With a newly revamped lineup (since the last album), Mekong Delta is finally back with their Thrash infused Progressive Metal. Ralph Hubert as the only remaining original member, Mekong Delta comes out of the shadows to release a very solid album with “Wanderer on the Edge of Time”. For somebody that has been doing music since the 80’s we could only expect nothing but the best and Mekong Delta delivers on this promise.

Recruiting Martin LeMar of Tomorrow’s Eve on vocals and Alex Landenburg of At Vance on drums, the band sounds like nothing has been really lost since their last album “Lurking Fear”. With fifteen tracks and around 50 minutes of music, “Wanderer on the Edge of Time” is arranged in a manner that allows the listener to get fully immersed on the musical experience provided on this album. All the “Zwischenspiel” or interludes (5 in total) in this album allow the transitions between tracks to be simple and elegant.

With the upcoming 25th anniversary of Neurosis, the band has decided to reissue one of their most influential masterpieces: “Enemy of the Sun”. If you remember going back to 1993, or at any point when you first listening to this crushing release, you will know how epic this album was, and how it changed the way a lot of people listened/viewed “Metal” music.

This 2010, Neurot recordings has put out another reissue of this epic masterpiece. The first reissue was back in 1999, and the current ‘2010 edition’ features a redesigned package made by Josh Graham. And it also includes two added tracks: “Takeahnse (demo version)” and “Cleanse II” (Live in Oberhausen). As one of the first experimental masterpieces of Metal, “Enemy of the Sun” is one of those releases that every Metal connoisseur must have in their collection.

As a snake shedding its skin, today we have Trigger the Bloodshed shedding its Deathcore skin and showing us their new Technical/Brutal Death Metal side. Album after album, this band has been making small progress into crafting a powerful and brutal sound that does not sound weak or cloned.

With “Degenerate”, Trigger the Bloodshed provides us 36 minutes of catchy-yet-brutal Death Metal that will make you want to headbang since minute 1 of this album. The band has paid more attention to the songwriting aspect of “Degenerate” and has crafted songs that are cohesive and well designed to exploit the heavy riffing and inhuman vocals.

Featuring Fear Factory’s Burton and Stroud, City of Fire has been around since 2008 and their self-titled release has been available to buy from the band’s site for quite a while now, but it’s finally getting a proper release date of August 24th, by Candlelight Records. This re-release includes three newly recorded bonus tracks: "Children of the Revolution”, "Last Wish", and "Dark Tides Revisited”, all of which we did not receive in our promo copy so will not be talking about them.

As you can imagine, Burton vocals are what makes this release very engaging for any fans of Metal and Hard Rock music. His characteristic pipes provide all the emotion needed for such a genre-combining release. The band’s music is not your typical “Metal” album and will surely puzzle some of Fear Factory’s biggest fans. But after a few spins, “City of Fire” comes out as a very enjoyable hard-rocking commercially-friendly release that features a group of great musicians doing exactly what they do best: great and catchy music.

Being a side project from members of Ukrainian underground legends Hate Forest and Drudkh, we expected a very atmospheric and epically raw Black Metal album that would be worthy of Roman Saenko. However, in “Sun in the House of the Scorpio” we get a mixed bag of raw and aggressive Black Metal that is much unlike Hate Forest and Drudkh.

Yes, Blood of Kingu is brutal and aggressive but the atmospheric elements are highly inconsistent. We sometimes get some interesting atmospheric elements in the way of chants on songs like “Incantation of He Who Sleeps” but they are usually drowned by the dullness of the riffing. The rest of the songs also feature nice highlights but they all get killed by the overall dullness behind the music.

Finally making its way to North America, today we have Armagedon’s second full-length album “Death Then Nothing”. For a band that was broken up for around 12 years (from 1994 to 2006), they sure do a great job in bringing back their in-you-face Death Metal style that is constantly tried to be mimicked by young bands these days.

With all the current DM kiddies trying to copy old bands, it’s nice and refreshing to actually hear an old band kicking ass and taking names with a refined ‘old school style’ music that will make legions of DM fans start headbanging since track 1. As you can imagine Armagedon is nothing close to be ‘innovative’, but they excel at the basics.

With a very unconventional sound today we have Thy Disease, a Polish band that will surely turn heads when you are blasting this release through your car stereo or out in your back yard. Starting off a second place finish in Poland’s “Metal Millennium Party” back in 1999, Thy Disease has released 5 full-length albums in over 10 years and it’s finally making its way to America through Armoury Records.

With a very rich mixture of elements in their music, Thy Disease will surely make an impact as one of the bands with one of the most interesting styles in the Metal scene these days. In “Anshur-Za”, the band combines Death/Black Metal elements with some Industrial/Electronic sounds and some interesting chorus sections (featuring clean vocals) that will surely make you scratch your head more than one.

As soon as we saw that Votum’s second full-length album was promoted for fans of Opeth, Anathema and Porcupine Tree, we immediately took out the CD from its packaging and started listening to this promising release. To our surprise, Votum actually delivers on the promise of being compared to the previously mentioned legendary bands.

Hailing from Poland, Votum has been around since 2002 and (from what we have heard) has been evolving from Heavy Metal into the mystical genre of Progressive Metal/Rock in the last years. We immediately identify with Votum’s music since it’s well crafted and atmospheric enough to draw our attention away from whatever else we are doing while reviewing music (playing MW2 mostly).