh vocals. This track features solid headbanging passages thanks to its extreme catchiness.
Perfectly aging with time, like a fine bottle of scotch, today we have Suffocation and their latest opus “…Of the Dark Light”. Delivering over 35 minutes of brutality, Frank Mullen and company embrace the more modern Technical/Brutal DM influences and manage to craft a very traditional Suffocation release that feels fresh and current.
Opening with the sinister “Clarity Through Deprivation”, the Suffocation instantly finds its groove with killer drumming and a very hefty pace. The band’s old-school sound is forever present and you can instantly hear it as they steamroll past “Your Last Breaths”, “Return to the Abyss” and “The Violation”. Paired with fresher ideas, the band manages to deliver punishing tracks filled with brutality and cheeky drum patterns like “Of the Dark Light”, which is both intense and crafty.
Delivering one of the craftiest exercises in brutality, today we have Origin and their latest full-length release “Unparalleled Universe”. As the band’s 7th release, this album is filled with over 40 minutes of highly technical and extremely brutal Death Metal that never gets dull and hits hard from start to end. Not for the faint of heart, this release will leave your eardrums rattling for a couple of days.
The release kicks off with the intricate guitar work of “Infinitesimal to the Infinite”, a song that instantly sets a very hectic mood and showcases some of the most intense drumming of 2017. This mood and approach bleeds into the onslaughts brought forth by “Accident and Error” and “Cascading Failures, Diminishing Returns”. Band’s drummer, John Longstreth, is definitely a beast behind the kit providing some of the most intense and intricate drum patterns in the genre.
Featuring a very old-school Death/Doom vibe, today we have Into the Arcane and their debut EP titled “Het Verlangen Der Geest”. Delivering four tracks that will appeal to fans of Winter, Etherial Winds, and Phlebotomized, this music is for the old-school lovers of Doomy Death Metal bands with atmospheric elements.
The album opens with the crafty “The Glass King” and its very melodic guitar work. This very catchy song is very rudimentary, but gets the job done as it brings back that old-school vibe that the scene has been missing since the late 90’s early 00’s. “The Innocent Hunter” brings a more atmospheric side to the mix with some very interesting piano sections and brilliant tempo changes. The band further explores their Doomy side and creates a very emotional track filled with masterful guitar leads.