As one of the most expected releases of 2018, today we have Kamelot and their latest epic release “The Shadow Theory”. Filled with the traditional Kamelot sound and a few surprises, this release unleashes over 50 minutes of bombastic music that should please all the fans of the band and gain them several more. Sadly, with this album the band sends of Casey Grillo on a high note (with the band), and welcomes new drummer Johan Nunez.
The release starts with the bombastic lushness of “Power Divine (Shadow Empire)” with the first duet between Lauren Hart (Once Human) and Tommy Karevik. This track embodies the Kamelot style to perfection, but delivering killer melodies, tight drumming and very well crafted vocal arrangements. As the band goes through “RavenLight” and the industrial-ish “Amnesiac”, we notice some very interesting new elements thrown into the mix, making the band’s sound more dynamic and engaging for listeners.
Perfectly aging with time, today we have Primordial and their latest opus “Exile Amongst the Ruins”. Unleashing over 65 minutes of superbly crafted music, the band builds up on their legacy with eight incisive tracks that are both catchy and undeniably effective. Featuring the band’s signature style, this release will captivate the attention of timeless fans of the band, and shall get them hordes of new fans.
Opening with the mysterious “Nail their Tongues”, there is a certain folky and yet mystical atmosphere crafted since the first note. Led by the charismatic Alan Nemtheanga, the band’s sound is instantly recognizable with his mixture of clean leads and harsh passages, creating a very dark and yet haunting contrast. With songs like “Where Lie the Gods” and the album title track, the band slowly warms up with incisive riffs and determined drumming.
Formed by musicians from Finland and Greece, Aeonian Sorrow is set to unleash their debut album “Into The Eternity A Moment We Are” on April 11, 2018. Featuring nearly 60 minutes of beautiful and yet demoralizing Melodic/Gothic Doom Metal, this release caters to the fans of bands like Draconian, Swallow the Sun, old Tristania etc. This young band manages to release eight brilliant tracks full with memorable moments and expert musicianship.
Opening the album with "Forever Misery", we are instantly greeted by solemn keyboards and piercing Doom riffs. Alejandro Lotero’s growls are exactly what the doctor ordered in these types of releases and perfectly contrast Gogo Melone’s enchanting female vocals. With Gogo also handling the keyboard duties, the band creates a very dense and crushing atmosphere, as heard in “Shadows Mourn”. The My Dying Bride-esque “Under the Light” delivers ripping guitars and very well-spaced drums, crafting the perfect mournful headbanging tune.
Hailing from Germany, today we have Satanic Black Metal outfit Chaos Invocation and their terrifying third full-length release “Reaping Season, Blodshed Beyond”. Unleashing a foul sound, this band delivers eleven tracks of punishing Black Metal that is ravaging and relentless. With some influences of bands like Marduk, Watain and Weapon, this band has a tight sound that will certainly satisfy even the most kvlt BM people.
After the traditional atmospheric intro, the band goes full steam with the incisive riffing of “Calling from Dudail”. Perfectly blending chaotic riffing with superbly tight drumming, the band crafts very unique music that has that certain old-school vibe, but with a superb production behind it, as we can instantly notice in pieces like “To Fathom The Blooodmist” and along the savage tempo changes of “Obsession Is Always the Answer”.
Unleashing one of the most misery inducing releases of all time, today we have Mournful Congregation and their latest opus “The Incubus of Karma”. Seven years have passed since the band’s last release and all that anticipation is instantly erased with the level of grandeur the band reaches with their sound in this release. Featuring six tracks and nearly 80 minutes of music, this release is by far one of the most soul crushing albums of 2018.
The band sets a very bleak mood with the weeping guitars of the opener, “The Indwelling Ascent”. Once you think the big and crushing riffs are coming, the changes gears a bit and introduce a sad and solemn piece in “The Incubus of Karma”, which greatly contributes to the highly emotional vibe and sets a very somber tone. The gargantuan riffs finally arrive with the demoralizing “Whispering Spiritscapes”, a 15-minute piece that instantly feels like a foot down your chest.
Unleashing one of the Doomiest and most intoxicating release of 2018, today we have Italy’s Messa and their sophomore full-length release “Feast for Water”. Featuring around 50 minutes of highly mysterious and intricately crafted music, the band perfectly combines Doom and Sludgy undertones with enchanting female vocals and oppressive atmospheric elements. If you are a fan of Jex Thoth, Jess and the Ancient Ones, Bohren Und Der Club Of Gore, and similar bands with very apocalyptic vibes, this is certainly an album for you.
After opening with the mood setting Ambient/Drone-ish “Naunet”, the band instantly makes a splash with “Snakeskin Drape” and its incisive riffs. Sara’s sultry voice instantly captures the listener’s attention thanks to its commanding presence and how it shines through the very moody music. Her unique vocals can be said to be a certain mixture of Jex Thoth, Jess from Jess and the Ancient Ones and Farida Lemouchi from The Devil’s Blood, creating a fierce presence that magically brings songs to life like jazzy “Leah” and the funky “The Seer”.
Unleashing a very unique amalgamation of different styles, today we have Germany’s Ancst and their crushing release “Ghosts of the Timeless Void”. Blending Black Metal with Hardcore and Crust elements, the band crafts a very punishing and direct sound that is not for the faint of heart and weak of mind. Delivering over 41 minutes of music, this release will have you listening to it over and over to discover all the intricate layers build on-top a very aggressive foundation.
Opening with the melodic guitars of “Dying Embers”, the band quickly escalates the situation with blistering drums and hyper aggressive vocals. The complexly crafted brutality is quite interesting and it allows the band to explore multiple combinations of genres in a very chaotic and yet directed way. While songs like “Shackles of Democracy” have melodic undertones, the punkishness of “Concrete Views” allows the band to pivot from what the listener expects into what they are most comfortable doing.
Unleashing one of the best debut releases we have heard in a long time, today we have Novareign and their super release “Legends”. Featuring nine killer tracks of highly refined Progressive/Power Metal, this band kicks some serious ass with their over-the-top energy and musicianship. If you are fan of bands like Dragonforce and Stratovarius, this release will certainly keep you entertained.
Opening with the killer guitar work of “Call On the Storm”, the band quickly sets a very intense pace. Perfectly blending extreme musical skills with a good sense of melody and song structures, the band in an instant captures your full attention, particularly in marathonic songs like “Mace of a Fist”. David Marquez vocals are the perfect fit for such a dynamic and engaging sound, as we can hear in the intense “Beyond the Cold”, and the rest of this killer release.
Hailing from Denmark, today we have the most promising new kids on the Melodic Death Metal block: Killing Gandhi. With a highly refined and effective sound, this band unleashes upon us their sophomore release “Aspirations of Failure”. Mixing everything we love from bands like Dark Tranquility, Children of Bodom, (old) In Flames, Kalmah, Omnium Gatherum, etc. the band delivers nearly 40-minutes of neck breaking music that is definitely one of the best releases of the genre in quite a while.
After the obligatory atmospheric intro, the band quickly gets down to business with the intense “Let Me Tell You”. This track starts off with killer catchy riffs and energetic vocals, and while there are tons of influences there, the band has their own unique signature style. With some futuristic keyboards, “Dark Hours” and “Hollow Paintings” are definitely some of the highlights of this release, blending tight drumming with intricate riffing and a very upbeat tempo.
From mastermind Olmo Lipani (AKA Déhà), today we have a truly terrifying and unique release with his band Yhdarl. With “Loss” we are treated to three ravaging (and long) tracks that border in the edge of sanity, and delivers some unique experimentation between Black/Death/Doom Metal and some Drone elements. Not for those that like well-defined genres, this release is a truly haunting experience.
Opening with the spiraling madness of “Ignite – Ashes”, the duo behind Yhdarl sets a very chaotic and intense tone. The vocals are truly deranged, a la Bethlehem circa “Dictius Te Necare” times. This song mostly delivers killer Black/Death Metal passages with an excellent atmosphere, we are reminded at times of Ancient and even Dissection.