Unleashing one of the most brutal live releases of 2018, today we have Poland’s Behemoth and the “Live Satanist” audio CD part from their massive “Messe Noire” live release. Delivering the nine songs from their crushing 2014 release “Satanist”, the band showcases their tight live set and raw power they deliver to crowds. If you haven’t been able to see the band live, this release certainly brings that experience to your ears from the comfort of your own home (or car).
The mood is brilliantly set by the mysterious opening of “Blow Your Trumpets Gabriel”, as the band levels the audience with incisive riffs and sheer heaviness. The album perfectly captures the band’s top-notch live production, allowing every single instrument to shine, with the layering just right. Showcasing their extremely tight live sound, the band pummels through the albums majestic tracks while leaving the crowd clamoring for more.
Unleashing one of the rawest and most pummeling releases of this young 2018, today we have Finland’s Blood Chalice and their debut full-length “Sepulchral Chants of Self-Destruction”. As a joint release from Regain Records and Helter Skelter, we get 27 minutes of lo-fi bestial devastation in the shape of ten tracks. For the fans of intense Death/Black Metal, this release will keep head banging from start to finish.
Opening with the violent “The Unholy Angel of All”, the band sets a very intense pace and a ravaging sound that is quite effective for the genre. The punishing vocals deliver an unholy experience as they resonate on killer tracks like “The Passage” and the moody “Coven”. We particularly enjoy the crunchy riffing on “The Four”, a song that expertly changes tempos and pummels the listener when they least expect it.
Closing off 2017 with one truly punishing and demoralizing release, today we have Ván Records unleashing “Miasmal Coronation”. In this split release, we are introduced to the pungent and piercing sound of German Black/Death Metal bands: II and Lihhamon. With each band unleashing around 15 minutes of ravaging music, you will be begging for mercy before the release is done.
The release kicks off with I I’s mysterious atmospheric opening in “Indoctrination of Deaths Command”, however, this atmospheric start is quickly replaced by pummeling riffs and crushing vocals. The band’s intensity is quite palpable, and their ravaging Black/Death Metal sound is instant evidence of this. The band continues their onslaught with brutal tracks like “Weltenfresser” and the incisive “Miasmal Execration”. With a buzz saw-like guitar sound, we particularly enjoy how massive their sound is. I I leaves on a more melodic tone with the superbly catchy “Vidargängr”.
Having a great eye for aurally abusive releases, I, Voidhanger Records, unleashes this December, the debut release of experimental Death/Doom/Black outfit Tongues. With “Hreilia”, the band delivers seven highly disturbing, chaotic and yet very enjoyable tracks that are quite bizarre in nature. Mixing elements from Death/Doom/Black Metal genres into a very unique amalgamation of styles, this release transports the listener to a hellish universe since the first track.
Opening with the funky weirdness of “Perennial Waves”, the listener gets to warm up to a very dissonant and yet enthralling mournful opening that suddenly explodes into full-on madness. We particularly enjoy the sickening vocals and the very raw vibe transmitted. The madness takes a more traditional Black Metal shape with the punishing “Theophagous Wounds of Earth”, and its killer bass guitar line. This is certainly one of the most brutal tracks in this release with a relentless drum track and incisive riffs.
Unleashing a punishing and foul onslaught of Black/Death Metal madness, today we have New Zealand’s Vassafor and their sophomore full-length release “Malediction”. Blending elements from old-school Black and Death Metal into a killer wall of sound, this album delivers almost 50 minutes of some of the most decadent and punishing music ever recorded.
Starting with the pummeling “Devourer of a Thousand Worlds”, the slowly creep into the band’s mind with a barrage of demoralizing riffs and creepy vocals. Clocking in at 16-minutes, this track is the perfect opening into Vassafor’s madness. Filled with old-school vibes, “Emergence (of an Unconquerable One)” has a certain Grindcore edge to it due to its incisive guitar leads as well as a retro Death Metal side to it thanks to its meaty hooks.
Hailing from Swtizerland, today we have Antiversum and their ear popping, soul crushing mixture of Black/Death/Doom metal in their debut full-length release “Cosmos Comedenti”. Featuring over 37 minutes of hellish music, the band mixes Black/Death Metal influences with Doom and Sludge to create a very think and visceral listening experience. With influences from bands like Neurosis, Amenra, to Centinex, this is one release you don’t want to miss.
Opening the album, we have the harrowing “Antinova”, a piece that slowly builds up a sound wall filled with pummeling riffs and crushing growls. There are some Black Metal influences thrown into the mix that create a more dissonant and imposing atmosphere, as the song progresses in a very Sludgy/Post-Metal-ish way. Continuing the aural assault, we have “Chao E Orta Est”, a slow progressing track that is quite dissonant and aggressive.
Delivering a Death Metal blast from the past, today we have Chile’s Oraculum and their latest EP titled “Always Higher”. Having a certain Asphyx/Morgoth/Sinister vibe, this short but sweet EP captures a timeless sound and delivers is with crystal clear production values to the masses. This is the perfect EP for any fan yearning the good old days of Death Metal.
Setting the mood with the imposing atmospheric intro, “Exeunt”, the band gets rolling with the punishing riffs and leads of “Lex Talionis”. Oraculum’s vocalist Scourge of God, does a great job in delivering those raspy old-school DM vocals that we all love, and pairs them perfectly with intricate drum patters and a very hectic pace.
Continuing our exploration of Godz ov War productions goodie package we received a few days ago, today we have Kingdom’s third full-length release “Sepulchral Psalms from the Abyss of Torment”. Featuring over 34 min of crushing Death Metal, this band perfectly balances old-school Swedish and Florida Death Metal influences with their own brand of depravity to create a truly oppressive sound.
Kicking off with “Sepulchral Psalms”, the band sets a very sinister mood that is greatly magnified by the sheer brutality of “Monolith of Death”. The band’s music is quite intense, as this trio delivers pummeling riffs, bestial drumming and hellish vocals. However, the meaty hooks and melodic aspect of songs like “Forsaken Tribe” is what makes their sound quite unique and less linear than your average DM band.
Hailing from Spain, today we have Atmospheric Death/Doom quintet Evadne and their latest release “A Mother Named Death”. With the band being on our radar since their debut release “The 13th Condition”, we are quite excited to hear that they have blossomed into a very dynamic and engaging outfit. Delivering over 60 minutes of music, this band aims to take the throne of the most melancholic Spanish band from Helevorn, with this killer release.
Opening with the mellow “Adobe of Distress”, we are treated to a very traditional Death/Doom song filled with pummeling guitars and killer vocal arrangements. We particularly enjoy when a band can mix both clean and harsh vocals in a very organic and complementary way. Invoking their internal Swallow the Sun, “Scars that Bleed Again” delivers a perfect balance of sheer aggression and atmospheric magic, allowing the band to showcase their contrasting versatility.
Every few months we get a mysterious package from Poland wrapped around very creatively with saran wrap and newspaper. Arriving from Godz ov War productions, we get a pretty good variety of Death and Black Metal underground bands, one of the standouts this month has to be Loathfinder. Unleashing four tracks and over 28 minutes on their debut EP “The Great Tired Ones”, this Polish one-man battalion focuses on mixing elements of Black/Death Metal with Doom/Sludge guitar work.
Opening with the catchy “Genetic Gloom”, a layer of thick riffing and harsh growls sets the mood for this release. While featuring heavy riffs and a dense atmosphere, the song has a certain Sludgy edge to it that keeps it interesting and different from other bands. The album’s most engaging song has to be “Feast on My Entrails”, where we have ripping melodic riffs and devilish harsh vocals. This track features solid headbanging passages thanks to its extreme catchiness.