Doom Metal is a an art that has been slowly dying in the last few years with more bands switching to the more ‘lucrative’ Gothic Metal scene or just starting off as a Metalcore band. Luckly today we have A Dream of Poe, as you can expect and Edgar Allan Poe inspired Doom Metal band from Portugal with members of In Peccatum.

In this 5 song and 36 minute EP the band does a great job in crafting crushing songs that will make you want to dig up your older My Dying Bride albums and get on full-on melancholic mode. Starting with the slow (it’s Doom Metal!! what do you expect!) self-album-titled song “Lady of Shalott” the band quickly sets the tone in terms of down-tuned guitar riffs and mournful vocal atmosphere.

All the way from Portugal today we get Chaos in Paradise a very young band that is releasing their first demo. This demo features four very interesting songs that showcase the band’s talents, but it also shows the areas where they need work. Since it’s a short demo we will use the dreaded ‘song-by-song’ approach to this review.

The band opens their demo with “Dawn” a very well structured song that features what this band is all about in less than 4 minutes. With powerful riffing, you quickly get the impression this might be a Melodic Death Metal release, but soon Sara’s angelic vocals follow and your whole impression of this album is changed. The band does a very solid job in crafting a powerful chorus section with solid riffing and a catchy vocal melody. However, the small use of male vocals could have easily been avoided and this would have kept the song more consistent.

With J. Gelso composing the music and N. Imperial on vocals, The Royal Arch Blaspheme is ready to torture our soul and ears with their Blackened Death Metal sound. With such a promising line-up, the band knows what old school Black Metal fans like: raw and unceasing attacks of brutality and dissonance.

With such a foul sound, The Royal Arch Blaspheme delivers 10 tracks of total blasphemy and destruction. While this self-titled album is nothing close to a revelation or re-invention of the genre, it is very direct and effective in creating thick guitar-woven atmospheres that are greatly adorned by Imperial’s hellish screams.

As one of the most ‘anticipated’ records of 2010, “Disgusting Blasphemies Against God”  is all that the band and the label promises it to be. The album is raw, barbaric, filthy, dissonant, blasphemous, etc., however, we fail to see the point in how the lyrics and song names are crafted. We have nothing against the crushing and extremely raw and harsh music, the problem we have is with the idiotic lyrics and song titles. One thing is to be ‘kvult’ and another is to sound like a retarded 5 year-old, with songs like “Angel with Cock”, “Covered in Black Shit”, and “Smashing Religious Fucking Statues” the band sounds like a bad joke written by the kids from South Park.

We completely understand the anti-religion ideology behind the band, but when things are taken down this low, the whole point is missed and it ends up being laughable. With such idiotic ramblings we think that this takes credibility away from other bands of the genre that are actually EDUCATING themselves and being anti-religion/Satanic in a smart way.

Thanks to Hell’s Headbangers now many people can rejoice with Inquisition’s ultra Satanic masterpiece of Black Metal. “Into the Infernal Regions of the Ancient Cult” should be in every self-respecting Black Metal-head top 10 list of all times. Hailing from Colombia, this is one of the bands that took a different approach to raw low-fi Black Metal and made it sound fresh and interesting (back in 1998).

With their characteristically mournful and almost spoken vocals, the band managed to infuse the genre with that extra level of creepiness unlike anybody else was doing at the time. In this re-mastered re-release of the album we can hear everything 10 times more clearly than before, and this re-mastering is done in such a way that you still get the low-fi production values with added clarity creating a very effective mix.

Atrocity is one of those bands that you really don’t know what’s going on with them, but you eagerly await for their next release to see what they will sound like. First they started off by playing pretty decent Death Metal, and then they started incorporating weird non-metal elements into their music, way ahead of their time for 1994 in their album “Blut”. Lately (and we say lately very loosely) they released their “Werk 80” and “Werk 80 II”, in 1997 and 2008, these albums featured covers of popular pop songs of the 80’s.

More recently (four years ago) they released “Atlantis” and they where considered and ‘extreme metal’ band again, because of the ‘aggressiveness’ of this release. Now in 2010, the band is jumping into the Folk Metal/Ethno Metal area with their very impressive “After the Storm”, an album that features Yasmin Krull on vocals. This jump will surely puzzle some people, but for us that been listening to the band for quite a while it’s merely an interesting twist in the band’s career.

In a band that features Jonny Davy from Job for a Cowboy and Navene Koperweis (ex-The Faceless, ex-Animosity) we expected a shit-core marathon but instead we found ourselves listening to some sub-par technical/experimental Death Metal that features a few intersting ideas that could have been developed further to create a better album.

We have to admit that the musicianship on this release is pretty awesome and that Navene does a great job at playing all the instruments. However, the problem lays in actually crafting songs that can handle all this brilliance, “Dementia/Dyslexia” sounds completely disconnected from reality and feels more like a drugs induced ego-trip in showing how brutal and fast can you play the drums and how well can you play the guitar, than an actual album.

Seven years have passed since their debut “Black Penance” and Meltgsnow is finally back with their album “Black Penance”, a very diverse, interesting but dated sounding release that will surely confuse all the people used to getting their dose of brutality form Pulverised Records. This release, while not in the traditional ‘vein’ of Pulverised bands, is very interesting in terms of older genres of music being merged together in a very unique and different fashion.

Merging Gothic Rock/Metal elements with some NWOBHM, Thrash, and traditional Heavy Metal “Black Penance” is indeed one of the most diverse sound albums we have received this 2010. Having not heard of this band before, we can’t really say how much (or little) they have changed over the years, but we can say for sure that the sound in this release gives us a late 90’s/early 00’s vibe.

After listening to the band’s EP “The Mystical Gate of Reincarnation” we were highly impressed by the sheer brutality that oozed from that release. Fast-forward almost two decades, several band member changes and a handful of uninspired releases (mostly everything they did in the 00 decade) and now we get “Heaven’s Venom”, a very inspired release that immediately turned our heads and made us focus 100% on listening to this solid release.

While the band is not as ‘brutal’ as on their earlier days, they have matured enough to be able to pull of Melodic songs with brutal blastbeats and not even break a sweat. During the ten tracks presented in this release, the listener is treated to a rollercoaster ride through melody and brutality unlike another found in an ‘older’ Death Metal band this year.