Black Metal

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    Progenie Terrestre Pura – U.M.A (2013)

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    Finally unleashing their debut full-length, today we have Italian duo Progenie Terrestre Pura’s “U.M.A”. Standing for Uomini, Macchine, Anime (Men, Machines, Souls), this band delivers purely atmospheric Black Metal with a very cool sci-fi theme. Focusing in creating lush and ethereal atmospheres, the band creates 50 minutes of magical music that will take you on an out of body interstellar journey.

    Opening with “Progenie Terrestre Pura”, the band immediately establishes a trippy and futuristic atmosphere that is quite unique and dreamy. Slowly making their way in to the ‘heavy sections’ the band does a great job not rushing things and letting their music set the mood. The unsettling “Sovrarobotizzazione” features quite powerful BM riffs that are masked behind their lush atmospheric elements and some excellent Post-Rock/Post-BM soundscapes.

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    Nahar – The Strange Inconvenience (2013)

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    Featuring a cleaner and more melodic sound than legendary Inquisition, Naha brings upon us their sophomore release “The Strange Inconvenience”. Hailing from France, this two man band unleashes six tracks of well-paced Black Metal that is quite crushing and yet somewhat melodic in nature. The band focuses more on creating a very cavernous feeling rather than delivering acrobatically insane furious Black Metal, thus they manage to create a very unique and dense release not apt for the weak of mind.

    Opening with “Grey Concrete... Comfort”, the band established a powerful wall of distorted guitars and commanding vocals. Clocking in at nearly 10 minutes, this song weaves back and forth from creepy harsh sections to creepy atmospheric passages. “Purifying Negativity” changes the pace a bit with faster sections, but the overall creepy atmosphere is still there. Things start getting a bit more experimental in “D.M.T.” and “Pessimist”, two tracks that showcase the band’s ability to craft melodic (and even jazzy) passages and mix them with the harsh vocals and BM riffs (on “Pessimist”).

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    Thaw – Thaw (2013)

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    Arriving today from Avantgarde Music we have Thaw and their self-titled debut full-length release. Jumping on the current wave of Experimental Black Metal, this Polish band does a pretty good job in delivering seven tracks of weird-but-brutal Black Metal. Combining trippy atmospheric passages with some Noise/Drone elements, the band greatly complements their relentless Black Metal with some nice flair.

    After the Noise/Drone intro “The Gate”, this release starts picking up with the crushing “Ancestors”. We particularly love the mixture of relentless BM with the creepy clean vocals. The band’s BM foundations are quite strong and deliver waves of powerful riffs and brutal drumming. The same could be said about “Divine Light”, another fine example of the band’s sheer power combined with some cool atmospheric passages.

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    Apocynthion – Sidereus Nuncius (2013)

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    Going over tons of releases every month, we rarely get to enjoy unexpected masterpieces like Apocynthion’s “Sidereus Nuncius”. Having received the promo directly from the band, we got immediately hooked into their music after the first song and we have been constantly listening to it non-stop since then. Delivering seven tracks of majestic Post-Rock/Post Black Metal with Shoegaze and some Doom elements, the band’s sound is quite moving and powerful.

    Opening in a very dreamy note with a sample from “2001: A Space Odyssey” on top of atmospheric arrangements, the band commands attention with this hypnotic opening. “Redshift” continues with a Post-Rock vibe, similar to Godspeed Your Black Emperor and God is an Astronaut, filled with cool percussions and dreamy clean vocals. This ten-minute track slowly morphs into Post-Black Metal territories with powerful and dreamy guitars accompanied by shrieks of desperation. The band reminded us of Heretoir, Lantlos and similar outfits, but they always keep their own musical identity.

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    Agony of the Bleeding Flesh – Everlasting Piracy (2013)

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    Hailing from France today we have the self-labeled Metal pirates of Agony of the Bleeding Flesh and their exciting debut release “Everlasting Piracy”. Delivering seven tracks of well-crafted Black Metal, the band focuses on having a powerful and direct sound with mostly traditional elements and an enhanced sense of catchiness.

    The album opens with a very solemn acoustic intro to the track “Those Buried Treasures” and it slowly builds up as the distorted guitars and shrieks come in. The drumming is quite solid and perfectly captured by the production of this release. Things gradually get more interesting as “The Call of The Sea” and “Return from Death” continue the riffing onslaught. The band perfectly combines fast paced sections with slower interludes to allow the music to grow and capture the listener’s attention.

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    Abyssal – Denouement (2013)

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    Always delivering brutal releases, Hellthrasher Records surprised us this time with a release that goes beyond brutal and mixed some very interesting Black and Doom Metal elements to produce one hell of a devastating album. Abyssal’s “Denoument” was originally self-released in 2012, but with this re-release more people will get to experience their crushing and complex sound that will blow you away from your seat.

    Featuring six tracks and around 50 minutes of brutal music, the band wastes no time and delivers the first blow with the powerful “The Moss upon Our Ruins”. This song seems to start heading in Black Metal direction, but the band suddenly changes to crushing Brutal Death Metal in a heartbeat. Layering BM guitars with crushing DM riffs works greatly for the band allowing them to be very brutal and yet diverse. The tempo of the music is also very Doom-like keeping things slow and painful while sounding massive.

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    Strynn – Decadence (2013)

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    After all the excellent Black Metal we have heard from France in the last few years, we can’t help but wonder what kinds of stuff they are putting on the baguettes that produce such excellent musicians. With epic bands like Peste Noire, Alcest, Merrimack, Glorior Belli, and now Strynn, this country is starting to get some serious reputation in the Metal scene. Delivering 11-tracks of crushing Black Metal with nice melodic passages, “Decadence” is a very entertaining release that any fan of the genre should listen to.

    Opening with sheer guitar power on “Awakening”, the band delivers a very well timed track that is quite melodic but it also imposes itself on the listener. The riffing onslaught finally picks up with devastating tracks like “Burial”, “Uncreation”, “Emptiness”, and “Datura”. The band uses two guitarists and no bass guitar player, making the guitar the main driving force behind the aggressive music. Strynn also features two alternating singers to keep things fresh and if we told you that one of them is Female, you probably wouldn’t believe it either.

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    Frozen Ocean – Vanviddsanger (2013)

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    Delivering a short but sweep EP of relentless Black Metal, today we have one-man battalion Frozen Ocean all the way from Russia. In the “Vanviddsanger” EP, the band delivers eight crushing hymns of old-school hate-filled Crust Black Metal that is are both furiously paced and monumentally devastating. For all nostalgic fans of the days of raw Black Metal and old Crust Punk, this is one release you don’t want to miss.

    Opening with an atmospheric intro, “Vanviddsang: I” sets a very mysterious tone for a fast-paced Black Metal journey. The release immediately explodes with the crushing tracks “II” and “III”, keeping a very hectic tempo filled with powerful guitars and very demonic screams. While the music in not too original in nature, the pure rawness and brutality of it make this EP quite an enjoyable release for any fan of the genre.

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    Luna Ad Noctum – Hypnotic Inferno (2013)

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    After a seven year absence, today we have Luna Ad Noctum and their crushing Melodic Black Metal release “Hypnotic Inferno”. Mixing influences from bands like Agathodaimon and Mactätus, their sound is perfect for nostalgic fans of Melodic Black Metal that don’t like a plethora of keyboards and synths on their releases. For nine tracks and over 39 minutes of music, the band does a solid job in bringing back the early 2000’s in terms of aurally pleasing Black Metal.

    Opening with the killer “In Hypnosis” we get some of those quintessential riffs of the early 2000’s left and right. The band’s sound is quite direct and powerful, but it does feel a bit dated, maybe around the band’s last release in 2006  “The Perfect Evil in Mortal”, and now they just sound a bit date. Regardless of this, the album’s songs are killer indeed, and deliver waves of crushing riffs surrounded by tight drumming. This is perfectly evident on the following three tracks: “Fear Technique”, “You Are What You Are”, and “Abnormal Pain”.

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    Kozeljnik - The Acheron of Multiform Negation (2013)

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    Continuing with the twisted Black Metal sound Kozeljnik brought upon us on their 2010 release “Deeper the Fall”, this Serbian outfit delivers six more tracks of punishing Black Metal with “Null: The Acheron of Multiform Negation”. With a dark and twisted edge to their sound, this band shows more improvements over their previous release and they create a very thick and heavy atmosphere for over 35 minutes of music on this album.

    Opening with the melodic “As if Through a Myriad of Shades”, we get some excellent riffing and very fitting clean vocals that create quite a dense atmosphere. With obvious Black Metal roots, the band’s sound can be compared to other acts like Secrets of The Moon that bend the foundations of BM to their will and create nifty songs in the process. A perfect example of this is the crushing “Evoking the Furtive Depths (Reprisal)” featuring crafty guitar work and hellish vocals.

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