Featuring a very unique mixture of elements, today we have Æra and their debut EP titled “Of Forsworn Vows”. Combining elements from 90’s Black Metal with more modern Pagan Metal elements, this release unleashes over 20 minutes of highly addictive music that is quite epic and engaging. For fans of bands like Borknagar and early Emperor to outfits like Thyrfing, this release will certainly fit very well on your collection.
Opening with the powerful atmospheric elements of “An Affirmation of Forsworn Vows”, the band makes a bit splash with tense keyboards and a very melodic core. The riffing reminds us of bands like Falkenbach, which is straightforward but very melodic in nature. The vocals are quite fitting and add that extra layer of power to this impressive song as it weaves back and forth between different tempos.
Hailing from Germany, today we have one of the best Black Metal releases of 2017. Perfectly combining furious onslaughts with moody atmospheric elements, Nemesis Sopor delivers over 57 minutes of majestically crafted music that captivate the listener. Highly recommended for those fans of very refined melancholic Black Metal, “MMXL” is one of those releases that will command your full attention as it unravels fully after more than a handful of listens.
The album opens with a ferocious 15-minute piece titled “Untertan”, which give a little taste of what is to come. This track has it all: blisteringly fast sections, solemn melancholic passages, and very powerful transitions, making this song very unique and a true tour de force performance... just to start the album. Providing a lush breather, we have the instrumental “Saat”, just before things speed up again with the expansive “Herscher”. This track delivers more incisive riffing and crushing harsh vocals paired with a very mysterious tempo and brilliant atmospheric sections.
Arriving all the way from Lebanon, today we have one-man project Moonaadem and their self-titled debut release. Featuring seven tracks of very well crafted Atmospheric Black Metal, this release is filled with raw misery and solemn music that will crush your spirits and soul. Staying away from the clichés of the genre, and avoiding sounding like everybody else, this outfit keeps things very dark and melancholic for over 25 minutes.
Starting with “Multivers”, the album sets a very sinister mood with a mid-paced Black Metal piece that is quite engaging. Blending atmospheric elements with traditional riffs allows this track to have that certain BM-vibe, while further expanding its effect with an eerie atmosphere. The punishing “Pleine Lune”, is one of the best tracks in this release with its very melodic approach and furious intensity. This is masterfully contrasted by dreamy atmospherics and violent BM shrieks, leading to trippy passages.
Delivering over 50 minutes of brilliantly crafted Death Metal with tons of melodic undertones, today we have France’s Serenius and their third full-length release “Cocoon”. In a day and age when most band are moving their Death Metal sound to feature either Core or Progressive elements, it is quite cool to hear a band keeping the old-school style alive by injecting some energy into it, but keeping the essence intact.
After the album opens with the crushing “World”, the band wastes no time in keeping the momentum going and delivers the high-octane “Identity”. This very melodic song is one of our favorites, and will surely get the headbanging started with its pace and brilliant guitar work. “The Shell” and “Shadows of Misery” continue the onslaught with even more catchier and craftier tracks that showcase the band’s musical range and the wide variety of unique ideas they incorporate into their music.
Originally released back in 2012, Panopticon’s “Kentucky” is the band’s seminal release in which they mix both Black Metal and Folk/Americana/Bluegrass elements in a brilliant way. Just as when it was originally released, this release will certainly catch a new wave of people by surprise as the genres are not intuitively easily combined. Multi-instrumentalist Austin L. Lunn certainly pulled of one of the most unique releases of all times, and this is you latest chance to get a copy of it.
The album instantly raises eyebrows with the Folky/Americana-inspired “Bernheim Forest in Spring” as it leads into the explosive and very aggressive “Bodies Under the Falls”. With this transition we are back into more familiar territories with harsh vocals, punishing riffs and tight drums. This track masterfully weaves back and forth between heavy passages and lush banjo-led sections that work perfectly with the flow of the song.
Featuring the highly distinctive vocals of James Fogarty of Ewigkeit and In the Woods… fame, today we have Sollertia and their debut release “Light”. Playing a very unique mixture of Progressive Doom/Gothic Metal with Dark Metal elements, this release is pretty hard to pin down, but very effective in creating unique songs that are quite engaging. For fans of uniquely dark music, this album provides over 55 minutes of mysterious music that is very enjoyable and it is full of surprises.
After the warm-up intro, this trio sets a somber mood with the melancholic Gothic vibe of “Abstract Object Theory”. The music is quite mellow and very well paced, allowing James Fogarty’s talented vocals to shine. Providing contrasting harsh vocals on a few tracks, Vanja Obscure does a pretty solid job in shaking things up with her shrieks, changing the pace of songs like “Pascal’s Wager”, “The Devil’s Seethe” and “Positive Disintegration”.
Hailing from Chihuahua, Mexico, today we have Behold the Grave and their crafty mixture of Melodic Death Metal with Thrash/Hardcore elements. In their debut release, “The Path of the Blind”, the band delivers over 50 minutes of very engaging music that effortlessly combines tons of influences into 11 superbly catchy tracks. If you are a fan of old-school Melodic Death Metal to bands like Arch Enemy, Soilwork, etc., this will be one hell of a release for you.
The album wastes no time to impress the listener with the brilliant guitar work of “The Chair of Redemption”, a song that is very crafty and engaging. Not letting the momentum slowdown, the band quickly hits with “Full of Black Venom” and “The Meaning of Hate”, two very fast-paced tracks filled with killer guitar leads and tight drum patterns. Other songs like “Endless war Serpents”, while keeping things intense, add some funky guitar passages and playful vocal arrangements to keep things fresh and engaging.
Hailing surprisingly from the USA, today we have Amiensus and their latest EP “All Paths Lead to Death”. We are surprised they are from the USA because their Progressive Black Metal sound is quite European-like, delivering nearly 30 minutes of quality music that should not be missed by any fan of the genre. Perfectly mixing aggression with technical proficiency, this release has a certain Agalloch, Aenaon, and even Borknagar-ish vibe, making it quite impressive.
Opening with the brutal “Gehenna”, the release starts up with a very intense pace and crafty vocal arrangements going from harsh to clean. This opening track provides a peek into the band’s creative range and musical creativity. The onslaught continues with the pummeling drumming of “Moth of the Abyss” and its intricate guitar work. We particularly like how tight this release sounds thanks to the crystal clear production behind it.
Hailing from Denmark, today we have Sunken and their killer debut release “Departure”. Delivering over 50 minutes of heavily atmospheric Black Metal, this band creates a very powerful and melancholic atmosphere that will enshroud you with its misery. Focusing on crafting smarter tracks, this release feels and sounds a lot different than your run-of-the-mill Atmospheric BM outfit.
After the warm-up instrumental opening, the band opens this release with the full-blast onslaught of the first few minutes of “Void”. This song slowly mellows out and leads way to brilliant atmospheric passages with a prominent bass guitar line and catchy percussions. The album title track comes at us with another brilliant mixture of melancholy with devilish intensity with harsh vocals, furiously paced sections, and jazzy atmospheric passages.
Everybody’s favorite pirates are finally back with yet another release filled with tales of their wanderings at sea. With “No Grave but the Sea” the band’s party atmosphere is untouched and they continue exactly where they left off. With over 45 minutes of music, the band showcases their maturity with tracks that go directly to the point while keeping intact all the elements that make people love them.
Opening with the album title track, Christopher Bowes signature pirate singing leads the way into this very cheerful song. Filled with funky keyboards and a lively pace, this track is the perfect onboarding piece for this Alestorm journey. The album’s first single comes under the name of “Mexico”, a track detailing the band’s debaucherous efforts in this country. As you can expect this track features soaring vocal arrangements and a killer chorus section that will be stuck in your head for days.